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Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book First Edition
Condition: Very Good. 1st Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book First Edition
Condition: Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Ergodebooks, Houston, TX, U.S.A.
Book
Hardcover. Condition: Good. 1. Anthologies have been a powerful force in poetry and criticism in English ever since the earliest extant book of this kind was published in the sixteenth century. A theoretical, historical, and critical inquiry, Anne Ferry's book looks in detail at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations have on their readers' experiences of the poems.In an anthology the work of many poets is selected and arranged by someone whose aim is to make, out of the writings of others, a book of which the anthologist is the author. Part I explains the classifying terms and defining dimensions-conceptual, spatial, temporal-that make the anthology a unique kind of book. It also explores and illustrates the ways that the presence of the anthologist-in arranging, annotating, titling, and revising the poems-directs how they are read. As examples, Ferry focuses on the three most historically influential of anthologies: Richard Tottel's Songes and Sonettes, Thomas Percy's Reliques of Ancient English Poetry, and Francis Palgrave's The Golden Treasury.Part II asks how the poems most frequently included in anthologies get there: by what cultural situations, literary circumstances, and internal features. Examples include a group of Renaissance pastoral lyrics, three public poems of 1770, 1867, and 1955, and Elizabeth Bishop's narrative-descriptive poem "The Fish." Part III describes how poets themselves, as readers and compilers of anthologies, have used them, and how anthologies have contributed to the making of poems and the making of their reception. A Coda shows how T. S. Eliot wove certain of his writings into an imaginary anthology that figures his conception of tradition and the individual talent.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Ocean Books, Dacula, GA, U.S.A.
Book
Hardcover. Condition: Very Good. The book is Tradition and the Individual Poem by Anne Ferry that is described in the listing. Some wear to DJ edges and corners. Number along top edge of front fly leaf.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Ergodebooks, Houston, TX, U.S.A.
Book
Hardcover. Condition: New. Anthologies have been a powerful force in poetry and criticism in English ever since the earliest extant book of this kind was published in the sixteenth century. A theoretical, historical, and critical inquiry, Anne Ferry's book looks in detail at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations have on their readers' experiences of the poems.In an anthology the work of many poets is selected and arranged by someone whose aim is to make, out of the writings of others, a book of which the anthologist is the author. Part I explains the classifying terms and defining dimensions-conceptual, spatial, temporal-that make the anthology a unique kind of book. It also explores and illustrates the ways that the presence of the anthologist-in arranging, annotating, titling, and revising the poems-directs how they are read. As examples, Ferry focuses on the three most historically influential of anthologies: Richard Tottel's Songes and Sonettes, Thomas Percy's Reliques of Ancient English Poetry, and Francis Palgrave's The Golden Treasury.Part II asks how the poems most frequently included in anthologies get there: by what cultural situations, literary circumstances, and internal features. Examples include a group of Renaissance pastoral lyrics, three public poems of 1770, 1867, and 1955, and Elizabeth Bishop's narrative-descriptive poem "The Fish." Part III describes how poets themselves, as readers and compilers of anthologies, have used them, and how anthologies have contributed to the making of poems and the making of their reception. A Coda shows how T. S. Eliot wove certain of his writings into an imaginary anthology that figures his conception of tradition and the individual talent.
Published by Stanford University Press, Stanford, 2001
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Magnolia Books, Seattle, WA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine hardcover book in fine dust-jacket. First edition, first printing. Copyright page states: "Original printing 2001." PLEASE NOTE: the ABE Stock Image is incorrect.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: booksXpress, Bayonne, NJ, U.S.A.
Book
Hardcover. Condition: new.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Book
Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
Published by MK - Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Book
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: New.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Book
Condition: New. A theoretical, historical, and critical inquiry, this book looks at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations have on their readers. Num Pages: 304 pages. BIC Classification: 2AB; DSA; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 22. Weight in Grams: 528. . 2002. Hardback. . . . .
Published by Stanford Univ Pr, 2001
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. 1st edition. 289 pages. 9.00x6.25x0.75 inches. In Stock.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: As New. Unread book in perfect condition.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Book
Condition: New. In.
Published by Stanford University Press, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Book
Condition: New. A theoretical, historical, and critical inquiry, this book looks at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations have on their readers. Num Pages: 304 pages. BIC Classification: 2AB; DSA; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 22. Weight in Grams: 528. . 2002. Hardback. . . . . Books ship from the US and Ireland.
Published by STANFORD UNIV PR, 2002
ISBN 10: 0804742359ISBN 13: 9780804742351
Seller: moluna, Greven, Germany
Book
Gebunden. Condition: New. A theoretical, historical, and critical inquiry, this book looks at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations have on their readers.Über den.