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Published by Pranava Books, 2020
Seller: S N Books World, Delhi, India
Book Print on Demand
Leatherbound. Condition: NEW. Leatherbound edition. Condition: New. Language: fre Leather Binding on Spine and Corners with Golden leaf printing on spine. Reprinted from BK edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. THERE MIGHT BE DELAY THAN THE ESTIMATED DELIVERY DATE DUE TO COVID-19. Pages: 88 Pages: 88.
Published by Marie-Puck Broodthaers, Brussel / Bruxelles, 1992
Seller: La Librería, Iberoamerikan. Buchhandlung, Bonn, NRW, Germany
Broschiert. Condition: Gut. 8° (205x145 mm.). 16 p. Brochure, staple bound. Sprache: Französisch, ill. b/w. & 2 color ill. Very good conditions. USADO / GEBRAUCHT / USED. Exhibition catalog in French and Dutch with an introduction from Jean-Pierre Van Tieghem. [catalogs+brochure+galerie+gallery]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * 20,70 (reduced from 23,00 ) **.
Published by Frankfurt. / Edinburgh. Gallery of Modern Art 1988. 167 Seiten. Zahlreiche, meist farbige Abbildungen. Format (30 x 24,5) cm., 1988
Seller: Antiquariat Bernd Preßler, Ahnatal Weimar, Germany
4 Seiten schriftliche Anmerkungen / Korrekturen zum Ausstellungsverzeichnis, sonst tadellos. Softcover / Original kartoniert.
paperback. Condition: Ottimo (Fine). Catalogo di mostra. Testo di Camfield in italiano, francese e inglese. Allegata la cartolina a colori che riproduce ''Il pollaio'' (The Hen Roost, 1912) . 8vo. pp. 4. . Ottimo (Fine). . . Galleria Schwarz [Fondazione Mudima, 1995] Giulivi Ariella e Trani Raffaella (a cura di), Arturo Schwarz. La Galleria 1954-1975. Milano, Fondazione Mudima, 1995. Invito alla mostra del ciclo che intendeva presentare, alla Galleria di Arturo Schwarz, capolavori sconosciuti dell'arte contemporanea. Book.
paperback. Condition: Molto buono (Very Good). Catalogo della mostra "Francis Picabia. A Retrospective Exhibition". A cura di William A. Camfield. Numerose illustrazioni in bianco e nero e 9 a colori . 8vo. pp. 162. . Molto buono (Very Good). . . . Book.
Published by Torino, Galleria Civica d'Arte Moderna,, Torino, 1974
paperback. Condition: Molto buono (Very Good). Catalogo della mostra tenutasi presso la Galleria Civica d'Arte Moderna, Torino, 28 novembre 1974 - 2 febbraio 1975. A cura di Maurizio Fagiolo dell'Arco. Prefazione di Silvana Pettenati. Riproduzione anastatica di lettere inviate a Picabia da Hans Richter, René Clair, Marguerite Arp et al. Testo di Maurizio Fagiolo dell'Arco. Illustrazioni in bianco e nero. 82 Tavole b/n f.t. Biografia e Catalogo delle opere . 8vo (cm 22,5x22,5). pp. 140+tavole. . Molto buono (Very Good). Copertina leggermente sciupata, pagine leggermente brunite ai margini (Lightly worn cover, pages slightly browned to edges). . . ?La ricerca e la revisione documentaria critica, in cui si è impegnato Maurizio Fagiolo, sono alla base della mostra ed hanno portato a risultati di estrema validità: molte opere sono esposte a Torino per la prima volta, molte notizie sonno inedite. Il catalogo si presenta come uno studio complessivo sull'avanguardia artistica di cui Picabia è considerato all'interno del Cubismo, del Dada, del Surrealismo, dell'Informale? (Silvana Pettenati). Book.
Published by Paris, Centre National d'Art et de Culture Georges Pompidou,, Paris, 1976
paperback. Condition: Molto buono (Very Good). Catalogo di mostra, Galeries Nationales du Grand Palais, Paris 23 gennaio - 29 marzo 1976. A cura di Jean-Hubert Martin e Hélène Seckel. Con scritti dell'Artista e di Jean Arp, Guillaume Apollinaire, Pontus Hulten, Gabrielle Buffet-Picabia, William Copley, Ulf Linde, Schuldt, Hélène Seckel, Jean Hubert Martin, André Reton, et al. Con 245 ill. in nero e a colori. Attività espositiva, bibliografia. Testo in francesce . 4to. pp. 202. . Molto buono (Very Good). . . . Book.
paperback. Condition: Ottimo (Fine). Catalogo di mostra, 6 giugno - 16 settembre 1972. Prefazione di Marcel Duchamp. Testo di William Camfield. Riproduzione in nero e a colori delle 47 opere esposte. Cronologia e bibliografia . 8vo. pp. 80. . Ottimo (Fine). . . Galleria Schwarz [Fondazione Mudima, 1995] Giulivi Ariella e Trani Raffaella (a cura di), Arturo Schwarz. La Galleria 1954-1975. Milano, Fondazione Mudima, 1995. ''La carriera di Picabia è una serie caleidoscopica di esperienze artistiche che hanno appena una parvenza di relazione l'un l'altra nelle loro apparenze esterne, ma sono tutte caratterizzate in modo ben determinato da una forte personalità'' (Duchamp). Book.
paperback. Condition: Ottimo (Fine). Prima edizione di 749 es. numerati. Choix par Henri Parisot Uno dei 570 es. della 'vergé edition'. 16mo. pp. 92. . Ottimo (Fine). . Prima edizione di 749 es. numerati. . Book.
paperback. Condition: Ottimo (Fine). Edizione di 99 esemplari. . 8vo. pp. 28. . Ottimo (Fine). . Edizione di 99 esemplari. . Book.
