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Published by Art Museum, Princeton University in association with Princeton University Press, Princeton, NJ, 1982
ISBN 10: 0943012023ISBN 13: 9780943012025
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Paperback. Condition: Very Good. 1st. xiv, 237 pages, illustrations; 29 cm. Catalogue of an exhibition held at the Art Museum, Princeton University, October 3 to November 21, 1982, National Gallery of Art, Washington, D.C., January 27 to April 11, 1983, and Museum of Art, Carnegie Institute, Pittsburgh, April 23 to June 19, 1983. Firm binding, clean text. Previous owner's blind stamp, otherwise unmarked. Another copy available. OVERSIZE! No priority/air, except by special arrangement. Size: 4to.
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Published by Princeton University Press for the Art Museum, Princeton University, Princeton, NJ, 1979
ISBN 10: 0691003211ISBN 13: 9780691003214
Seller: Saucony Book Shop, Kutztown, PA, U.S.A.
Book First Edition
Soft cover. Condition: Near Fine. 1st Edition. Stiff light green color illus. wraps, squarish format. Light shelf wear. Firm binding, clean interior. 180 pp., illus. w/ 50 b&w plates. Size: 4to - over 9¾" - 12" tall. Book.
Published by New York: The Metropolitan Museum of Art / Princeton, NJ: Princeton University Press, (1980). (1980)., 1980
Seller: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condition: Very good. New York: The Metropolitan Museum of Art / Princeton, NJ: Princeton University Press, (1980). (1980). Very good. - Small quarto [approximately 10 inches high by 7-3/4 inches high] cloth in a dust wrapper. The covers are slightly warped. The dust jacket is slightly rubbed with a small crease to the top edge of its front panel. 270 & [1] pages. Profuse black-and-white illustrations. Very good.
Published by Princeton University Press; The Art Museum, Princeton, NJ, 1972
ISBN 10: 0691038783ISBN 13: 9780691038780
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book
Paperback. Condition: Very Good. 96 pages, chiefly illustrations; 24 cm. Near fine. Tight, clean copy. Age toning. Errata and Addenda slip laid-in. Size: 8vo.
Published by Princeton University Press in association with the Nelson-Atkins Museum of Art, Princeton, NJ, 2002
ISBN 10: 0691074305ISBN 13: 9780691074306
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Paperback. Condition: Fine. 1st. xi, 252 pages, illustrations (some colour); 31 cm. Published in conjunction with an exhibition held at the Nelson-Atkins Museum of Art, Kansas City, Mo., February 18 to May 6, 2001; Los Angeles County Museum of Art, Los Angeles, Calif., June 10 to September 9, 2001; and the High Museum of Art, Atlanta, Ga., October 6, 2001 to January 6, 2002. Firm binding, clean inside copy. First paperback edition. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Winslow Homer's luminous watercolor seascapes and highly spirited portraits of children and outdoorsmen are some of the most recognizable and cherished works in the history of American art. This catalogue, published in conjunction with a major traveling exhibition, examines his pictures from the 1870s, the least-studied period of this perennially popular American artist. Debunking the common myth that Homer worked in isolation, Margaret Conrads reveals him as a controversial artist who was an integral part of the dizzying New York art scene of the 1870s. Indeed, Homer was the American artist most frequently discussed by the press at this time--often with simultaneous commendation and vilification. By viewing Homer's works of the 1870s through the lens of contemporaneous criticism, the author explains how and why the painter embodied the critics' high hopes for an art that expressed national values. She finds reflected in his vivid images an ongoing struggle to meet these expectations, even as he challenged and helped to redefine the artistic conventions governing American aesthetics. With almost one hundred full-color plates and nearly sixty black-and-white illustrations, this handsome volume is a remarkable record of an important period not only in Winslow Homer's career but also in the fascinating art world of late-nineteenth-century America." - Publisher. Size: 4to.
