Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Bantam Books, 1989
ISBN 10: 0553200100ISBN 13: 9780553200102
Seller: Once Upon A Time Books, Siloam Springs, AR, U.S.A.
Book
Paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .
Published by Bantam Books, New York, 1989
Seller: Shady Grove Book Store, West Branch, MI, U.S.A.
Book
Soft cover. Condition: Near Fine. Condition is Near Fine. Clean & tight. 1989 softcover.
Softcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition; First Printing. First edition. A paperback original. Close to fine in pictorial printed wrappers. (Reading crease on spine, ) (LC).
Published by MACMILLAN. NY 1962; 1st edition (1962), 1962
Seller: Tacoma Book Center, Tacoma, WA, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Dustjacket included. First Edition. ISBN . B001DK9S3G Hardback. First Printing as stated on the copyright page. Penny sized price sticker residue on top of the front pastedown endpaper, not very noticeable or distracting, Otherwise bookis in Near Fine Condition, a Tight bright attractive copy with no markings to the book. Dustjacket is in Very Good condition with slight edgewear. $3.75 original price is still present and unclipped on the front dustjacket flap., but it has been neatly blacked out, though still readable. We have placed the dustjacket in a Brodart clear plastic protective cover and it looks much better than described. No Signature.
Hardcover. Condition: Near Fine. First Edition. Near fine in a Vg. dj. (Former Universal Studios' copy from their story department, so stamped on front pastedown. File # & info stamped at base of front endpaper. 1"-inch triangular chip at base of spine on dj. 1"- inch & 2"& 1/2"- inch tear on rear panel) Cover bright.
Hardcover. Condition: Fine. First Edition. Close to fine in a Vg.+ or better dj. (Couple of interior tape mends. Several edge tears & a few small edge chips. Light sensitive spine on dj. is virtually unfaded!).
Hardcover. Condition: Fine. First Edition. Fine in close to fine dj. (2 tiny edge nicks at base of front cover).
Condition: Fine. First Edition. INSCRIBED by Will Henry on the front endpaper. Close to fine in a Nf. dj. (1"- inch tear on rear panel. Couple 1/2"-inch tears on front cover. Trace of light rubbing to dj.).
Hardcover. Condition: Fine. First Edition. Fine in a close to fine dj. (Couple of tiny edge nicks. No fading to color on spine of dj.).
Hardcover. Condition: Fine. First Edition. Close to fine in a Vg.+ dj. (Touches of offsetting to a few pages in text. Light rubbing to dj. Mild edgewear).
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition; First Printing. Close to fine in a Vg.+ or better dj. (Couple of short edge tears on rear panel. A few tiny spots of damping at base of rear panel) An attractive bright copy of one of Henry's scarcest titles.
Hardcover. Condition: Near Fine. First Edition. Near fine in a Vg.+ dj. (Publisher's original query card laid-in. One inch tear at head of front cover. 1"- inch tear hidden in fold of front dj. flap. Previous owner's name & date inked on front endpaper).
Published by Houghton Mifflin, Boston, 1953
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Book First Edition
Red Cloth. Condition: Near Fine Book. Dust Jacket Condition: Very Good + DJ. First Hardcover Edition. First Hardcover Edition, After The 1953 Paperback Original Published By Ballantine. This Is Ian Ballantine's Personal Copy, Probably Received From Houghton Per His Agreement Regarding Hardcover Issues By Other Publishing Houses Simultaneous With Or Soon After His Paperback Initial Releases. Never Sold Or Circulated, Direct From The Ballantine's Library, Unsophisticated, No Restoration Done And None Needed. Book Is Near Fine, Pages Aged As Usual, Touch Of Wear At Corners. Dj Is Very Good +, Very Clean And Complete, Not Price Clipped, Two 1/2" Closed Tears At Top Corners Of Front Panel, 1/8" Closed Tear At Bottom Of Front Panel, Wear At Top And Bottom Edges Of Spine, 3/16" Closed Tear At Top Of Front Flap Fold With Associated Wear, Tiny Points Of Wear At Other Tips. A Scarce Hardcover. Per Wikipedia, Henry Wilson "Heck" Allen (1912 ?1991) Was An American Author And Screenwriter. He Used Several Different Pseudonyms For His Works. His 50+ Novels Of The American West Were Published Under The Pen Names Will Henry And Clay Fisher. Allen's Screenplays And Scripts For Animated Shorts Were Credited To Heck Allen And Henry Allen. Henry Wilson Allen Was Born In Kansas City, Missouri. His Older Brother Robert Allen Was An Animator