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Published by Martino Fine Books, 2019
ISBN 10: 161427665XISBN 13: 9781614276654
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Fine. Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear.
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Published by George Wittenborn Inc.
Seller: HPB-Ruby, Dallas, TX, U.S.A.
unknown_binding. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by G. Wittenborn
Condition: Fair. Acceptable condition. Former Library book. Volume 5. (art, history, paintings, 1912) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.
Published by G. Wittenborn
Condition: Good. Good condition. 1972 printing. (Wassily Kandinsky, Aesthetics, Painting, Modern Art) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Published by Hassell Street Press, 2021
ISBN 10: 1014268508ISBN 13: 9781014268501
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by George Wittenborn, Inc., 1964
Seller: BookDepart, Shepherdstown, WV, U.S.A.
Paperback. Condition: Good. Softcover, Volume 5 of The Documents of Modern Art; fading and edge wear to exterior; otherwise in good condition with clean text, firm binding.
Published by G. Wittenborn, 1966
Book
Paperback. Condition: Very Good. Softcover. Shelf wear. Small tear to head of spine. Wrap creased. Pages unmarked.
Published by George Wittenborn, Inc. January 1964, 1964
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: Used - Good. Used copy with sosmer wear. Binding is tight no interir marks.
Published by George Wittenborn, New York, 1947
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.
Softcover. Octavo; 1955 Reprint; G; Paperback w/ DJ; Spine, pink and white with brown print; DJ has large tear at top of spine, tearing along spine and large closed tear to upper portion of rear, edgewear, mild tanning, stain to rear fore edge; Cover has slight edgewear, mild tanning; Text block has cocked spine, slight separation from cover at bottom, spine crack at page 14, mild amount of pencil notation throughout; 93 pages, frontispiece (port.), illustrated (b&w plates). [Shelf: Art History, Criticism, General]. 1321378. FP New Rockville Stock.
Published by George Wittenborn inc, New York, 1972
ISBN 10: 0815000324ISBN 13: 9780815000327
Seller: The Blue Penguin, FRODSHAM, United Kingdom
Book
Soft cover. Condition: Good. Reprint. Card covers, small 4to, pp.92. Illustrated. Volume 5 in the Documents of Modern Art series. A number of light ring stains and small tea splashes to cover, slightly so to rear. Small stain to part of leading edge of several rear pages, otherwise clean and tight. A good copy. .
Published by Hassell Street Press, 2021
ISBN 10: 1013717880ISBN 13: 9781013717888
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by Wittenborn Art Books, New York, 1964
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
paperback. Condition: very good(+). Kandinsky (illustrator). Reprint. Frontispiece portrait, and other b/w illustrations. 92 pages. Short slim square 4to, pictorial wrappers (Paul Rand design). New York: Wittenborn Art Books, 1976. Reprint. Light toning at edges and some minor delamination at corners, still a very good(+) clean copy. The Documents of Modern Art Series, volume 5.
Published by Wittenborn, New York, 1966
Softcover. glossy orange, brown & tan wraps. 93 pgs w/ bw illustrations. Documents Of Modern Art Number 5. Select pages in German with opposing pages of English translation. 1947 copyright; this copy 'Offset Reprint.1966.'. Good+ (glossy veener missing at spine w/ edges torn & tattered; spine sunned. tanning & scuffs to wraps; rubbed edge-wear. back upper corner bumped w/ curling to closing to pg corners. pgs lightly toned.).
Published by Published by George Wittenborn, Inc., New York Offset Reprint . 1966., 1966
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
Publisher's original laminated card wrap covers (soft back). 4to. 10'' x 7½''. Contains 93 pp with monochrome illustrations and photographs throughout. In Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. ART [Russian].
Published by New York: George Wittenborn, 1955
Seller: MW Books, New York, NY, U.S.A.
Signed
Reprint. Poor copy in stiff card wrappers. Hinges loose and spine bands worn. Panel edges bumped and rubbed as with age. Text remains in fine condition, clear without blemish. Provenance; the critic and poetry activist Charles Tomlinson s copy; signed by him and with his marginal notes. Physical description: 93 pages: ill. ; 26 cm. Subjects: Painting, Modern.Art, Modern 20th century History. Kandinsky, Wassily 1866-1944. 1 Kg.