Published by Princeton University Art Museum; P.Y. and Kinmay W. Tang Center for East Asian Art, Princeton University; Yale University Press, Princeton, NJ, and New Haven, CT, 2009
ISBN 10: 030012208XISBN 13: 9780300122084
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. 303 pages, illustrations (some colour); 28 cm. Published on the occasion of an exhibition held at the Princeton University Art Museum, March 5 to June 7, 2009. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "The art world is currently enthralled with contemporary Chinese art. This thought-provoking book argues, however, that American audiences have been exposed only to a narrow range of what is available - with the majority of attention having been given to 'avant-garde,' 'experimental,' or politically charged art. Outside In discusses contemporary Chinese art in a far wider range of styles and subject matter and substantially expands on our understanding of this work. The book features six artists - Arnold Chang, Vannessa Tran, Michael Cherney, Zhi Lin, Liu Dan, and Zhang Hongtu - all of whom are American citizens, yet widely diverse in age and experience as well as geographical and ethnic origins. In addition to extensive personal interviews and artists' statements, there are essays that challenge the categorization of art into such focused genres as 'Chinese,' contemporary,' and 'American,' and reexamine the factors that shape the development of 'Chinese art' in America." - Publisher. CONTENTS: Chinese art, made-in-America: an encounter with geography, ethnicity, contemporaneity, and cultural Chineseness, by Jerome Silbergeld; In the mischievous role of naturalist: classifying the Chineseness in contemporary art, by Cary Y. Liu; Arnold Chang. Artist's statement; The great tradition, by Jerome Silbergeld; Out of bounds: painting the tradition in contemporary Chinese art, by Kim Wishart; Vannessa Tran. Artist's statement; The art of seclusion, by Jerome Silbergeld; Vannessa Tran's meditative glimpse, by Gregory Seiffert; Michael Cherney. Artist's statement; Giving back to the Chinese tradition, by Jerome Silbergeld; Beyond the visible, within the frame, by Jerome Silbergeld; Zhi Lin. Artist's statement; The artist as witness, by Jerome Silbergeld; Violence unseen: Zhi Lin's depiction of suffering and spectacle, by Gregory Seiffert; Liu Dan. Artist's statement; What realism, which beauty?, by Jerome Silbergeld; Portrait of an artist, by Michelle Lim; Zhang Hongtu. Artist's statement; An outsider's outsider comes in, by Jerome Silbergeld; Cultural iconography as style, by Michelle Lim; Epilogue. A multiplicity of meanings, by Dora C. Y. Ching. Size: 4to. Collectible.
Published by The Metropolitan Museum of Art in association with Princeton University Press, New York & Princeton, NJ, 2000
ISBN 10: 0870999389ISBN 13: 9780870999383
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Softcover. 332 pages. Exhibition catalog for a show that ran February 1 through May 14, 2000 in New York and then traveled to San Francisco and Houston for additional dates. Essays by Maria Morris Hambourg, Jeff L. Rosenheim, Douglas Eklund, and Mia Fineman. Includes 365 illustrations with 141 duotone plates along with 53 color plates. A fine copy in wrappers.
Published by Princeton, N.J.: Art Museum, Princeton University: Princeton University Press, 1980
ISBN 10: 0691003254ISBN 13: 9780691003252
Seller: MW Books, New York, NY, U.S.A.
Book First Edition
1st edition. Good to very good paperback copy; edges somewhat dust-dulled and nicked. Remains quite well-preserved overall. Physical description: 127 pages : illustrations ; 29 cm. Exhibition held at the Art Museum, Princeton University, Apr. 17-Sept. 7, 1980. Includes bibliographical references (pages 121-125). Subjects: Painting, Italian ; Exhibitions. Painting, Baroque Italy ; Exhibitions. Painting Private collections New York (State) New York ; Exhibitions. Painting 20th century Italy ; Exhibitions. 1 Kg.
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Published by Hood Museum of Art, Dartmouth College in association with Princeton University Press, Hanover, NH and Princeton, NJ, 1997
ISBN 10: 0691016623ISBN 13: 9780691016627
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Paperback. Condition: Very Good. 1st. xii, 219 pages, illustrations (some colour); 31 cm. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--f-tes galantes, pastorals, tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution, Intimate Encounters enables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition, Intimate Encounters contains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder)." - Publisher. Size: 4to.
