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Published by National Gallery of Canada : obtainable from National Museums of Canada, 1977
ISBN 10: 0888843259ISBN 13: 9780888843258
Book
Condition: Good. Good condition.
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Published by Gangemi, 2013
ISBN 10: 8849226616ISBN 13: 9788849226614
Book
Trade Paperback. Condition: Very Good. A Very Good copy. Book has sheflwear, bumped corners, and a touch of soiling to covers. Interior is tight, clean, and bright. 8vo. - over 7¾' in - 9¾' in.
Published by National Gallery of Canada, Ottawa, Ontatio, Canada, 1977
ISBN 10: 0888843259ISBN 13: 9780888843258
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Oblong softcover. 162 pages. Text in English and French with an introduction by Giuliano Brganti and text by Walter Virtzhum. Includes numerous illustrations. A near fine copy in wrappers and with the small rubber stamp of author, curator, and one time director of The Art Institute of Chicago Douglas Druick to the front free endpaper. A nice copy with an interesting provenance.
Published by München : Staatliche Graphische Sammlung,, 1983
Book
kart. Condition: Sehr gut. 24, 40 S. : überwiegend Ill. (z.T. farb.) ; 17 x 25 cm Mit Lit.-Verz. Ungelesenes Archivexemplar mit dezent nachgedunkeltem Schnitt. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Deutsch Gewicht in Gramm: 550.
Published by Stair Sainty Matthiesen, New York, 2002
ISBN 10: 0952235366ISBN 13: 9780952235361
Seller: THOMAS RARE BOOKS, Yaxley, SUFFOLK, United Kingdom
Book First Edition
Hardback. Condition: Mint. 1st Limited Edition. 45pp. 19 illustrations. Two large folding plates to the middle of the volume printed to the highest quality. A sumptuous production bound in strong and heavy illus. board covers. A lovely copy. Foreword by Patrick Matthiesen. An un-numbered edition of 850 copies printed on 250gr Larius Fine Art Gloss paper Size: square 4to.
Seller: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Netherlands
London, [etc.], 2002. 45 pp. 19 ills. Hardcover.Catalogue of the Matthiesen Fine Art Ltd., London & the Stair Sainty Matthiesen Inc., New York. - Text in English.
Published by Viviani Editore, 2002
ISBN 10: 8879930834ISBN 13: 9788879930833
Seller: Windy City Books, Batavia, IL, U.S.A.
Book
Soft cover. Condition: Fine. Dust Jacket Condition: No Jacket issued.
11. Milano, Electa, 1996, square in-4°, 25 x 29 cm, 464 pp with 850 ills. of which 145 colored, index, bibliography, publisher's cloth with dustwrapper and colored slipcase. Mint copy. This is the reworked and enhanced edition of the 1966 Ugo Bozzi edition. Gaspard van Wittel (Van Vitelli , Gasparo degli Occhiali ) was born in Utrecht around 1652. He went to Italy in early age and became one of the most famous ''Vedute'' painters of his age.
Published by Nova Charta, Venezia, 2011
ISBN 10: 889504715XISBN 13: 9788895047157
Seller: Seprian, Villastellone, TO, Italy
Book
Cartone editoriale. Condition: Ottime. Gaspar van Wittel (illustrator). Limitata, Numerata. Modo di far navigabile il fiume Tevere da Perugia a Roma. Ms 34 K 16 (1227) conservato presso la Biblioteca dell Accademia Nazionale dei Lincei e Corsiniana di Roma. Nova Charta, Venezia, 2011. Riproduzione in facsimile delle 66 carte disegnate da Gaspar van Wittel con descrizioni del Cornelis Mayer per rendere navigabile il Tevere da Perugia a Roma. Cofanetto, in pelle con scritte in oro sul piatto e dorso, di custodia del facsimile e del commentario (21,5x21,5 pagg. 141). Tiratura limitata e numerata di 199 copie. Condizione ottima. 3500g.
Published by Giuseppe Vasi c.1765, 1765
Seller: Alexandre Antique Prints, Maps & Books, Toronto, ON, Canada
Art / Print / Poster
The Grand View of Rome published by Giuseppe Vasi in 1765 was accompanied by two large etchings having the same height as the Grand View so that they could be placed next to it to complete the decoration of a wall. These two etchings were followed in 1771 by two others having the same dimensions.These four large etchings showed:Campo Vaccino (1765)La Cittą Leonina (The Vatican City) che si vede colla Basilica Vaticana, Ponte e Castel S. Angelo (1765)La veduta della Basilica di S. Maria Maggiore dalla parte verso le Quattro Fontane (1771)La veduta della Basilica di S. Paolo fuori delle Mura ed adiacenze dal Monte Aventino, e dal Fiume Tevere (1771) The choice of Campo Vaccino and of the Vatican City as the subjects of the two 1765 etchings was consistent with the approach followed by Vasi in his ten books of etchings aimed at showing the magnificence of both ancient (Campo Vaccino) and modern (Vatican City) Rome. For the 1771 etchings Vasi chose areas of Rome which were not visible in detail in the Grand View of Rome.Cittą Leonina (Leo's City) is a reference to Pope Leo IV, who first built walls to protect the basilica and the nearby area. The lower part of the etching contains a dedication to i Signori Conservatori del Popolo Romano, the appointed officers who acted as City Council of Rome. One of the palaces in Piazza del Campidoglio is still named after them. They were the heirs of the Comune di Roma, the municipal government which at the time of Cola di Rienzo challenged the authority of the popes. Vasi placed between the etching and the dedication a sentence from Propertius' Elegies (Book III 2.2).This etching was most likely influenced by a painting by Gaspar van Wittel (1652-1736), a Dutch painter who spent most of his life in Rome and who became famous for his vedute (highly detailed, large-scale townscapes). His son Luigi Vanvitelli became one of the leading Italian architects of the XVIIIth century., Image Size : 678x979 (mm), 26.69x38.54 (Inches), Platemark Size : 685x985 (mm), 26.97x38.78 (Inches), Paper Size : 709x1015 (mm), 27.91x39.96 (Inches), Black & White, Copper Engraving Mounted on old canvas, slightly fragile, small restoration at the lower margin, a few short marginal tears but generally good.