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Published by Barnes & Noble, Inc., 2003
ISBN 10: 0760734917ISBN 13: 9780760734919
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Also find Hardcover First Edition
Published by Rizzoli International Publications, Incorporated, 2000
ISBN 10: 088363502XISBN 13: 9780883635025
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Beaux Arts Editions, 2000
Seller: My Dead Aunt's Books, Hyattsville, MD, U.S.A.
Book
Hardcover. Condition: LIKE NEW. Dust Jacket Condition: VERY GOOD. 320 clean, unmarked, tight pages; cover is clean and sturdy; very light shelf and corner wear on dust jacket; sorry, no international or expedited shipping.
Published by Beaux Arts Editons, New York, 2003
Seller: Heartwood Books and Art, Fort Lauderdale, FL, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good+. The Musee D'Orsay by Alexandra Bonfante-Warren Firm, square copy. Bright text block. Sharp Jacket. Mild bumping to top and bottom edge. One-inch tear to back. Pictorial boards. An exploration of the works in the Musee D'Orsay, Paris featuring full-color, full-page images. BOOK.
Published by Universe
ISBN 10: 0883635054ISBN 13: 9780883635056
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
Book
Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
Published by New York, Universe, ., 2000
Seller: Antiquariat Hubertus von Somogyi-Erdödy, Schleswig, Germany
Gr.-4°. 320 S. reich illustriert. Pappband gebunden.
Published by Hugh Lauter Levin Associates, Inc, 2000
ISBN 10: 0883635089ISBN 13: 9780883635087
Book
Hardcover. Autumn orange cloth, silver & color illus. dust jacket in mylar cover; 320 pp., 300 color illus. A history of this Paris museum. "Traces the roots of the collection through the context of the contemporary society and creative activity happening at that time, with particular emphasis placed on the tensions between the public, the Academy, the art establishment and the government, that would determine the favor and disfavor of numerous '-isms' throughout the nineteenth and early twentieth centuries." (dj) Highly illustrated. VG (Ex-art library, with spine label and identity marks on book block edges as well as outermost pages; mylar dj cover has slight tear along spine; otherwise clean.).
Published by Hugh Lauter Levin Associates, 2000
ISBN 10: 0883635062ISBN 13: 9780883635063
Seller: Grumpys Fine Books, Tijeras, NM, U.S.A.
Book
Hardcover. Condition: new. Prompt service guaranteed.
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Also find Hardcover
Published by Barnes & Noble Books, New York, 2000
Seller: Ziern-Hanon Galleries, Frontenac, MO, U.S.A.
Hard Cover. Condition: Fine. Dust Jacket Condition: Near Fine. Presumed FIRST EDITION. Full pictorial hardcover. Jacket has light creasing at corners. No previous owner's names, not exlibrary. Overall a EXCELLENT book in a EXCELLENT brodart protected dust jacket. Size: Folio - over 12" - 15" tall. Hardcover.
Published by Hugh Lauter Levin Associates, Inc, 2002
Seller: Jacket and Cloth, Chippenham, United Kingdom
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: No DJ. 1st Edition. First Edition. Language: English. Book Condition: Near Fine DJ Condition: No DJ. POSTAGE: PLEASE NOTE - This is a heavy item and may require additional postage for overseas deliveries. We will contact you if additional charges are required. Please see our postage policy on our shop front for more information.
Published by Universe, 2000
ISBN 10: 0883635038ISBN 13: 9780883635032
Seller: Michael Patrick McCarty, Bookseller, New Castle, CO, U.S.A.
Book
Hardcover. Condition: As New. Dust Jacket Condition: Very Good. Some short tears and/or light edgewear to dustjacket; in Good Slipcase. The LOUVRE is the world's largest museum, and also one of the world's most exciting places. Its buildings offer a journey through time, while its galleries display works -- from over eight centuries -- that arouse the full range of human responses, from admiration and wonder to curiosity, lust, even anger and betrayal. This book, complete with photographs and historical drawings of the architectural development of the fortress-turned-palace-turned-museum and 300 colour plates of works in the collection, delivers an engaging account of the history that helped form this spectacular collection. Indeed it is the history of the French nation itself. Dubbed the 'museum of the people' in 1848, the Louvre today houses arguably the most comprehensive collection of art and antiquities in the world. Alexandra Bonfante-Warren has chosen some of the most beautiful, awe-inspiring, and thought-provoking examples from each of the seven departments: Egyptian Antiquities, Oriental Antiquities, Greek and Roman Antiquities, Decorative Arts, Sculpture, Paintings, and Drawings.Here are tomb paintings and sarcophagi from the Valley of the Kings, towering mythic sculptures from lost civilisations, devotional altarpieces and architectural embellishments expressing the religious fervour of the Middle Ages, and masterpieces by Giotto, Raphael, Leonardo, Rembrandt, Rubens, Delacroix, David, Vermeer, lngres, and scores of others. The MUSEE D'ORSAY, housed in the old Gare d'Orsay railway station and hotel building which was saved from destruction in 1970 by a combination of timely publicity, ideality of location (opposite the Musee du Louvre), and architectural innovation, contains one of the most magnificent and extensive collections of 19th and early 20th century art in the world. The quality and variety of works in the Musee d'Orsay -- limited to the years between 1848 and 1914 -- is quite unique. Though the most well-known and probably best-loved painting style of the 19th century is Impressionism, in fact a great diversity of art can be attributed to this era. The distinctive tone of the museum's remarkable collection comes, in part, from this medley of works and styles, culled from the galleries and storage rooms of various other French museums.This book combines a thoughtful text that traces the roots of the collection through the context of the contemporary society and creative activity happening at that time with 300 colour plates of many of the museum's greatest masterpieces: Academic works by lngres, Couture, Bouguereau, and Delacroix; Impressionist and Post-Impressionist favourites by Monet, Renoir, Cassatt, Van Gogh, Seurat, Signac; Realist, Nabis, Symbolist and Fauvist works by Millet, Denis, Gauguin, Redon, and Matisse; sculpture by Degas, Rodin, and Camille Claudel. Here are also works in other media, not in the national collections but acquired specifically to complete the museum's multi-disciplinary view of the arts during these years -- furniture, objects d'art, architecture, photography, for example -- everything on display in these areas has been acquired since the museum's formation. Jewelery and glassware by Art Nouveau artist Rene Lalique, photographic prints by Nadar, Lewis Carroll and Atget, and the architecture of the 19th century, evoked by the restoration of various elements of the former railway station itself, are but a few of the museum's other myriad attractions.
Beaux Arts Editions: 2000. A Boxed set of two volumes in large quarto dimensions in very good condition and with like jackets. The box is lightly rubbed at two of the corners and has some minimal separation of the paper from the boards at the top margin and a two-inch separation of the boards at the bottom. Some extra shipping may be required. Art.
Tapa Blanda. Condition: Bien. FOTOS: No dude en pedir mas imagenes. Es de segunda mano, como se ve en la foto, puede preguntar mas detalle del ejemplar.