Published by Princeton University Art Museum; Yale University Press, Princeton, NJ, and New Haven, CT, 2018
ISBN 10: 0300229089ISBN 13: 9780300229080
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Fine. 1st. Cloth, 408 pages, illustrations (some colour), portraits; 30 cm. Exhibition held at Princeton University Art Museum, October 7, 2017 to January 7, 2018; Davis Museum, Wellesley College, February 7 to June 3, 2018; Portland Museum of Art, Portland, Maine, June 22 to September 16, 2018; Cleveland Museum of Art, October 21, 2018 to January 21, 2019. Near fine. Firm binding, clean inside copy. Lower right corners lightly bumped. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. "Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871-1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White's contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar "modernism" to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist's early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life." - Publisher. CONTENTS: Introduction: photographing together, by Anne McCauley; Amateur photography and the poetry of the everyday, by Anne McCauley; The Photo-secession and the paradox of pictorialist commercial photography, 1904-1912, by Anne McCauley; Bringing fiction to life: Clarence H. White's photographic illustrations, by Barbara L. Michaels; Clarence H. White in the light of F. Holland Day, by Verna Posever Curtis; Rethinking the politics of pictorial photography: White and Socialism, by Anne McCauley; "Clean, strong, firm-fibred": White's photographic nudes, by Anne McCauley; Progress and Pictorialism: the Newark Museum and photography, 1901-1923, by Perrin M. Lathrop; Beyond the classroom: White as a teacher, by Anne McCauley; Design, abstraction, and photographic art: Max Weber at the White School, 1914-1918, by Ying Sze Pek; "A thing of freedom": Clarence H. White and aesthetic dance, by Caitlin Ryan; Saving art photography: White's late work and the legacy of Pictorialism, by Anne McCauley; Cyanotype, platinum, and palladium printing: the siderotype artistry of Clarence H. White, by Adrienne Lundgren; Clarence H. White's "best available examples" at the Library of Congress, by Verna Posever Curtis; Finished, unfinished, and experimental: the Clarence H. White collection at the Princeton University Art Museum, by Peter C. Bunnell. Size: 4to. Collectible.
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Published by The Metropolitan Museum of Art / Princeton University Press, New York and Princeton, NJ, 1997
ISBN 10: 0870998390ISBN 13: 9780870998393
Seller: Saucony Book Shop, Kutztown, PA, U.S.A.
Book First Edition
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Dark red cloth, spine panel lettered in gold foil. As issued. xv,240 pp., 250 illus. including 33 color plates. Color illus. dust jacket as issued, now in mylar. Size: 4to - over 9¾" - 12" tall. Book.
Published by Metropolitan Museum of Art/Princeton University Press, New York and Princeton, NJ, 1999
Seller: Saucony Book Shop, Kutztown, PA, U.S.A.
First Edition
Soft cover. Condition: Near Fine. 1st Edition. SOFTCOVER, stiff illus. wraps. One slight stress crease along firm, square binding, otherwise as new/as issued. x,478 pp., illus. 1st ptg. Size: 4to - over 9¾" - 12" tall. Book.
Published by Princeton University Art Museum and Yale University Press, Princeton, NJ and New Haven, CT and London, 2008
ISBN 10: 0300149301ISBN 13: 9780300149302
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Softcover. 96 pages. Features a foreword and essay by the editor Joel Smith along with additional essays by Peter Barberie, Kelly Baum, Anne McCauley, and Kevin Moore. Includes 61 color and 32 black and white illustrations. A clean very near fine copy in French style wrappers.
Published by Princeton, N.J. : Art Museum, Princeton University in association with Princeton University Press, 1982
ISBN 10: 0691040052ISBN 13: 9780691040059
Seller: MW Books, New York, NY, U.S.A.
Book First Edition
1st Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: xiv, 237 pages: illustrations; 29 cm. Subjects: Drawing, Central European 16th century; Exhibitions. Drawing, Central European 17th century; Exhibitions. European drawings 1400-1700 Catalogues. Drawings and studies Exhibitions U.S.A. 1 Kg.
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Published by Museum of Fine Arts Houston / Princeton university Press, Princeton, NJ, 1998
ISBN 10: 089090085XISBN 13: 9780890900857
Seller: Books to Die For, The Woodlands, TX, U.S.A.
Book
Soft cover. Condition: Very Good. VG+. Oversized paperbound. Light shelf rubbing/ Front corners lightly bumped, curled. Spine square, tight, uncreased. Heavily illustrated in black and white, color. Interior clean, unmarked. Extensive collection of early American furniture, household items. NOTE: Large, extremely heavy (over 5 pounds) volume. ALL forms of shipping, including media, will require extra postage charge. Amount will depend on zip code.
