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If there were ever a place tailor-made to play host to wanderers, travelers and those pursuing lives outside their original territory, surely Turkey is that place. The perpetual evolution that travel and cultural assimilation visits upon the foreign born women in this collection echoes the continuous transformation that envelops the entire country. Threshold to worlds East or West depending on which way one faces, Turkey is itself a unique metaphor for transition. Forming a geographic bridge between the continents of Europe and Asia and a philosophical link between the spheres of Occident and Orient, Turkey is neither one of the places it connects. Similarly, foreign women on Turkish soil are neither what nor who they used to be, yet not fully transformed by their brush with Turkey. Our Expat Harem women are on the brink of reclassifying themselves, challenged to redefine their lives, to rethink their definitions of spirituality, femininity, sensuality and self. Aligned in their ever-shifting contexts, both Turkey and the expatriate share a bond of constant metamorphosis.
Delirious with influenza, a friendless Australian realizes the value of misafir perverlik, traditional Turkish hospitality, when she’s rescued from her freezing rental by unknown Anatolian neighbors bearing food and medicinal tea; a pregnant and introverted Irishwoman faces the challenge of finding her place in a large Black Sea family; a Peace Corps volunteer in remote Eastern Turkey realizes how the taboos of her own culture color her perceptions; and a liberated New York single questions the gallant rules of engagement on the Istanbul dating scene, wondering whether being treated like a lady makes her less a feminist.
These are among the Tales from the Expat Harem. The titillating, anachronistic title acknowledges erroneous yet prevalent Western stereotypes about Asia Minor and the entire Muslim world, while also declaring that our storytellers share a common bond with the denizens of a traditional Turkish harem. Much like the imported brides of the Seraglio, Istanbul’s 15th century palatial seat of the Ottoman sultanate, our writers are inextricably wedded to Turkish culture, embedded in it even, yet forever alien.
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