The Ringing Ear: Black Poets Lean South (Cave Canem Anthology) (Cave Canem Anthology) (Cave Canem Anthology) - Softcover

Nikky Finney

4.42

45 ratings by Goodreads

9780820329260: The Ringing Ear: Black Poets Lean South (Cave Canem Anthology) (Cave Canem Anthology) (Cave Canem Anthology)

Softcover

ISBN 10: 0820329266 ISBN 13: 9780820329260

Publisher: University of Georgia Press, 2007

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The South: to render all that it means to an African American takes someone with acutely tuned senses, someone with a patience, a passion even, for the region's history and contradictions. It takes a poet. In this new anthology, the first of its kind, more than one hundred contemporary black poets laugh at and cry about, pray for and curse, flee and return to―the South.

Voices new to the scene appear in The Ringing Ear alongside some of the leading names in American literature today, including Sonia Sanchez, Yusef Komunyakaa, Harryette Mullen, Nikki Giovanni, Kevin Young, Cornelius Eady, and Al Young. The southern worlds opened up by these poets are echoed in how their poems are grouped, under headings like "Music, Food, and Work: Heeding the Lamentation and Roar of Things Made by Hand," or "Religion and Nature: The Lord Looks Out for Babies and Fools," or "Love, Flesh, and Family: The Hush and Holler Portraits."

"Not all of us on these pages have come to or from the South by the same dirt road," says anthology editor Nikky Finney. "We have not chosen our dark olive words from the same patch of earth. Some have come by way of birth and others have followed street musicians and urban corner preachers, dream and myth, to stand before its pine and iron gates."

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About the Author:

CAMILLE T. DUNGY is an associate professor in the Creative Writing Department at San Francisco State University. She is the author of two poetry collections, What to Eat, What to Drink, What to Leave for Poison and Suck on the Marrow, and has helped edit two other poetry anthologies.

FRANK W WALKER is the 2013-2014 poet laureate of Kentucky. He is an associate professor of English at the University of Kentucky and the editor of Pluck! The Journal of Affrilachian Arts & Culture. A Lannan Literary Fellowship for Poetry recipient, he is the author of five collections of poetry, including Buffalo Dance: The Journey of York, which won the Lillian Smith Book Award, and Isaac Murphy: I Dedicate This Ride.

HOUSTON A. BAKER JR. is a professor of English at Duke University. Among his honors and achievements in American letters, Baker is a past president of the Modern Language Association. His books include Workings of the Spirit: The Poetics of Afro-American Women's Writing and Black Studies, Rap, and the Academy.

NATASHA TRETHEWEY was the Poet Laureate Consultant in Poetry to the Library of Congress, 2012–14. She is the author of four collections of poetry: Thrall, Domestic Work, Bellocq’s Ophelia, and Native Guard, for which she was awarded the Pulitzer Prize. She is the Robert W. Woodruff Professor of English and Creative Writing at Emory University.

SEAN HILL is currently a Stegner Fellow at Stanford University. He received his MFA from the University of Houston in 2003 and was awarded a Jay C. and Ruth Halls Poetry Fellowship at the Wisconsin Institute for Creative Writing in 2006. Hill's poems have been published widely in journals, including Callaloo, Indiana Review, and Ploughshares.

Review:

The Ringing Ear reminds us that sometimes regionalism does not mean provincialism or myopia, but instead offers an opportunity for people to find their true songs and sing them with the assurance and power of knowing. There is something strikingly expansive about the range and complexity of the poems collected in this anthology. This is a distinctly southern book, a distinctly black book, a distinctly American book―it is all these things and more.

(Kwame Dawes author of Wisteria: Twilight Poems from the Swamp Country)

The Ringing Ear brings together a wonderfully diverse group of African American poets under the aegis of the now widely known Cave Canem workshops, which have enabled dialogue and opened doors for hundreds of Black poets in the last decade. In this anthology, extraordinary emerging poets join honored ones like Yusef Komunyakaa, Sonia Sanchez, Harryette Mullen, Cornelius Eady, and those whose names―Thomas Sayers Ellis, Natasha Trethewey, Kevin Young―are becoming indelible. Their focus is the "magnetic South," vexed and compelling as it is in the Black American imagination. Narrative, lyric, surreal, or hyper-real, using meter, multiple voices, verbal deconstruction, informed by jazz, blues, cutting-edge pop, string quartets, and schoolyard rhymes, by history learned in books and told in kitchens, this book pieces a mosaic of American life and of the poem's possibilities.

(Marilyn Hacker author of Desesperanto: Poems 1999&ndash2002)

There is little question Cave Canem is transforming contemporary American poetry . . . Finney's care and sophistication give shape to this wonderful showcase of new talent . . . The Ringing Ear negotiates traditional southern themes such as food, religion, land, labor, and family, and challenges the reader to question how issues of love and sexuality complicate assumptions about race and the South . . . What is most striking about The Ringing Ear is the degree of intimacy in each poem . . . This is a wonderful resource for teaching the craft of poetry and an exciting example of contemporary Southern literature. With The Ringing Ear, Nikky Finney introduces herself as a talented editor, and Cave Canem solidifies its position as a powerhouse in American poetry.

(American Book Review)

By writing about a region with its rich history and racial contradictions, these poets advance the impact of their poetry beyond historical and cultural boundaries. This is a timely, vital collection that insists the uses of poetry must be redefined and examined through the work of some of our best poets.

(Bloomsbury Review)

The Ringing Ear is an intergenerational sampling that is arranged thematically. The effect is that of eavesdropping on a thoughtful, candid, provocative conversation among the poets in each section.

(San Antonio Current)

Offers a consistently strong showcase of Black voices and a compelling and accessible organization, and should persist as an important articulation of the Black experience of the American South . . . wondrous diversity of form subject, of perspective . . . the genius of the book and of Cave Canem's importance is obvious . . . The Ringing Ear is such an heirloom―Cave Canem's gift from the chorus of voices pushing the boundaries and barriers to the diverse and expanding tradition of American poetry.

(Rain Taxi)

This poetry anthology is riveting, perfectly imagined for classroom use as well as for readers who want to stay in touch with the work of young writers. Even better than individual poems―and they are very good indeed―are the ingenious, even brilliant conversations among them that editor Nikky Finney arranges. Everywhere the poems reinforce, argue with, amplify, challenge, and deepen each other. This kind of subtext editing is a gift. We need this book.

(Hilda Raz Prairie Schooner)

There are tons of literary anthologies inspired in one way or another by the Southern states. But to say that an anthology of poems about the South by African American writers is overdue would be an understatement. . . . The Ringing Ear . . . redresses the imbalance, collecting poems by Sonia Sanchez, Cornelius Eady, Nikki Giovanni, Nathaniel Mackey, and more.

(Guardian)

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