Published by Telfair Museum of Art; Princeton University Press, Savannah, GA and Princeton, NJ, 2001
ISBN 10: 0691089221ISBN 13: 9780691089225
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 218 pages, illustrations (some colour); 32 cm. Exhibition held at the Telfair Museum of Art, March 20 to June 3, 2001 and others. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "The color-drenched gardens and sun-dappled nudes by Frederick Carl Frieseke (1874-1939) have long been loved by admirers of American Impressionism, and his paintings are treasured in museum collections across the country. This beautiful and comprehensive volume--with more than one hundred color and almost eighty black-and-white plates--is the most ambitious ever devoted to his work. It is being published in conjunction with a major retrospective of the artist's work. A biographical overview and a detailed chronology by the artist's grandson, including charming vintage photographs, provide much new information and correct several misconceptions about Frieseke's life and career. Three invaluable essays by leading scholars discuss the diverse stages of his work and place it in art historical context, detailing his experience as a student at Whistler's atelier in Paris and as a central member of the group of American expatriates who settled in Giverny, France, near the French master Monet. The book's groundbreaking scholarship casts new light on Frieseke, American Impressionism, and the art world at the turn of the last century. The contributors are Nicholas Kilmer, guest curator of the exhibition and the artist's grandson Virginia M. Mecklenburg, senior curator of painting and sculpture at the Smithsonian American Art Museum David Sellin, art historian and author of American Painters in Brittany and Normandy and H. Barbara Weinberg, curator of American painting and sculpture at The Metropolitan Museum of Art. / Linda McWhorter, of The Telfair Museum of Art, in Savannah, Georgia, is the coordinator of both the exhibition and catalogue." - Publisher. CONTENTS: Frederick Carl Frieseke: a biography, by Nicholas Kilmer; Frieske's art before 1910, by H. Barbara Weinberg; Frieseke in Le Pouldu and Giverny: The Black Gang and the Giverny Group, by David Sellin; An artist in transition: Frieseke in the 1920s and 1930s, by Virginia M. Mecklenburg. Size: Folio. Collectible.
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Published by Art Museum, Princeton University Press, Princeton, NJ, 1975
ISBN 10: 0691039100ISBN 13: 9780691039107
Seller: Bookshelf of Maine, Franklin, ME, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. 1st. "In this volume four distingished scholars explore aspects of Byzantine book illumination within its aristic and cultural context." ; Ex-Library; B&W Illustrations; Small 4to 9" - 11" tall; 184 pages.
Published by Princeton University Press in association with the Nelson-Atkins Museum of Art, Princeton, NJ, 2001
ISBN 10: 0691070997ISBN 13: 9780691070995
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Fine. 1st. xi, 252 pages, illustrations (some colour); 31 cm. Published in conjunction with an exhibition held at the Nelson-Atkins Museum of Art, Kansas City, Mo., February 18 to May 6, 2001; Los Angeles County Museum of Art, Los Angeles, Calif., June 10 to September 9, 2001; and the High Museum of Art, Atlanta, Ga., October 6, 2001 to January 6, 2002. Near fine. Firm binding, clean inside copy. Spine slightly rolled at the crown. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Winslow Homer's luminous watercolor seascapes and highly spirited portraits of children and outdoorsmen are some of the most recognizable and cherished works in the history of American art. This catalogue, published in conjunction with a major traveling exhibition, examines his pictures from the 1870s, the least-studied period of this perennially popular American artist. Debunking the common myth that Homer worked in isolation, Margaret Conrads reveals him as a controversial artist who was an integral part of the dizzying New York art scene of the 1870s. Indeed, Homer was the American artist most frequently discussed by the press at this time--often with simultaneous commendation and vilification. By viewing Homer's works of the 1870s through the lens of contemporaneous criticism, the author explains how and why the painter embodied the critics' high hopes for an art that expressed national values. She finds reflected in his vivid images an ongoing struggle to meet these expectations, even as he challenged and helped to redefine the artistic conventions governing American aesthetics. With almost one hundred full-color plates and nearly sixty black-and-white illustrations, this handsome volume is a remarkable record of an important period not only in Winslow Homer's career but also in the fascinating art world of late-nineteenth-century America." - Publisher. Size: 4to. Collectible.
