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Published by Raithby, Lawrence :& Company Ltd, London, 1978
ISBN 10: 0728701774ISBN 13: 9780728701779
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Book First Edition
Softcover. Condition: Near Fine. First edition. Near fine. Corners slightly creased, spine darkened. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
Published by Raithby, Lawrence & Co Ltd, London & Leicester, 1920
Seller: Washburn Books, Pateley Bridge, United Kingdom
Brown Cloth Boards. Condition: Good. No Jacket. Third Edition. Compilation of useful information to practical printers selected from 'The British Printer'. 93pp with index, illustrated with occasional line drawings to the text. Cloth on boards wrinkled, some marking to boards, bumping to spine and corners and some marking to page edges, otherwise good copy with no inscriptions. Size: 12mo - over 6¾" - 7¾" tall. Book.
Published by Raithby, Lawrence & Co., Limited, London, 1892
Seller: Bluebird Books, Brecon, POWYS, United Kingdom
Book
Hardcover. Condition: Very Good. No Jacket. Compiled by Erskine Reid and Herbert Compton. Published by Raithby, Lawrence & Co., Limited. Size: 5 x 7 1/2 inches. Page number: 243 plus 2 pages of advertisements. Hardcover: Dark grey boards with red tiles and the images of various actors of the day on the front. On the back board there is an advertisement for a shop selling musical instruments. This is an A to Z of the notable actors of the day including Sarah Bernhart and others with such diverting names as Vane Featherstone, Gilbert Farquhar and Walter Weedon Grossmith. Condition: Very Good. The boardsand spine are a bit worn and rubbed and quite darkened. The spine has darkened such that it is hard to read what is written on it at all. The top edge of the end block is dusty. The contents, but for ocassional marks and creases, are clean and un-thumbed. The first and last pages are tanned. The binding is sound though a little weak at both front and back, at the point where the boards and text block meet.
Published by Raithby, Lawrence & Company, Limited, London, 1914
Seller: M RICHARDSON RARE BOOKS (PBFA Member), Ashby cum Fenby, NE Lincolnshire, LINCS, United Kingdom
Association Member: PBFA
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Near Fine. 2nd Edition. Still fresh looking clean copy in maroon cloth boards. No inscriptions although lightly toned especially to the prelims. and page block edge. Small Foyles bookseller label on front paste down page. V decent copy on the whole.
Published by Raithby, Lawrence & Co. Ltd., London, 1903
Soft Cover. Condition: Fair. Booklet, string bound. 36pp, with period advertisements to rear. nd. [circa1903]. Front cover marked, losses to corners of covers. A scarce booklet.
Published by Raithby, Lawrence & Co. Limited, London, 1906
Seller: M & P BOOKS PBFA MEMBER, Buxton, Derbyshire, United Kingdom
Association Member: PBFA
Book
Hardcover. Condition: Very Good. No Jacket. Reprint. Very Early School Text Book In Good Clean Condition But Is Starting To Spli At Pages 66 To 67 With Exposed Binding. Some Hand Written Inserts (Loose Paper) Recipes. Light Brown Cloth Hard Cover With Some Light Smudging, Edge Wear And Bubbling.
Published by Raithby, Lawrence & Co Ltd., London, 1911
Seller: Matilda Mary's Books, PORTISHEAD Somerset, United Kingdom
Red Cloth,black Lettering. Condition: Very Good. 4th. Boards marked by age,wear in places,corners slightly bumped, but still very bright.Some foxing at eps, pastedowns,some page edges creased slightly at top corners,owner's very neatly handwritten in pencil recipe for " A Nice Cake" (fruit cake) on ffep. Lovely, tight, bright copy.216pp Size: 12mo - over 6¾" - 7¾" tall. Hardback.
Published by London: Raithby, Lawrence & Company Ltd., 1978
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. gr 8° - 160 pp - Catalogue from the important auction organised by Sotheby's London. Text in english. Many fine colour and b/w reproductions.
