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Slapped together by one author after another, the crazy plot is surprisingly consistent. Yet the contributors have made no effort to disguise their individual styles, which range from Barry's potty-mouthed slapstick to Richard Bausch's tonier stuff to James Crumley's pulp fiction. Indeed, this shift in tone is one of the book's great pleasures. So is the sex and satire, if not necessarily in that order. Still, the ultimate reason to read The Putt at the End of the World is for its strange-but-true evocation of the game itself. Here's Tim O'Brien's take on a ball with a mind of its own:
For the first thirty feet, the old Titlist did not touch the earth, heading for orbit, engines roaring, but then suddenly the rain and wind and fog forced a scrubbed mission. Gravity reasserted itself. By pure chance--a miracle, some would call it--the ball dropped heavily onto the green, not five feet from the cup.... It caught a sidehill slope. It wobbled off line for a second, then straightened out and continued its erratic pilgrimage toward destiny.Fictionally speaking, at least, that's what we call a hole in one. --William Davies
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