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Published by Dover, 1967
ISBN 10: 0486218759ISBN 13: 9780486218755
Book
Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Published by New York : M. Knoedler, 1973
Seller: MW Books, New York, NY, U.S.A.
First Edition
First Edition. Near fine paperback copy. Slightest suggestion only of dust dulling to the spine bands and panel edges. Remains uncommonly well-preserved; tight, bright, clean and sharp-cornered. Description: 28 pages : illustrations ; 24 cm. Notes: Catalog of an exhibition at the M. Knoedler & Co., Inc., New York, February 1973. Price list inserted. Subjects: Whistler, James McNeill, -- 1834-1903 -- Exhibitions. Whistler, James McNeill, -- 1834-1903. Genre/Form: Exhibition catalogs. Exhibitions. 1 Kg.
Published by Hunterian Art Gallery, 1990
Seller: LIBRERÍA GULLIVER, MADRID, Spain
24x17.56 pags. Ilustrs.
Published by New York : M. Knoedler, 1973
Seller: MW Books Ltd., Galway, Ireland
First Edition
First Edition. Near fine paperback copy. Slightest suggestion only of dust dulling to the spine bands and panel edges. Remains uncommonly well-preserved; tight, bright, clean and sharp-cornered. Description: 28 pages : illustrations ; 24 cm. Notes: Catalog of an exhibition at the M. Knoedler & Co., Inc., New York, February 1973. Price list inserted. Subjects: Whistler, James McNeill, -- 1834-1903 -- Exhibitions. Whistler, James McNeill, -- 1834-1903. Genre/Form: Exhibition catalogs. Exhibitions. 1 Kg.
Whistler, James A. M. (illustrator). (Whistler, James A. M.) WHISTLER - PAINTINGS ETCHINGS PASTELS AND WATERCOLOURS by Denys Sutton. Phaidon, London, 1966. 4to., cloth, 200pp., 129 plates, 19 in color. Fine in Near Fine DJ.
Published by London: Lockett Thompson
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: Used - Good. 1935. Folio. 26 pp & 49 tipped-in plates. Number 78 from a limited printing of 500 copies (inscribed to the previous owner on limitation page). Some shelf wear to wraps, with significant chipping and creasing along edges. Altogether a copy in Good condition.
Hardbound. Brown boards with yellow cloth spine. 292 (1) pp. No illustrations. Printed after April 1890 judging by the inclusion of some newspaper quotes from early April 1890. G+, covers show moderate wear, spine has small tears top/bottom. Pages clean and tight.
Published by Academic Press, USA, 1962
Seller: The Book Exchange, Macclesfield, United Kingdom
Hardcover. Condition: Good. No Jacket. Ex library, hardcover. 589 pages, index, illustrated with charts, tables and diagrams. Sections include: General Methods; Monosaccharides; Oligosaccharides; Analyses; Color Reactions of carbohydrates; Physical Measurements. Contents clean, tight and bright. Book.
Zwolle & Amst., 1997. 144 pp. Ills. Cloth,d/j.
Published by Michael Joseph Ltd, London, 1986
ISBN 10: 0718124650ISBN 13: 9780718124656
Seller: The Print Room, Lilley nr Luton, United Kingdom
Book First Edition Signed
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Jacket after James M. Whistler (illustrator). 1st Edition. First edition, first impression. SIGNED BY THE AUTHOR, WITHOUT DEDICATION, IN BLUE PEN, ON TITLE PAGE. Some edge wear and small loss to top and bottom of jacket and spine, long closed tear to bottom front fold, corners rubbed with small loss, internally clean tight and almost square, overall a vg copy. 383pp. This ambitious first novel looks at many different kinds of female travail in Victorian England. In 1829, Georgiana, raised in shadowy circumstances in a rigid Cumberland household, learns that she is illegitimate. When she reaches her majority, she is summarily sent to a branch of the distinguished Curwen family, who are related to Fletcher Christian of Bounty notoriety. There she begins to fill in the lacunae in her history. She learns that her mother, another Georgiana, a free spirit who rejected the conventional mores, was disowned by the Curwens. Developing her own identity Georgiana follows her mother's lead, becoming a recognized artist and a fully sexual being in the diverse milieus of London, Paris and Dublin. Though perhaps overlong and too busily plotted, this historic romance catches the flavour of a period of social ferment when women's rights were just beginning to be asserted in a male dominated society. Scarce signed. Signed by Author(s).
