Debby DiMartino, saved from death in infancy by Indian nuns, and adopted by loving American parents in Schenectady, New York, can't figure out if she is someone special or just a special kind of misfit. Her quest to track down her biological parents takes her deep into the counterculture of San Francisco and the legacy of Viet Nam, where she becomes "Devi Dee," a woman who begins to discover a past and present that defines her own role in an ultimately shocking, yet compelling universe. A cocky, breakneck-pace read, Leave It to Me is Bharati Mukherjee at her provocative best.
"There is much to puzzle over, and also much to admire, in Mukherjee's in-your-face, zeitgeist-funny, and always disturbing novel." The Globe and Mail
"Šan astute, ironic and merciless insight into an aberrant version of the American dream." Publishers Weekly (Starred review)
"Pain and sorrow, hurt and humiliation, rage and violence Bharati Mukherjee deftly mixes these elements into a disturbing, explosive tale of 1990s AmericaŠ" The Ottawa Citizen
Bharati Mukherjee is the author of six previous novels, including Jasmine and The Middle man and Other Stories (which won the National Book Critics Circle Award in 1989), and two books of nonfiction, written with her husband, Clark Blaise. Born in Calcutta, she came to the US in 1961 to complete her Master of Fine Arts and Ph.D. She is a professor of English at the University of California at Berkeley.
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Debby's search for her birth parents takes her to San Francisco, where she lifts a new name off a vanity license plate and begins a new life as Devi Dee. Along with her old identity, Debby/Devi sheds her old conventions, becoming a "Tenderloin prowler, all allure and strength and zero innocence" as she lives out of her car in Haight Ashbury, befriends the crazy, the strung-out, and the paranoid who populate its streets, and begins her hunt for the woman who gave her life--a search that will lead Devi into an apocalyptic confrontation with a most unexpected demon. In Leave It to Me Bharati Mukherjee has created a hip, violent, and darkly funny look at what it means to be an American at the end of the 20th century.
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