Publication Date: 1938
Seller: Moroccobound Fine Books, IOBA, Lewis Center, OH, U.S.A.
Association Member: IOBA
Manuscript / Paper Collectible
No Binding. Condition: Very Good. Autograph letter signed, one page measuring 8.5 x 11 inches (26.9 x 20.6 cm), dated 27 November 1938. Here Picabia writes about a misunderstanding over exhibiting his paintings at the Charpentier gallery, a former modern and contemporary art gallery located in Paris at 76, rue du Faubourg-Saint-Honoré. The letter two-hole punched with some fold marks. Picabia was a French painter, designer and writer associated with the Dada and surrealist groups.
1 lettre autographe signée 1 In-4 24/12/1949 Avec enveloppe. bon Picabia a 70 ans, au printemps 49, quand le galeriste René Drouin organise la première rétrospective de son oeuvre. C'est l'heure des hommages. Autant dire, un enterrement à vif. Il est las, l'envie s'en est allée, l'avenir est derrière lui. L'un de ses derniers tableaux, des points de couleurs parsemés sur un fond monochrome, s'intitule Je n'ai plus envie de peindre, quel prix ? Le Salon des Réalités nouvelles, initié par Sonia Delaunay et Hans Arp, et qui promeut l'art abstrait, est devenu l'exutoire de ses amertumes. Il est désormais un peintre du passé ; des artistes audacieux, Soulages, Vieira da Silva, de Staël, Klein, le relayent au rang d'artiste académique. Une injure. « Je viens de recevoir votre papier, que je trouve très bien, je l'ai donné à René Drouin, je vous remercie, cela m'a fait grand plaisir d'avoir ces lignes de vous. Hier, j'ai été au bal nègre où j'ai rencontré votre frère, il m'a dit que la famille devait être représentée. Cette exposition va être curieuse. Je me demande en voyant ces tableaux quel peut être le peintre qui a peint tout cela. Je pense aux artistes des réalités nouvelles qui ont le sentiment d'être les peintres élus parmi les peintres, et cela parce qu'ils se donnent le génie moral parmi les artistes grâce à la faculté qu'ils ont de mépriser tout, faculté développée chez eux plus que chez n'importe quel idiot. Je suis très heureux que vous reveniez avant le 20. Je vous serre les deux mains très amicalement. Olga vous envoie toutes ses amitiés. Francis Picabia J'ai fait ce dessin après une soirée à notre cercle, très XVIIIe, vous ne trouvez pas ? Il va y avoir 120 tableaux. » Peintre dadaiste puis surréaliste.
Published by Paris, 30. X. 1919., 1919
Manuscript / Paper Collectible
8vo. 1 page. Picabia exposes his uvre at the Salon d Automne. J autorise Monsieur Brissy à photographier mes tableaux exposés au Salon d Automne. Francis Picabia. 32 av. Charles Floquet. Paris.".
Published by Paris, Samedi [1948]., 1948
Seller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manuscript / Paper Collectible
4to. 1¼ pp. In French. Together with a letter from Picabia's second wife Germaine. To the French poet and writer Gaston Criel (1913-90), praising Criel s forthcoming essay "Swing" with respect to Picabia's artistic ideals. This highly interesting letter offers a poetic sum of Francis Picabia's conception of literature and art that is worth quoting in full: "I read the proofs of your book; the few lines that I am sending you are the expression of my thoughts. I have objections to the literature of many: why disguise these objections? I get headaches when this literature begins to act on me; my thought demands elation from literature, even a pirouette; for my heart and stomach would not be happy otherwise. Ultimately, my entire body demands an alleviation from literature: this leaden life must lose its heaviness. Melancholy is everywhere in these horrible books of perfection; that is why I need life. 'Swing' is as alive as swing could be. The comprehension of the true step - this comprehension of illusion is the only bearable thing, that is, for me, the only true thing. Loyalty with the explanation given to it is a subject of disgust. Fortunately this contrary force, art, shows us the way to the dream without sleep. I hope to live all my life, a life of imperfection, on the beautiful river, which reflects the illusion. The horizon of art makes me laugh, and laugh at me. It gave me pleasure to read 'Swing', book of freedom, which places you above things as your ideal requires, to need yourself". - Gaston Criel's poetic debut appeared in 1937; his volume "Gris" (1938) was praised by Paul Éluard. During WWII he was imprisoned in a German POW camp. After returning to Paris in 1945, Criel became André Gide s private secretary. From 1950 to 1953 Criel lived in the United States, where the Jazz enthusiast met, among others, Louis Armstrong and Dizzy Gillespie. - Germaine Picabia s letter to the writer and journalist François Jean-Desthieux from 1934 bears testimony to the failure of the marriage: "Picabia has recovered from his furunculosis, he lives on his little boat and looks very sad, I think that I cannot do anything anymore " (Cannes, 3 January 1934). The couple had been introduced in 1917 by the Mexican painter Georges de Zayas. Both left their spouses and soon moved together. From 1919 onwards their discussion sessions in their rue Émile-Augier apartment became a fixture of the Parisian Dada movement with André Breton, Marcel Duchamp, and Tristan Tzara among the regular guests. The marriage fell apart in the early 1930s when Francis Picabia began an affair with their governess Olga Mohler, whom he would marry in 1940. - Minor browning and a short tear. - Cf. G. Criel, Swing (Paris: Éditions Universitaires Françaises, 1949).