Published by London: The Studio, 1904, 1904
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
Book First Edition
Soft cover. Condition: Good. 1st Edition. 4° - 91+69+30(XXX Ads)pp - Color Plates (Whistler - Alexander.) color & B/w reproductions. Text in English and French language. Original wrappers. The wrappers and dettached but complet, otherwise in Good condition.
Published by H. Floury, Paris, 1904
Seller: Royoung Bookseller, Inc. ABAA, Ardsley, NY, U.S.A.
First Edition
Hardcover. Whistler, James M (illustrator). First edition. 209 pages. 18 gravures hors texte, and with an abundance of additional illustrations. Written one year after Whistler's death, Duret sounds his critical acclaim, "the supreme gift of creating works alive by their profundity and beautiful by their form." A few leaves worn at fore-edge. Text in English. FREITAG 10247. Modern grey cloth with black leather spine label and with original illustrated wrappers bound-in. Near fine.
Published by R.H. Russell, New York, 1899
Seller: William Reese Company - Americana, New Haven, CT, U.S.A.
78,[1]pp. Small quarto. Original cloth backed gilt boards. Partially unopened. Very good. Ownership signature of William Penhallow Henderson on front free endpaper. Collection of discourses, newspaper accounts, etc., all concerning the dispute between Sir William Eden and Mr. Whistler, the former having commissioned a portrait of his wife from the latter, resulting from the artist's refusal to surrender the picture. The whole intending to prove a point: "The Absolute Right of the Artist to control the destiny of his handiwork - and, at all times, and in all circumstances, to refuse its delivery into unseemly and ridiculous keeping." Handsomely printed in France, but with a New York imprint.
Published by New York : W. Jennings Demorest, 1893-1894., 1894
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Hardcover. Condition: Fair. iv, 754 pp. ; illustrated ; 30 cm. ; OCLC: 1566149 ; OCLC: 2446332 ; OCLC: 8478507 ; LC: TT500; Dewey: 051 ; green and orange cloth with Victorian decorations and lettering ; three or four pages loose ; tear to top of spine ; foxing ; missing pages 67-70, 279-280, 449-450, 617-618, 727-728 ; a few very unusual articles featuring prisons, the Naval Academy at Annapolis, Temperance, Women's suffrage, Photography and Crime, Gypsies, etc ; a color oil print (chipped) possibly by Maud Humphrey; several photographs of famous persons and actors, including the Wilson Cherubs, U S Grant, Sheridan, Joseph Jefferson, Lucy Stone, Henrik Ibsen, Elizabeth Cady Stanton, Alexandre Dumas, Phoebe and Alice Cary, Thomas Edison, Susan B. Anthony, Emma Calvé, Ellen Terry, Henry Irving; many fashion sections ; heavy volume ; FAIR Partial Contents : The Naval Cadet at Work and at Play, The prize article on the naval cadet, written by a naval cadet / T. G. Roberts -- Familiar talks on the Different Schools of Art : American Artists / Polly King -- Wedding and Engagement Rings / J Carter Beard -- Our National Nut (Peanuts) / Harriet Cushman Wilkie -- Within Prison Walls : Thanksgiving Day in New England / Arthur Field -- A Diary of an Athletic Girl / Constance Burton -- Cholly's Last Serenade / J H Connelly -- Society Fads / Madame La Mode -- Winter House-Flowers : What kinds to select and wat care to give them / Eben E. Rexford -- Our Girls : Madge / Emma Howard Wight -- Home Art and Home Comfort : Ugle Spots Beautified / E A Fletcher -- A Japanese Floral Calendar -- Sanitarian : Care of Infants / Susanna W Dodds MD -- The World's Progress -- Artistic Notes -- What Women are Doing -- Chat -- Boxing the Compass / L Beard -- Our Baby Prize -- Two Exquisite Panel-Pictures -- Household : The Little Luncheon -- Our New Premium