Architecture Arts Crafts Movement by Meister Maureen (30 results)

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Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. More than average wear and tear, but item is usable.

As New. Condition: As New. ///. AS NEW in an AS NEW dust jacket. 8vo, hardcover, 207pp, index. Illustrated in b/w. (Architecture). + + We pack carefully and ship promptly -- with tracking included. + + ARTS & CRAFTS MOVEMENT.

Hardcover. Condition: Very Good. VG - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: Used - Very Good. 2003. Hardcover. Cloth, dj. Minor shelf-wear. Very Good.

Condition: Fine. First Edition. Hanover: University Press of New England, (2003). 1st Edition. xiv, 207 p. Hardbound with Dust Jacket. Interior pages are clean and the binding is tight. A bright looking copy. Fine/Fine.

Condition: UsedAcceptable. book.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. 208 page hardcover with illustrations. Dust jacket is complete, bright and clean. Interior is unmarked, tight and clean.

Hardcover. Condition: Used - Very Good. Dust Jacket Condition: Very Good. H. Langford Warren (1857-1917) was an important link in the chain of individuals who contributed to the architectural practice, theories of design, and the teaching of architectural history in the United States at the turn of the twentieth century. Best known in the Boston area, Warren first worked under the renowned architect Henry Hobson Richardson before establishing his own practice. Friends and colleagues during this period included Charles Eliot Norton, the noted art historian, and Harvard's Charles Herbert Moore, a leading Ruskinian painter. Hired by Harvard University in 1893, Warren developed its architectural curriculum. In 1897 he helped found Boston's Society of Arts and Crafts. At the time of his death in 1917, Warren was Dean of the School of Architecture at Harvard and President of the Society of Arts and Crafts. At the turn of the century, Warren's philosophical vision offered a conservative and ethnocentric perspective attractive to many Bostonians and to a significant segment of Americans nationwide. According to this view, English culture was the basis of American culture. Through his work at Harvard and in the Arts and Crafts movement, he articulated and promoted an aesthetic guided by an attachment to the past, and he encouraged his students at Harvard to revive and reinterpret English and Anglo-American models. Another characteristic of Warren's aesthetic was 'restraint,' a quality generally attributed to the region's Puritan settlers. 'Restraint' also meant a rejection of both the lavish ornamentation of the Ecole des Beaux-Arts in Paris and the more original styles such as Art Nouveau that were emerging at the turn of the century. Following the ideals of John Ruskin, William Morris, and later leaders of the English Arts and Crafts movement, Warren and his architect-colleagues promoted a close collaboration with the craftsmen who enhanced their buildings. The resulting building designs represent a significant contribution to the development of American Arts and Crafts architecture, complementing the proto-modern work of designers such as Frank Lloyd Wright. In fact, Arts and Crafts architecture in North America was extremely diverse. Meister examines the greater complexity of this architecture by exploring the eclectic historicism of Warren, a key figure in the movement that was centered in Boston. The first full-length study of an important turn-of-the-century New England architect, educator, and leader of the Boston Arts and Crafts movement. Light stain on top text edges near spine. Otherwise, very nice clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.

Hardcover. Condition: As New. First edition. ISBN 9781584653516. Hardback. First Printing. Near Fine Condition book in a Near Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. As new condition. Copy One.

Hardcover. Condition: As New. First edition. ISBN 9781584653516. Hardback. First Printing. Near Fine Condition book in a Near Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. As new condition. Copy Two.

Cloth/Boards w/DJ. Condition: G/VG. Black & White Photos & Illus. (illustrator). First Edition. Hanover, MA: University Press of New England. G/VG. (2003). First Edition. Cloth/Boards w/DJ. Sm 4to., 207 pp., shelfwear, blindstamp .

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first printing. 207pp, Appendix: List of Buildings and projects;, notes, index. 62 illustrations. Fine beige boards, navy cloth spine, gold letters. Fine photographic jacket in protective plastic.

Condition: New. book.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 207 pages; Description: xiv, 207 p. : ill. ; 24 cm. Subjects: Warren, Herbert Langford (1857-1917) --Architects --Massachusetts --Biography --College teachers --Arts and crafts movement --Boston --History --20th century. 1 Kg.

Hardcover. Condition: New. Dust Jacket Condition: New. NEW BOOK and DJ, both GIFT-quality MINT condition, and with new Mylar. // Hardcover, octavo, 207 pages.

Condition: as new. Dust Jacket Condition: as new. Hbk 288pp illustr photos and drawings an unread copy excellent clean tight unmarked in sleeve-protected dj as new.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 207 pages; Description: xiv, 207 p. : ill. ; 24 cm. Subjects: Warren, Herbert Langford (1857-1917) --Architects --Massachusetts --Biography --College teachers --Arts and crafts movement --Boston --History --20th century. 1 Kg.

Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.

Condition: New. A+ Customer service! Satisfaction Guaranteed! Book is in NEW condition.

Condition: Gut. XIV, 207 Seiten / p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - sehr guter Zustand / very good condition - H. Langford Warren (1857-1917) was an important link in the chain of individuals who contributed to the architectural practice, the theories of design, and the teaching of architectural history in the United States in the early twentieth century. Best known in the Boston area, Warren first worked under the renowned architect Henry Hobson Richardson before establishing his own practice. Friends and colleagues during this period included Charles Eliot Norton, the noted art historian, and Harvard s Charles Herbert Moore, a leading Ruskinian painter. Hired by Harvard University in 1893, Warren developed its architectural curriculum. In 1897 he helped found Boston s Society of Arts and Crafts. At the time of his death in 1917, Warren was Dean of the School of Architecture at Harvard and President of the Society of Arts and Crafts. -- At the turn of the century, Warren s philosophical vision offered a conservative and ethnocentric perspective attractive to many Bostonians and to a significant segment of Americans nationwide. According to this view, English culture was the basis of American culture. Through his work at Harvard and in the Arts and Crafts movement, he articulated and promoted an aesthetic guided by an attachment to the past, and he encouraged his students at Harvard to revive and reinterpret English and Anglo-American models. Another characteristic of Warren s aesthetic was "restraint," a quality generally attributed to the region s Puritan settlers. "Restraint" also meant a rejection of both the lavish ornamentation favored by the Ecole des Beaux-Arts in Paris and the more original styles such as Art Nouveau that were emerging at the turn of the century. -- Following the ideals of John Ruskin, William Morris, and later leaders of the English Arts and Crafts movement. Warren along with his architect-colleagues promoted a close collaboration with the craftsmen who enhanced the buildings thev designed. The resulting building designs represent a significant contribution to the development of American Arts and Crafts architecture, complementing the proto-modem work of designers such as Frank Lloyd Wright. In fact, Arts and Crafts architecture in North America was extremely diverse. Meister examines the complexity of this architecture bv exploring the eclectic historicism of Warren, a kev figure in the movement that was centered in Boston. ISBN 9781584653516 Sprache: Englisch Gewicht in Gramm: 477 15,2 x 2,5 x 23,5 cm, Originalhalbleinen mit Schutzumschlag / Half Cloth with dust jacket.

Condition: Fine. New hardback. Fine and unread.

Condition: Brand New.

Hardcover. Condition: New. New.

Condition: Very Good. Independent family-run bookstore for over 50 years! Buy with confidence! Book is in very good condition with minimal signs of use.

Condition: New. New.