Stanislavsky in Practice: Actor Training in Post-Soviet Russia (Artists and Issues in the Theatre) - Hardcover
Stanislavsky in Practice focuses on the course of study pursued today by aspiring actors in Russia and on the philosophy that informs this curriculum. It draws on extensive observation during the academic year 2000-2001 of the actor training program of the St. Petersburg State Academy of Theatre Arts (SPGATI), one of the three most prestigious theatrical institutes in Russia, and on interviews of a wide array of individuals in the Academy. Although the years since 1991 have witnessed many changes in theater and in actor training – sources of funding, administration, choice of repertoire, new methodologies, etc. – there remains much continuity with the past. The core of this continuity is the Stanislavsky tradition, which nevertheless has been affected by the views of post-Soviet Russia. The developments in actor training from 1991 to 2001 reflect the challenges and problems faced by other institutions in the arts and sciences. In other words, the phenomenon of continuity and discontinuity with the past is characteristic of other institutions in Russia, cultural as well as scientific and educational.
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About the Author:
The Author: Vreneli Farber is Professor of Russian at Oregon State University. She received her Ph.D. in Russian literature from Indiana University and has traveled regularly to Russia since 1967. She is the author of The Playwright Aleksandr Vampilov (Lang, 2001) and The Prose of Aleksandr Vampilov (Lang, 2003). She has over thirty years of experience, acting and directing.
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- PublisherPeter Lang Inc., International Academic Publishers
- Publication date2008
- ISBN 10 143310315X
- ISBN 13 9781433103155
- BindingHardcover
- Number of pages235
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Stanislavsky in Practice
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Peter Lang Ltd. International Academic Publishers Sep 2008
(2008)
ISBN 10: 143310315X
ISBN 13: 9781433103155
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Book Description Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Stanislavsky in Practice focuses on the course of study pursued today by aspiring actors in Russia and on the philosophy that informs this curriculum. It draws on extensive observation during the academic year 2000-2001 of the actor training program of the St. Petersburg State Academy of Theatre Arts (SPGATI), one of the three most prestigious theatrical institutes in Russia, and on interviews of a wide array of individuals in the Academy. Although the years since 1991 have witnessed many changes in theater and in actor training - sources of funding, administration, choice of repertoire, new methodologies, etc. - there remains much continuity with the past. The core of this continuity is the Stanislavsky tradition, which nevertheless has been affected by the views of post-Soviet Russia. The developments in actor training from 1991 to 2001 reflect the challenges and problems faced by other institutions in the arts and sciences. In other words, the phenomenon of continuity and discontinuity with the past is characteristic of other institutions in Russia, cultural as well as scientific and educational. 235 pp. Englisch. Seller Inventory # 9781433103155
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Stanislavsky in Practice : Actor Training in Post-Soviet Russia
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Book Description Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Stanislavsky in Practice focuses on the course of study pursued today by aspiring actors in Russia and on the philosophy that informs this curriculum. It draws on extensive observation during the academic year 2000-2001 of the actor training program of the St. Petersburg State Academy of Theatre Arts (SPGATI), one of the three most prestigious theatrical institutes in Russia, and on interviews of a wide array of individuals in the Academy. Although the years since 1991 have witnessed many changes in theater and in actor training - sources of funding, administration, choice of repertoire, new methodologies, etc. - there remains much continuity with the past. The core of this continuity is the Stanislavsky tradition, which nevertheless has been affected by the views of post-Soviet Russia. The developments in actor training from 1991 to 2001 reflect the challenges and problems faced by other institutions in the arts and sciences. In other words, the phenomenon of continuity and discontinuity with the past is characteristic of other institutions in Russia, cultural as well as scientific and educational. Seller Inventory # 9781433103155
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Stanislavsky in Practice
Published by
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(2008)
ISBN 10: 143310315X
ISBN 13: 9781433103155
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Book Description Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Stanislavsky in Practice focuses on the course of study pursued today by aspiring actors in Russia and on the philosophy that informs this curriculum. It draws on extensive observation during the academic year 2000-2001 of the actor training program . Seller Inventory # 119515795
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