Picture -- Mirror of Fashions -- Perversions of Personal Liberty / W Jennings Demorest -- Demorest's Editorial Flashes -- [Christmas Eve at Bethlehem] -- December 1893 -- Children of the Stage / Elfried De B. Gude -- The ROad to Fame or Fortune : How to Become Successful Professional Women / Margaret Bisland -- The Man Underneath : A Romance of a Christmas Journey / Leslie Kane -- An Excursion to t he Land of Dolls / Aunt Ella -- Nemesis / Anna Jaffray -- Christmas Decorations / Eben E. Rexford -- The Prodigal : A Christmas Play / Marion E Monckton -- A Christmas Carol, music by Henry George Nicholls, words C L Hildreth -- Our Girls : Christmas Lists / Lida C Tulloch -- Sanitarian : The Care of Growing Children / Susanna W Dodds MD -- The Haty Woman's Christmas / Mary E Child -- Home Art and Home Comfort : Christmas Gifts for Everybody / Frances H Perry -- A Japanese Calendar -- Household : Some Christmas Sweets -- Artistic Notes / Alice Donlevy -- Our Country's Crisis / W Jennis Demorest -- January 1894 -- A Ceylon Tea Farm / Leslie Kane -- Among the Nurses / Evan Stanton -- A Woman's Romance in Wall Street / Arthur Field -- Undercurrents of Humor from the Fair / T A DeWeese -- What the Little Chap Did / Evangeline Harvey -- With the Raconteur : Stotries One can Tell Again -- The Shouting Band from Idaho : A New and Very Lively Game / Clara J Denton -- Our Girls : Berry-Picking Immortals / Lida A Churchill -- Sanitarian : Care of the Complexion / Margaret Humphrey -- Home Art and Home Comfort : Holiday Fancy-Work / E A Fletcher -- All That is Left of the Homeward Bound -- When WOmen Vote : What Reforms Could be Effected Through Woman Suffrage / Russell Sage, Noah Davis, Lillie Devereux Blake, Jennie de la M. Lozier, Elizabeth Cady Stanton -- Dead Love (Poem) / D J Robertson -- It Has Aye Done So Hitherto (Poem) / Philip Burroughs Strong -- What to Buy in China -- Ethics of the Mending-Basket / Christine Terhune Herrick -- Mad Bob Telford / John Lloyd Thomas -- The Most Effective Missionary Enterprise -- Our Growing Cities : Austin, Texas / J H Raymond Jr. Book.
Published by c.1890, France, 1890
Seller: Alexandre Antique Prints, Maps & Books, Toronto, ON, Canada
Art / Print / Poster
Condition: Very Good. Image Size : 332x282 (mm), 13.07x11.10 (Inches), Platemark Size : 435x365 (mm), 17.13x14.37 (Inches), Paper Size : 514x441 (mm), 20.24x17.36 (Inches), Hand Colored, Photogravure.
Whistler, James A. M. MODEL DRAPING. Levy 50, Way 31. Lithograph, 1890. The earlier state, before the strengthening of the tone values, and with only one butterfly signature. 7 3/8 x 5 1/4 inches, 188 x 132 mm. (image), 12 1/8 x 8 1/4 inches (sheet). With significant losses to the sheet, not affecting the image, and very well restored by mounting to a support sheet.
Signed
Whistler, James A. M. THE TYRESMITH. Spink 36, Way 27, Levy 41. Lithograph, 1890. From the posthumous edition of 51 impressions printed by Goulding in 1904 (there were 8 lifetime impressions printed by Way in 1890, and an edition of 500-1000 published in The Whirlwind in 1890. See the "Note" below). Printed on laid paper with the Spink catalogue's Watermark Number 211 (M and C Flanking Lion in Shield, impressed in mirror images). With the printed butterfly signature, center left. The image is 6 13/16 x 6 7/8 inches, 170 x 175 mm., the sheet is 16 3/8 x 10 1/2 inches, 416 x 267 mm. Note: Lifetime impressions were signed with the butterfly and printed on laid papers with watermarks different from those of the posthumous edition; the published edition was printed on wove paper without watermark; the watermark thus definitively distinguishes the Goulding printing from that of Way and from the published edition. In excellent condition.
