Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music - Hardcover

Steinberg, Michael P.

Hardcover

ISBN 10: 0691116857 ISBN 13: 9780691116853

Publisher: Princeton University Press, 2004

Synopsis

This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music.

Defining subjectivity as the experience rather than the position of the "I," Steinberg argues that music's embodiment of subjectivity involved its apparent capacity to "listen" to itself, its past, its desires. Nineteenth-century music, in particular music from a north German Protestant sphere, inspired introspection in a way that the music and art of previous periods, notably the Catholic baroque with its emphasis on the visual, did not.

The book analyzes musical subjectivity initially from Mozart through Mendelssohn, then seeks it, in its central chapter, in those aspects of Wagner that contradict his own ideological imperialism, before finally uncovering its survival in the post-Wagnerian recovery from musical and other ideologies.

Engagingly written yet theoretically sophisticated, Listening to Reason represents a startlingly original corrective to cultural history's long-standing inhibition to engage with music while presenting a powerful alternative vision of the modern.

About this title

From the Back Cover:

"This book may well become the next big statement on nineteenth-century music as a cultural phenomenon. Many will argue with it and, indeed, argue passionately--this is, after all, the proverbial problem that arises when one brings up religion and politics!--but that is precisely what is wanted and valued now. Moreover, it is not only accessible but will be vastly rewarding to music scholars, general and cultural historians, cultural theorists, and even many people who would simply describe themselves as music lovers."--Scott Burnham, Princeton University

"This book provides original and startlingly creative contexts for the canonical musical figures that form its focus. For instance, the juxtaposition of Mozart and Rousseau as parallel voices in the development of a new kind of subjectivity yields brilliant insights, as does the linking of Beethoven, Goethe, and Schiller in the formulation of the 'genius as hero.' Perhaps the most suggestive of the author's depictions is of Wagner, whose cultural trajectory is read against Max Weber'sThe Protestant Ethic and the Spirit of Capitalism. Steinberg writes from the dual perspective of the cultural historian and the cultural critic, and much of the freshness and polemical vigor of the book comes from this unusual combination."--Mary Gluck, Brown University

About the Author:

Michael P. Steinberg is Professor of History and Music, and Inaugural Director of the Cogut Center for the Humanities at Brown University. He is Associate Editor of The Musical Quarterly as well as author of Austria as Theater and Ideology: The Meaning of the Salzburg Festival, which won Austria's Victor Adler Prize for History in 2001. He is also the recipient of the Berlin Prize and a Guggenheim Fellowship.

About this edition

• Publisher: Princeton University Press
• Publication date: 2004
• ISBN 10: 0691116857
• ISBN 13: 9780691116853
• Binding: Hardcover
• Number of pages: 264