Published by The Art Museum, Princeton University Press, Princeton, NJ, 1989
Seller: gearbooks, The Bronx, NY, U.S.A.
Magazine / Periodical
Pamphlet. Condition: Like New. Bruce Campbell (Design) (illustrator). Volume 48, No. 2, 1989. 39 pp. Volume 48, No. 2, 1989 only! Clean, fresh copy with very light shelf wear, crisp pages and clean text.
Published by The Metropolitan Museum of Art and Princeton University Press, New York and Princeton, NJ, 1999
ISBN 10: 069104872XISBN 13: 9780691048727
Seller: Vivarium, LLC, Silverado, CA, U.S.A.
Book
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 4to - over 9¾ - 12" tall. 488 pages, 76 colorplates, 312 duotones. Pristine hardcover cloth in like dust-jacket. Extra international postage required.
Published by Worcester Art Museum / Princeton University Press, Worcester, MA / Princeton, NJ, 2005
ISBN 10: 0691122326ISBN 13: 9780691122328
Book
Hardbound. Olive colored cloth with gilt spine lettering; white illustrated DJ; xvi, 349 pp., 188 color and 237 bw plates. "This book features the first comprehensive interdisciplinary study of the mosaics from Antioch, one of the four capitals of the Roman and Early Christian world. A follow-up to Antioch: The Lost Ancient City by Dr. Kondoleon, this volume includes the latest scholarly and scientific discoveries that grew out of the Antioch exhibition. For the first time, the research of art historians and archaeologists is combined with that of conservators and scientists to shed new light on mosaic and glass workshops." "The authors take an in-depth look at the Antioch excavations, which yielded a range of mosaics, sculpture, glass- and metalwork spanning four centuries. They also explore the development of mosaic conservation in museums since the 1930s. Included are recent findings on mosaic materials, artistic techniques, glassmaking technology, stone quarries, workshops, trade, and patronage."--Jacket. An introduction by the director of the Worcester Art Museum outlines the history of the museum's involvement with the excavations of Antioch, and gives insight into several personalities who were key to the realization of the project. The catalogue section offers detailed information regarding the archaeological context, art historical significance, and technical study of over 150 objects, including the finest group of Roman and Early Byzantine mosaics in North America, and a chronological series of 106 coins from Antioch. With 400 photographs and illustrations, The Arts of Antioch provides a new basis for future scientific and art historical study." -- DJ. Good (General shelfwear to boards; DJ has light toning and edgewear/foxing/scuffing; interior is clean and bright; binding is solid.).
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Published by New York : Metropolitan Museum of Art ; Princeton, N.J. ; Princeton University Press, 2001
ISBN 10: 0691090327ISBN 13: 9780691090320
Seller: MW Books, New York, NY, U.S.A.
Book First Edition
First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 300 pages; Physical desc. : xx, 300 p. : ill. (some col. ) ; 29 cm. Subjects: Lehman, Robert, 1892-1969 - Art collections - Catalogs. Metropolitan Museum of Art (New York, N. Y. ) - Catalogs. Tapestry - Europe - Catalogs. Tapestry - Private collections - New York (N. Y. ) - Catalogs. Textile fabrics - Europe - Catalogs. Textile fabrics - Private collections - New York (N. Y. ) - Catalogs. Summary: European textiles in the Robert Lehman collection. 1 Kg.
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Published by Princeton, NJ : Princeton University Press with the Museum of Fine Arts, Houston, 2000
ISBN 10: 0691004609ISBN 13: 9780691004600
Seller: MW Books, New York, NY, U.S.A.
Book First Edition
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved; tight, bright, clean and strong. Literally as new. Physical description; xvii, 235 pages : color illustrations ; 32 cm. Subjects; Museum of Fine Arts (Houston). Peinture moderne Europe Catalogues. Peinture européenne États-Unis Houston (Tex.) Catalogues.Painting, European Texas Houston ; Catalogs. Painting Public collections U.S.A. 1 Kg.
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Published by Smithsonian American Art Museum in association with Princeton University Press, Washington D.C. and Princeton, NJ, 2019
ISBN 10: 0691191182ISBN 13: 9780691191188
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Fine. 1st. Cloth, xvi, [4] pages, 396 pages, illustrations (some colour), portraits (some colour); 31 cm. Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019. The exhibition will tour to the Minneapolis Institute of Art from September 28, 2019 to January 5, 2020. Near fine. Firm binding, clean inside copy. Top right corners bumped. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy US Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Illustrated in color throughout, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism" -- Publisher. Size: Folio.