Signed
Whistler, James A. M. THE SMITH'S YARD. Spink 124, Way 88, Levy 126. Lithograph, 1895. One of 25 posthumous impressions printed by Goulding in 1903 on laid paper watermarked with the Hunting Horn in Shield and "D & C Blauw." (Spink's watermark 50-56. An edition of 3000, printed on wove paper was published in The Studio in 1897. Signed in the stone with the printed butterfly on the facade, upper right. The image is 7 1/2 x 6 3/16 inches, 191 x 158 mm, and the sheet is 14 5/16 x 8 7/8 inches, 365 x 225 mm. In excellent condition.
Whistler, James A. M. THE FIFTH OF NOVEMBER. Spink 133, Way 97, Levy 149. Lithograph, 1895. From the posthumous edition of 42 impressions printed by Goulding in 1904 (there were 15 lifetime impressions printed by Way in 1895, and no published editions). Printed on laid paper with a partial watermark "GR" which does not conform with any of the watermarks listed in Spink for the papers of either the lifetime or the posthumous edition. With the printed butterfly signature, center right. Two unidentified collector's stamps, "ER" in a double circle, and "DB" within a square, verso. The image is 6 1/2 x 6 1/2 inches, 166 x 165 mm., the sheet is 9 7/16 x 7 3/16 inches. In excellent condition. November 5th is Guy Fawkes Day in England. Whistler made the drawing during a Guy Fawkes Day celebration in Lyme Regis. The image is of a group standing around a bonfire of burning tar barrels at Cobb Gate. According to Spink, this print was likely the first that Whistler made using an improved type of transfer paper which Way had provided to him. The sheet on which this drawing was made was apparently creased in the upper right, which, when the drawing was transferred to the stone, resulted in the two diagonal lines at the upper right. Despite being notified of the problem by Way, Whistler elected to go forward with the printing of the lithograph.
Whistler, James A. McNeill (illustrator). Whistler, James A. McNeill. THE FORGE. K.68. Drypoint, 1861 (4th state of 4). Printed on thin Japan paper. 7 5/8 x 12 3/8 inches; 196 x 315 mm. From the "Thames Set." A very good impression richly inked and with the burr printing.
Whistler, James A. M. THE DOCTOR. Spink 110, Way 78, Levy 117. Lithograph, 1894. One of 33 lifetime impressions printed by Way in 1895 on laid paper watermarked "HN," (Spink's watermark 166; the countermark to watermarks 41-42. (An edition of 3000, printed on wove paper was published in The Pageant in 1896. There was no posthumous printing). The stone was not signed, and this impression is not signed. Rosalind Birnie Philip's square stamp denoting a lifetime impression is on the verso, in the lower left corner. The image is 7 x 5 1/8 inches, 178 x 130 mm, and the sheet is 12 7/16 x 8 1/16 inches, 315 x 205 mm. The subject is Whistler's brother, the surgeon William Whistler. As Whistler selected old laid papers, removed from books or ledgers, and as they might have foxing marks or other defects which he retained in using them for printing, we have presumed the prominent foxing mark in the blank space to the left of the image on this impression to be original to the printing, and have left it untreated. This sheet also has evidence of red ink used to stain the foredges of the book from which it was removed, and an irregular left edge. The print is else in excellent condition.
Published by London, 1858
Seller: Rob Zanger Rare Books LLC, Middletown, NY, U.S.A.
Etching printed in dark brownish black on heavy cream wove paper, 6 1/4 x 3 1/2 inches (157 x 78 mm), wide, if not full margins. Fifth state (of 5). A luminous, richly inked impression with warm plate tone. [Kennedy 22].