Published by New York: George Wittenborn, 1955
Seller: MW Books Ltd., Galway, Ireland
Signed
Reprint. Poor copy in stiff card wrappers. Hinges loose and spine bands worn. Panel edges bumped and rubbed as with age. Text remains in fine condition, clear without blemish. Provenance; the critic and poetry activist Charles Tomlinson s copy; signed by him and with his marginal notes. Physical description: 93 pages: ill. ; 26 cm. Subjects: Painting, Modern.Art, Modern 20th century History. Kandinsky, Wassily 1866-1944. 1 Kg.
Published by George Wittenborn, Inc., New York, 1955
Seller: J. Wyatt Books, Ottawa, ON, Canada
Softcover. Condition: Very Good-. Dust Jacket Condition: Very Good-. 93 pages in very good condition. Pages are clean and unmarked with black and white illustrations throughout. Some small darkened spots near the edges of pages. Page edges are lightly darkened and smudged. Bound in white, pink, and brown wraps. Lightly worn and bumped around the edges, especially on the corners. Lightly darkened on the spine. Dustjacket in very good condition. Bumped, worn, and darkened around the edges and spine. Spine is lightly stained and wrinkled. VG-/VG-.
Seller: GoldBooks, Denver, CO, U.S.A.
Paperback. Condition: new. New Copy. Customer Service Guaranteed.
Published by Wittenborn, Schultz Inc., New York, 1947
Seller: Sekkes Consultants, North Dighton, MA, U.S.A.
First Edition
Softcover. Condition: very good. First edition. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866 1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting. Provenance: Bookplate of Jeanne & David Bird. First edition with light sunning and foxing to the edges of the covers. 7½" - 10". book.
Published by Wittenborn, Schultz New York ., 1947
Seller: Galerie Buchholz OHG (Antiquariat), Köln, Germany
Softcover. 95 S., mehrere schwarz-weiß Tafeln, kart., 25,5 x 19 cm. Mit 2 beigefügten Zeitungsartikeln. Mit Textbeiträgen (engl.) von Robert Motherwell, Nina Kandinsky, Julia and Lyonel Feininger and Stanley William Hayter. Mit einem Auszug aus ''Concerning the Spiritual in Art'' von Kandinsky (deutscher Titel: ''Über das Geistige in der Kunst''). Einband berieben u. fleckig, Rücken bestoßen. Vorsatz unfrisch, innen sonst guter Zustand.
Published by Munich: R. Piper & Co., 1912, 1912
Seller: Peter Harrington. ABA/ ILAB., London, United Kingdom
First Edition
First edition, first printing, of Kandinsky's seminal theoretical publication, "one of the most influential art texts of the first decades of the twentieth century" (Tate), which sparked widespread interest in abstract art. Über das Geistige in der Kunst "elucidated Kandinsky's artistic theories and his valuing of expression and spirituality over naturalistic representation. It also introduced his new pictorial categories derived from the field of music - impressions, improvisations, and compositions - which further de-emphasized the importance of recognizable subject matter. On the cover and in ten woodcuts, Kandinsky illustrated his ideas by reducing complex scenes of spiritual battle and redemption to simplified designs of lines and shapes" (MoMA). The work outlines his theories of the artist as a prophet, his arguments for expression and spirituality in the place of naturalistic representation, and the power of art to cause "vibrations of the soul". The work sold well, and went through three editions by December 1912. It was translated into English in 1914. Square octavo. Original wrappers, spine and front cover lettered in blue, woodcut illustrations by Kandinsky to covers in blue. With 8 plates of paintings (from Ravenna Mosaics to Cézanne), including 3 by Kandinsky, 3 diagrammatic plates of colour relationships, woodcut chapter headpieces by Kandinsky. Neat ownership inscription, dated 1961, to half-title. Wrappers lightly marked and creased, else well preserved, contents fresh. A near-fine copy.