A wry and compassionate selection of essays reflecting on mortals and mortality, from the acclaimed author of The Undertaking.
For nearly four decades, poet, essayist, and small-town funeral director Thomas Lynch has probed relations between the literary and mortuary arts. His life’s work with the dead and the bereaved has informed four previous collections of nonfiction, each exploring identity and humanity with Lynch’s signature blend of memoir, meditation, gallows humor, and poetic precision.
The Depositions provides an essential selection from these masterful collections―essays on fatherhood, Irish heritage, funeral rites, and the perils of bodiless obsequies―as well as new essays in which the space between Lynch’s hyphenated identities―as an Irish American, undertaker-poet―is narrowed by the deaths of poets, the funerals of friends, the loss of neighbors, intimate estrangements, and the slow demise of a beloved dog. In “Gladstone,” from The Undertaking, Lynch reflects on his then twenty-five years as an undertaker at the Midwinter Conference for Michigan funeral directors, which incongruously takes place on an island in the Caribbean. With brutal, generous honesty, “The Way We Are,” from Bodies in Motion and at Rest, grapples with Lynch’s time as a single parent coming to terms with generations of his family inheritance of alcoholism and recovery. The press of the author’s own mortality animates the new essays, sharpening a curiosity about where we come from, where we go, and what it means.
As Alan Ball writes in a penetrating foreword, Lynch’s work allows us “to see both the absurdity and the beauty of death, sometimes simultaneously.” With this landmark collection, he continues to illuminate not only how we die, but also how we live.
"synopsis" may belong to another edition of this title.
Praise for Thomas Lynch
"Lynch engages the reader with a mixture of poetic and funerary elements...His voice is rich and generous."
– Richard Bernstein, New York Times
"Lynch’s vivid prose has the electricity of writing that tells us what is going on in the secret places of the community?and the secret places of the heart."
– USA Today
"[Lynch] is able to take us inside the palpable business of blood, tears, and the final verse of life in a manner that is almost shocking in the relief it delivers."
– Boston Globe
"Thomas Lynch is an original...If there were more Thomas Lynches in the world, it might be a little less full of hatred and have a little more room in it."
– George Bornstein, Times Literary Supplement
"About this title" may belong to another edition of this title.
Shipping:
US$ 3.99
Within U.S.A.
Book Description Hardcover. Condition: New. New Hardcover! Pristine unmarked pages, may have very slight warehouse wear, no remainder marks, still a great buy straight from warehouse, sealed in plastic, exact artwork as listed, Seller Inventory # 319211009085
Book Description Condition: New. Fine. Cloth, D-j. 2020. Originally published at $27.95. Seller Inventory # W119502b
Book Description Condition: New. . Seller Inventory # 52GZZZ00L40A_ns
Book Description Hardcover. Condition: new. Seller Inventory # 9781324003977
Book Description Condition: New. Brand New. Seller Inventory # 1324003979
Book Description Condition: New. Seller Inventory # 35349975-n
Book Description Hardcover. Condition: new. New. Fast Shipping and good customer service. Seller Inventory # Holz_New_1324003979
Book Description Condition: New. Buy with confidence! Book is in new, never-used condition. Seller Inventory # bk1324003979xvz189zvxnew
Book Description Condition: New. New! This book is in the same immaculate condition as when it was published. Seller Inventory # 353-1324003979-new
Book Description Hardcover. Condition: new. Hardcover. For nearly four decades, poet, essayist, and small-town funeral director Thomas Lynch has probed relations between the literary and mortuary arts. His lifes work with the dead and the bereaved has informed four previous collections of nonfiction, each exploring identity and humanity with Lynchs signature blend of memoir, meditation, gallows humor, and poetic precision. The Depositions provides an essential selection from these masterful collectionsessays on fatherhood, Irish heritage, funeral rites, and the perils of bodiless obsequiesas well as new essays in which the space between Lynchs hyphenated identitiesas an Irish American, undertaker-poetis narrowed by the deaths of poets, the funerals of friends, the loss of neighbors, intimate estrangements, and the slow demise of a beloved dog. In Gladstone, from The Undertaking, Lynch reflects on his then twenty-five years as an undertaker at the Midwinter Conference for Michigan funeral directors, which incongruously takes place on an island in the Caribbean. With brutal, generous honesty, The Way We Are, from Bodies in Motion and at Rest, grapples with Lynchs time as a single parent coming to terms with generations of his family inheritance of alcoholism and recovery. The press of the authors own mortality animates the new essays, sharpening a curiosity about where we come from, where we go, and what it means. As Alan Ball writes in a penetrating foreword, Lynchs work allows us to see both the absurdity and the beauty of death, sometimes simultaneously. With this landmark collection, he continues to illuminate not only how we die, but also how we live. A wry and compassionate selection of essays reflecting on mortals and mortality, from the acclaimed author of The Undertaking. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781324003977