Published by Raithby, Lawrence & Company, Limited, London, 1900
Seller: SAVERY BOOKS, Brighton, East Sussex, United Kingdom
Book
Hardcover. Condition: Good. SECTION FOUR. HARDBACK. No edition or impression is mentioned. Circa 1900. Foxing in some margins. Clean & tight. No inscriptions. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref H259. Modern Printing. A handbook of the principles and practice of typography and the auxiliary arts. Section IV: Arts Auxiliary to Printing. Business Management. &c., &c.
Published by Raithby, Lawrence & Co. Ltd, Leicester and London
Seller: Bert's Bargain Books, DUNFERMLINE, FIFE, United Kingdom
Book
Hardcover. Condition: Very Good. No Jacket. Harry Rowntree and Rene Bull (illustrator). Raithby Lawrence undated circa 1915, Grey pictorial boards with Brer Rabbit on a leaping Mr. Fox, A nice front board with wear round the edges and bumped corners, Rear board has been in the damp and is stained almost black 2"- 3" along the top edge, Bottom edge a bit wrinkled and last few pages slightly water marked, All 12 plates present with tissue guards but frontis tissue guard is tanned and both EP's have been cut out, Text otherwise in good clean order, Hinges reasonable and binding tight.
Hard Cover. Condition: Good +. Hardback, half-leather with gilt decorative spine. Vol. IX only. Made up of 6 bi-monthly parts. Pp. 1-56, 48 (advs), 57-108, 48 (advs), 109-266, 50 (advs), 267-318, 48 (advs). Numerous illustrations, including chromolithograph plates, duotone, colour and b+w illustrations. Internally very good condition. Binding slightly rubbed and worn, with small perforation to label on spine. Some fading to front board. A heavy book.
Published by London: Raithby Lawrence & Co. Ltd, 1892
Seller: Theatreshire Books, Dacre, NYK, United Kingdom
Illus boards, tear in page 228 but repaired all present, many famous names with anecdotes and biographical details, members of pantomime, D'Oyly Carte etc.
Published by Published by Raithby, Lawrence & Co., Limited, 1 Imperial Buildings, Ludgate Circus, London . London 1893., 1893
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
First Edition
First edition hard back binding in publisher's original illustrated grey cloth covers, red title and author lettering to the spine and the upper panel with six portrait vignettes . 8vo. 8'' x 5½''. Contains 243 printed pages of text with illustrated advertisements to the end papers. Wear to the softened spine end and corners, tan age spots to the free end papers and in Very Good condition, no dust wrapper. Member of the P.B.F.A. STAGE & THEATRE.
Published by LONDON Raithby Lawrence & Co Ltd Thanet House The Strand, 1909
Seller: John L. Capes (Books) Established 1969, STAITHES, United Kingdom
Association Member: PBFA
A lovely unblemished "collectors copy" of the Second Edition with an added chapter[ & plates] on Colour Etching. Large octavo [9¼x7"] viii.205pp+Collophon & viii index. 12 original guarded prints two in colour.Uncut. Blocked pictorial cloth spine lettered gilt. No ownership marks.
Published by Raithby, Lawrence & Co., Ltd, London, UK
Seller: Books for Collectors, Lancashire, United Kingdom
Book
Hardcover. Condition: Very Good. No Jacket. *** EXTRA POSTAGE WILL APPLY TO THIS BOOK BECAUSE OF ITS WEIGHT. *** This is a UK hardcover of this title published by Raithby, Lawrence & Co., Ltd, London in 1896. The photos show the condition better than I can describe but overall I believe it to be in Very Good condition for its age. The book has a straight spine, with sharp corners but rubbed and firm spine ends, which are also rubbed. There is the beginning of a split along the outside seam but the book is still tightly bound and intact. The page edges are toned but the interior pages are clean and the book is illustrated throughout in black and white and colour.
