Product Type
Condition
Binding
Collectible Attributes
Free Shipping
Seller Location
Seller Rating
Published by Robert McLaughlin Gallery, 2013
ISBN 10: 1926589785ISBN 13: 9781926589787
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. First. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Robert McLaughlin Gallery / ABC, 2013
ISBN 10: 1926589785ISBN 13: 9781926589787
Seller: HPB Inc., Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Art Gallery of Hamilton / Robert McLaughlin Gallery, 2013
ISBN 10: 1926589785ISBN 13: 9781926589787
Seller: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.
Book
Paperback. 101pp. As new, clean, tight & bright condition.
Published by Robert McLaughlin Gallery / ABC Art Books Canada, 2013
ISBN 10: 1926589785ISBN 13: 9781926589787
Seller: Devils in the Detail Ltd, Oxford, United Kingdom
Book
Condition: New.
Published by Art Gallery of Hamilton, Southern Alberta Arts Gallery and Art Gallery of Windsor (co-publishers), Canada, 2013
ISBN 10: 1926589785ISBN 13: 9781926589787
Book
Softcover. Condition: New. Black color-illustrated wraps with white lettering; French flaps. 101 pp. with color and bw images throughout. Catalogue from the exhibition held at the three co-publishers and the Robert McLaughlin Gallery between June 2013 and June 2016. This book explores the collaborative work of two of North-Americas most prominent contemporary artists. This publication represents the most complete career overview to date of these highly respected North-American artists. Featured are their signature sculptural and kinetic installations along with several smaller works that together form an experimental journey around the artists' ideas on modernist art. In particular, cool geometric minimalism is used as part of a strategy of critique within the context of the information age. References to Wikileaks, Google, electronic surveillance, and information suppression are dissimilated within works marked by bright colours, enchanting movements, and humour. It is possible to see this collaborative work as both a playful encounter and a relevant critique of the supposed utopia of total information access.