Published by Princeton University Art Museum / Yale University Press, Princeton, NJ, 2017
ISBN 10: 0300229089ISBN 13: 9780300229080
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Hardcover. 408 pages. Published in conjunction a traveling exhibition that ran October 7, 2017 through January 7, 2018 at the Princeton University Art Museum and then went to three other locations for additional dates. A monograph tht looks at the photographic works of pictorialist photographer Clarence H. White. Includes text contributions by Anne McCauley, Peter C. Bunnell, Verna Posever Curtis, Perrin M. Lathrop, Adrienne Lundgren, Barbara L. Michaels, Ying Sze Pek, and Caitlin Ryan. Includes over 300 illustrations. A fine and tight copy in a near fine dust jacket with some creasing to the front flap. This is a heavy and oversized book and will require extra shipping.
Published by The Metropolitan Museum of Art in association with Princeton University Press, New York & Princeton, NJ, 2000
ISBN 10: 0691050783ISBN 13: 9780691050782
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Hardcover. 332 pages. Exhibition catalog for a show that ran February 1 through May 14, 2000 in New York and then traveled to San Francisco and Houston for additional dates. Essays by Maria Morris Hambourg, Jeff L. Rosenheim, Douglas Eklund, and Mia Fineman. Includes 365 illustrations with 141 duotone plates along with 53 color plates. A fine copy in a fine dust jacket and still in the publisher's shrinkwrap. This is a heavy and oversized book and will require extra shipping.
Published by Museum of Contemporary Art and Princeton University Press, Los Angeles, CA and Princeton, NJ, 2002
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Hardcover. 200 pages. Features a foreword by Jeremy Strick and essays by Cornelia H. Butler, Paul Schimmel, Richard Shiff, and Anne M. Wagner. Includes 124 color illustrations, 6 black and white images, selected bibliography, and checklist. A near fine copy in cloth boards with a slight bit of bumping to the bottom of the spine in a near fine dust jacket with some minor wear.
Published by Art Museum, Princeton University in association with Princeton University Press, Princeton, N.J., 1984
ISBN 10: 0691040273ISBN 13: 9780691040271
Seller: Carothers and Carothers, Albany, CA, U.S.A.
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. xvi, 504 pages : illustrations (some color). Publisher's binding sturdy, minor wear to extremities; contents as new. Edgewear to dust jacket. 3620 grams.
Published by New York, N.Y : Princeton, N.J. : Metropolitan Museum of Art ; Princeton University Press, 1993
ISBN 10: 0870996789ISBN 13: 9780870996788
Seller: MW Books, New York, NY, U.S.A.
Book First Edition
First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 342 pages; Series: The Robert Lehman collection, 11. Physical description: xv, 342p. : illus. (some col.) ; 29cm. Summary: Among the exquisite pieces of glass in Robert Lehman's collection are many that exhibit the consummate skill of Venetian glassmakers and explain why Venetian glass was so coveted in Europe in the sixteenth and seventeenth centuries. The factories in northern Europe that produced glass a la faon de Venise are represented as well. Robert Lehman also acquired perhaps the richest American collection of eighteenth-century lampworked glass figurines, which are usually attributed to Nevers, France. Smaller groups of reverse-painted panels and ancient Roman and early Islamic glass round out the 136 objects catalogued in this volume. Subjects: Lehman, Robert, 1892-1969 -- Art collections -- Catalogs. 2 Kg.
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Published by Museum of Contemporary Art & Princeton University Press, Los Angeles & Princeton, NJ, 2002
ISBN 10: 069109618XISBN 13: 9780691096186
Book First Edition
Cloth in Illustrated Jacket. Condition: Fine. Dust Jacket Condition: Fine. First Edition. 200pp, profusely illustrated in color and b&w. Designed by Tracey Schiffman. With an exhibition checklist and bibliography. This is the lavish hardbound catalogue published in conjunction with a 2002 Museum of Contemporary Art, Los Angeles retrospective of seventy-eight figurative works on paper by the famed Abstract Expressionist pioneer Willem De Kooning. A brand new, most handsome example still in the publisher's shrinkwrap. Artist Monograph.