Hardcover. KAVE (illustrator). (Original). The original decorative, color-illus. card cover and all contents, bound into 3/4 black leather with gilt lettering and decoration. Each issue approx. 39 pp. followed by multiple pages numbered 40 A,B,C, etc. Full of bw, color, and duotone illustrations; some full-page plates and some folding. Several chromolithographs included, and many are decorated in gilt. The last section is 104 pages of advertisements, each page numbered but not consecutively and very oddly. It could be that all the adverts for each issue were just stacked together and bound into the back of the volume in no particular order, although they could just be examples, as some pages are numbered 80-100. The bound volume contains all issues for the year 1891 (complete Vol. IV): January/February (No. 19); March/April (No. 20; May/June (No. 21; July/August (No. 22); September/October (No. 23); November/December (No. 24). Each issue contains an index of articles, various announcements of competitions, numerous examples of ornamentation, lettering, and all things print. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents NF, if ever read. Leather rubbed on corners, hinge, and head/tail of spine. Solid binding. Art school ex-lib. copy with usual marks. A section of 20 pp. is curled just at the bottom right corner. Plates are in pristine condition.
Hardcover. KAVE (illustrator). (Original). The original decorative, color-illus. cover and all contents, bound into 3/4 black leather with gilt lettering and decoration. Pages numbered consecutively throughout, 452 in total. Full of bw, color, and duotone illustrations. Several photochromotypy plates are included; a few are decorated in gilt. The last section is [100] pages of advertisements, each page numbered but not consecutively and very oddly. It could be that all the adverts for each issue were just stacked together and bound into the back of the volume in no particular order. A bit overweight at 5 pounds and may require extra postage. The entire volume for 1893. No individual covers or title pages are bound in. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents NF, if ever read. Leather rubbed on corners, hinge, and head/tail of spine. Solid text block but with front cover detaching. Art school ex-lib. copy with usual marks. Leather peeling a bit on faces of corners/front cover. Plates are in pristine condition.
Hardcover. KAVE (illustrator). (Original). The original decorative, color-illus. cover and all contents, bound into 3/4 brown leather with 5 raised bands and gilt lettering; dark moss green cloth/boards. Pages numbered consecutively throughout, 320 in total. Full of bw, color, and duotone illustrations. Housed in a board folio covered in blue chambray/linen with marbled paper lining. Blue grosgrain ribbon tie. A bit overweight at 6 pounds and may require extra postage. The entire volume for 1893. No individual covers or title pages are bound in. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents VG0. Leather rubbed; front hinge separating, and back cover detached but present. Solid text block but with front cover detaching. Art school ex-lib. copy with usual marks. Plates are in pristine condition.
Hardcover. KAVE (illustrator). (Original). The original, color-illus. cover and all contents, bound into 3/4 black leather with maroon cloth/boards. 7 raised bands; gilt lettering and decoration. Pages numbered consecutively throughout, 398 in total. Full of bw, color, and duotone illustrations. Several photochromotype plates are included, some with tissue guards; a few are decorated in gilt. The last section is 46 pages of advertisements, A bit overweight at 5 pounds and may require extra postage. The entire volume for 1895. Individual issue title pages and covers are bound in. Includes an index to the entire volume. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents NF, if ever read. Leather very lightly rubbed at top rear corner; 3 spots of old blue paint on front spine/hinge area. 1 leaf of advertisements has a small tear at fore edge. Solid text block but Art school ex-lib. copy with usual marks. Plates are in pristine condition.
Hardcover. KAVE (illustrator). (Original). The original, illus. cover and all contents, bound into 3/4 black leather with blue cloth/boards. Gilt lettering and decoration on spine. Decorative green end papers. Pages numbered consecutively throughout, 318 in total. Full of bw, color, and duotone illustrations. A few vibrant chromolithograph plates are included. The last section is 48 pages of advertisements, A bit overweight at 5 pounds and may require extra postage. The entire volume for 1896. Individual issue title pages (but not covers) are bound in. Includes an index to the entire volume. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents VG- clean and tight, but with foxing to end papers and to the very occasional additional page, mostly at top margin. Front hinge loosening. Leather areas rubbed and with a pock where leather meets cloth binding, about in the middle. Solid text block but Art school ex-lib. copy with usual marks. Plates are in pristine condition.