Whistler, James A. M. THE MEDICI COLLAR. Spink 170, Way 153, Levy 186. Transfer lithograph, 1897. Number of impressions unknown. Printed in Paris by Lemercier in black on cream colored laid paper without watermark, and with the printed butterfly at right. The print is inscribed, near the lower left edge of the sheet "essai," implying that this is a trial proof. 1st (only) state. 7 1/4 x 4 3/8 inches, 185 x 112 mm. (image), 12 1/2 x 8 inches, 317 x 203 mm. (sheet). There is a soft fold across the center of the plate, left to right; else in very good condition. The plate was in Lermrcier's possession from 1897 until 1901, when, at Whistler's request it was canceled. This came about when Whistler was informed that Lemercier had printed and sold impressions from another of his lithographic stones without authorization. Thus it is uncertain whether or not Lemercier made unauthorized prints of this work, though given that the print is infrequently seen, it is likely that only those authorized by Whistler were printed. Ex-collection of H. H. Benedict, with his collector's stamp, Lugt 2936, verso. Benedict was the manufacturer and marketer of Remington typewriters; he owned a pair of mansions at 5 and 7 East 75th Street, and was a major and serious collector of art, including prints.
Whistler, J. A. McN. (illustrator). Whistler, James A. McNeill. GREENWICH PARK. Etching and drypoint on thin laid Japan paper, 1859. Kennedy 35, second state of two; Glascow 41, 3rd State of 3. 4 7/8 x 8 inches (126 x 202 mm.). A very fine impression, with pale mat stain outside the platemark.
Whistler, James A. M. AFTERNOON TEA. Way 147, Levy 114, TS&S 173. Lithograph, 1897. The only State, printed by Clot in an edition of 100, and published by Ambrose Vollard in the second album of Estampes Original, Paris, 1897. With the butterfly printed within the image, right, center. 7 1/4 x 6 1/8 inches, 185 x 157 mm. (image), printed on the full sheet, 15 5/8 x 9 1/2 inches, 398 x 245 mm. In very good condition.
Whistler, James A. M. MOTHER AND DAUGHTER or LA MERE MALADE. Way , Levy 77, TS&S 174. Lithograph, 1897. The only State, one of about 200 printed by Clot probably intended for publication by Vollard in a third Album des Peintures Graveurs. With the butterfly printed within the image, right, center. Image: 7 3/8 × 6 1/4 inches, 187 × 158 mm); 13 3/8 x 10 3/16 in. (340 x 258 mm. (sheet). In very good condition.Per Spink, about 200 impressions were found in the inventory of Clot's estate. It is known that Vollard visited Whistler's studio and that Whistler gave him the drawing for Afternoon Tea, which was published that year in the Second Album of Peintures Graveurs, printed by CLot in an edition of 100. It is believed that Whistler must also have given Vollard the transfer drawing for Mother and Daughter at the same time, with the idea that it would appear in a third volume which was never published. The two prints depict Whistler's wife's mother, Mrs. Birney Philip, and one of her daughters; as they are dressed the same in both works, it is believed that the two drawings were done in the same sitting.
Whistler, James A. M. LINDSAY ROW, CHELSEA Chicago, 23, Way 19, Levy 32. Lithograph, 1888. Only State. Signed witht the printed butterfly. Printed on laid paper without watermark. Likely one of the 56 posthumous impressions printed by Goulding in 1904.A spot of foxing just within the image, lower left, else In very good condition. 124 x 202 mm. (image).
Whistler, James A. M. THE LAUNDRESS: "LA BLANCHISSEUSE DE LA PLACE DAUPHINE. Chicago, 93, Way 58, Levy 89. Lithograph, 1894. Only State. Signed witht the printed butterfly. Printed on wove paper without watermark. Likely one of the 50 posthumous impressions printed by Goulding in 1904.In very good condition. 230 x 157 mm. (image).
Whistler, James A. M. THE FORGE, PASSAGE DU DRAGON. Lithograph, 1894. First State, with the three chickens at the bottom of the image. Signed witht the printed butterfly, upper left, within the image. From the lifetime edition of 35 impressions printed by Way, with the Van Gelder Zonen watermark, Chicago 309 (there were 36 posthumous impressions printed by Goulding in 1904). This is the.
Whistler, James A. M. ST. ANNE'S, SOHO. Chicago, 162, Way 126, Levy 181. Lithograph, 1896. Only State. Signed witht the printed butterfly. Printed on laid paper with watermark. One of the 48 posthumous impressions printed by Goulding in 1904, with the Chicago 180 watermark, and with Rosalind Birnie Philip's circular collection stamp denoting a posthumous impression. In very good condition, with a roughly torn right edge likely original to the work. 192 x 134 mm. (image);