Who Worked For Mgm. Before He Began His Writing Career He Worked Variously As A Stablehand, Shop Clerk, And Gold Miner. In 1937 He Began Working As A Contract Screenwriter For The Metro-Goldwyn-Mayer Cartoon Studio. While His Early Work Was For Harman And Ising's "Barney Bear" Series, His Longest Collaboration Was With Director Tex Avery. Allen Was Credited As Story Artist On Many Classic Avery Shorts, Included Swing Shift Cinderella, Northwest Hounded Police, And King-Size Canary, Among Many Others. Allen Downplayed His Contributions To The Shorts, Claiming That Avery Merely Used Him As A Sounding Board For His Own Ideas. He Was Later Fired By Fred Quimby And Went To Work For Walter Lantz Productions On Several Woody Woodpecker Cartoons That He Co-Wrote With Ben Hardaway Including Wet Blanket Policy And Wild And Woody! Following The 1948 Shutdown Of Walter Lantz Productions, Allen Returned To Mgm And Continued To Write For Avery's Cartoons That Were Released During The 1950S Including Little Johnny Jet, The Three Little Pups, And The First Bad Man.Allen's Career As A Novelist Began In 1950, With The Publication Of His First Western No Survivors. Allen, Afraid That The Studio Would Disapprove Of His Moonlighting, Used A Pen-Name To Avoid Trouble.[8] He Would Go On To Publish Over 50 Novels, Eight Of Which Were Adapted For The Screen. Most Of These Were Published Under One Or The Other Of The Pseudonyms Will Henry And Clay Fisher. Allen Was A Five-Time Winner Of The Spur Award From The Western Writers Of America And A Recipient Of The Levi Strauss Award For Lifetime Achievement.
Published by Houghton Mifflin, Boston, 1953
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Book First Edition
Red Cloth. Condition: Near Fine Book. Dust Jacket Condition: Near Fine DJ. First Hardcover Edition. 182 Pp. Red Cloth, Gilt. First Hardcover Edition, After The 1953 Paperback Original Published By Ballantine. This Is Ian Ballantine's Personal Book, Probably Received From Houghton Per His Agreement Regarding Hardcover Issues By Other Publishing Houses Simultaneous With Or Soon After His Paperback Initial Releases. Never Sold Or Circulated, Direct From The Ballantine's Library, Unsophisticated, No Restoration Done And None Needed. Book Is Near Fine, Pages Aged As Usual, Touch Of Wear At Corners Of Spine. Dj Very Clean And Complete, Not Price Clipped, Wear At Base Of Spine With 1/8" Open Tears At Each Side Of Bottom Of Spine, Points Of Rubbing At Corners. A Scarce Hardcover. Per Wikipedia, Henry Wilson "Heck" Allen (1912 ?1991) Was An American Author And Screenwriter. He Used Several Different Pseudonyms For His Works. His 50+ Novels Of The American West Were Published Under The Pen Names Will Henry And Clay Fisher. Allen's Screenplays And Scripts For Animated Shorts Were Credited To Heck Allen And Henry Allen. Henry Wilson Allen Was Born In Kansas City, Missouri. His Older Brother Robert Allen Was An Animator Who Worked For Mgm. Before He Began His Writing Career He Worked Variously As A Stablehand, Shop Clerk, And Gold Miner. In 1937 He Began Working As A Contract Screenwriter For The Metro-Goldwyn-Mayer Cartoon Studio. While His Early Work Was For Harman And Ising's "Barney Bear" Series, His Longest Collaboration Was With Director Tex Avery. Allen Was Credited As Story Artist On Many Classic Avery Shorts, Included Swing Shift Cinderella, Northwest Hounded Police, And King-Size Canary, Among Many Others. Allen Downplayed His Contributions To The Shorts, Claiming That Avery Merely Used Him As A Sounding Board For His Own Ideas. He Was Later Fired By Fred Quimby And Went To Work For Walter Lantz Productions On Several Woody Woodpecker Cartoons That He Co-Wrote With Ben Hardaway Including Wet Blanket Policy And Wild And Woody! Following The 1948 Shutdown Of Walter Lantz Productions, Allen Returned To Mgm And Continued To Write For Avery's Cartoons That Were Released During The 1950S Including Little Johnny Jet, The Three Little Pups, And The First Bad Man.Allen's Career As A Novelist Began In 1950, With The Publication Of His First Western No Survivors. Allen, Afraid That The Studio Would Disapprove Of His Moonlighting, Used A Pen-Name To Avoid Trouble.[8] He Would Go On To Publish Over 50 Novels, Eight Of Which Were Adapted For The Screen. Most Of These Were Published Under One Or The Other Of The Pseudonyms Will Henry And Clay Fisher. Allen Was A Five-Time Winner Of The Spur Award From The Western Writers Of America And A Recipient Of The Levi Strauss Award For Lifetime Achievement.