Hardcover. KAVE (illustrator). (Original). The original, illus. title page, frontis and all contents, bound into 3/4 black leather with blue cloth/boards. Gilt lettering and decoration on spine. Decorative green end papers. Pages numbered consecutively throughout, 312 in total. Full of bw, color, and duotone illustrations. A few vibrant chromolithograph plates are included. Two folding plates. The last section is 49 pages of advertisements, A bit overweight at 5 pounds and may require extra postage. The entire volume for 1897. Includes an index to the entire volume. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents VG- clean and tight, but with foxing to end papers and to the very occasional additional page, mostly at top margin. Hinges loosening. Leather areas rubbed. Solid text block but Art school ex-lib. copy with usual marks. Plates are in pristine condition.
Hardcover. KAVE (illustrator). (Original). The original decorative, color-illus. title page and all contents, bound into maroon cloth/boards; maroon leather with gilt lettering and decoration on spine. Marbled page ends. Pages numbered consecutively throughout, 324 in total, followed by 72 pp. advertisements and (presumably) the back covers for each issue. Only one front cover (Nov.-Dec.) is bound in. Full of bw, color, and duotone illustrations. Housed in a board folio covered in blue chambray/linen with decorative paper lining. Blue grosgrain ribbon tie. A bit overweight at 6 pounds and may require extra postage. The entire volume for 1902. No individual covers, but title pages are bound in. Includes an index for the entire volume. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents VG. Hinges cracking. Solid text block. Art school ex-lib. copy with usual marks. Plates are in pristine condition.
Hardcover. KAVE (illustrator). (Original). The original decorative, color-illus. title page (with tissue guard), color frontis, and all contents, bound into 3/4 maroon leather with maroon cloth/boards; gilt lettering and 7 (unraised) gilt double bands on spine. Pages numbered consecutively throughout, 330 in total, followed by a section (with original cover and dated for Dec. 1905 - January 1906) of 72 pp + [2] pp. of advertisements. Full of bw, color, and duotone illustrations. A bit overweight at 6 pounds and may require extra postage. The entire volume for 1905. No individual covers, but title pages are bound in. Includes an index for the entire volume. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents VG. Hinges cracking. Bumps to corners; light rubbing to leather at corners and hinges. Solid text block. Art school ex-lib. copy with usual marks. Plates are in pristine condition.
Hardcover. KAVE (illustrator). (Original). The original decorative, color-illus. title page (with tissue guard), color frontis, and all contents, bound into 3/4 maroon leather with maroon cloth/boards; gilt lettering and 7 (unraised) gilt double bands on spine. Pages numbered consecutively throughout, 340 in total, followed by a section (with original cover and dated for Dec. 1906 - January 1907) of 122 pp. of advertisements + 80 additional pp. of advertising. Full of bw, color, and duotone illustrations. A bit overweight at 6 pounds and may require extra postage. The entire volume for 1906. No individual covers, but title pages are bound in. Includes an index for the entire volume. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents VG. Bumps to corners; some rubbing to leather at corners and hinges. Solid text block. Art school ex-lib. copy with usual marks. Plates are in pristine condition.
Hardcover. KAVE (illustrator). (Original). The original decorative, color-illus. title page (with tissue guard), color frontis, and all contents, bound into 3/4 maroon leather with maroon cloth/boards; gilt lettering and 7 (unraised) gilt double bands on spine. Pages numbered consecutively throughout, 336 in total, followed by a section (with original cover and dated for Dec. 1907 - January 1908) of 80 pp. of advertisements. Full of bw, color, and duotone illustrations. A bit overweight at 6 pounds and may require extra postage. The entire volume for 1907. No individual covers, but title pages are bound in. Includes an index for the entire volume. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents VG-. Bumps to corners; some rubbing to leather at corners and hinges, head/tail of spine. Solid text block. Art school ex-lib. copy with usual marks.
Hardcover. KAVE (illustrator). (Original). The original, decorative title page (with tissue guard), color frontis, and all contents, bound into 3/4 maroon leather with maroon cloth/boards; gilt lettering and 7 (unraised) gilt double bands on spine. Pages numbered consecutively throughout, 340 in total, followed by a section (with original cover and dated Feb. - March 1908) of 76 pp. of advertisements. Full of bw, color, and duotone illustrations. A bit overweight at 6 pounds and may require extra postage. The entire volume for 1908. No individual covers, but title pages are bound in. Includes an index for the entire volume. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents VG. Bumps to corners; some rubbing to cloth. Top/bottom 2 inches of spine leather missing, and covers loosening. Solid text block. Art school ex-lib. copy with usual marks.
Hardcover. KAVE (illustrator). (Original). The original, decorative title page (with torn tissue guard), color frontis, and all contents, bound into 3/4 maroon leather with maroon cloth/boards; gilt lettering and 7 (unraised) gilt double bands on spine. Pages numbered consecutively throughout, 340 in total, followed by a section (with original cover and dated for Feb. - March of 1909) of 72 pp. of advertisements. Full of bw, color, and duotone illustrations. A bit overweight at 6 pounds and may require extra postage. The entire volume for 1909. No individual covers, but title pages are bound in. Includes an index for the entire volume. Raithby & Lawrence: Leicester printing firm (later, London: Raithby, Lawrence & Co., Ltd.), noted for its printing of the widely disseminated and influential periodical, The British Printer. Through the efforts and exacting standards of its foreman and chief typographic designer (a new profession for the time) George W. Jones, then Robert Grayson, the firm developed the so-called Leicester Free Style which was England's answer to the artistic printing movement. (Dictionary of 19th-Century Journalism). Contents VG. Bumps to corners; fading and some rubbing to cloth. Foxing to end papers. Solid text block. Art school ex-lib. copy with usual marks.
Published by London; Leicester Raithby, Lawrence & Co., Ltd.; De Monfort Press, 1909, 1909
Seller: Franklin Gilliam :: Rare Books, A.B.A.A., Charlottesville, VA, U.S.A.
2 color etchings and 10 original prints; xiv , 205, [5] and viii pp. Large 8vo, green buckram, pictorial front cover, spine gilt; corners bumped, slight wear to extremities Second Edition with the added chapter on Colour Etching, having two tipped in plates.
Published by Raithby, Lawrence & Co. LTD, London, 1939
Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. Harry Rowntree; Rene Bull (illustrator). A copy of this charming of this story comprising a collection of numerous African American fables and oral traditions in one as proposed by Joel Chandler Harris, richly illustrated. An undated copy, dated from Jisc 1939. This work was originally published in 1881 in book form, and it comprises a collection of African American folktales compiled and adapted by Joel Chandler Harris, with animals as characters. Many of these stories are didactic, and want to represent the struggle in the Southern United States, and more specifically in the plantations. The present stories are told through the characters of Mr. Fox and and Brer Rabbit, with Uncle Remus being the narrator.Illustrated with twelve coloured plates by Harry Rowntree and eighty-four pen and ink pictures by René Bull. Collated, complete. In the original publisher's full cloth binding. Externally very smart with only minor shelf wear and a minor bumping to the head and tail of the spine and extremities, with some soiling to the boards. The dust wrapper is sound with some shelf wear and edge wear, some minor soiling to the front wrap and a minor chipping; unclipped. Internally, firmly bound. With only a minor faint spotting to the endpapers, otherwise the pages are bright and clean. Illustrated with twelve coloured plates by Harry Rowntree and eighty-four pen and ink pictures by René Bull. Collated, complete. Very Good. book.
Published by Raithby, Lawrence & Co Ltd, London, United Kingdom, 1917
Seller: Kelleher Rare Books, Naas, IE, Ireland
Book First Edition
Hardcover. Condition: Very Good. 1st Edition. First UK Edition, First Print. This is the true UK first edition "Fieldshead, Leicester March 1917" to the dedication page, 214pp. complete set of 12 plates by Emmeline Radford present, eight colour four black and white, off setting to end pages else clean, tight binding in original blue boards, decorated in green and gilt, illustrated insert to front panel, small area of loss to bottom of insert. Scarce.