Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
ISBN 10: 9029528028ISBN 13: 9789029528023
Seller: Kloof Booksellers & Scientia Verlag, Amsterdam, Netherlands
Book
Condition: very good. Amsterdam : De Arbeiderspers , c2001. Paperback. 219 pp. 20 cm. Condition : very good copy. ISBN 9789029528023. Keywords : , Dutch politics.
Published by Vara
Seller: Untje.com, Roeselare, Belgium
Paperback. Condition: Fair. Verkleuring. Omslag gekreukt, leesvouw in de rug. Dutch.
Published by Polak & van Gennep, Amsterdam, 1967
Seller: Bij tij en ontij ..., Kloosterburen, NL, Netherlands
Paperback, 20 cm, 144 pp. Cond.: goed / good.
Seller: Antiquariaat van Starkenburg, Apeldoorn, Netherlands
VARA 1974, ing, 296 blz, ill. Leeskreuk rug.
Published by Uitgeverij De Arbeiderspers, Amsterdam, 1974
ISBN 10: 9029529229ISBN 13: 9789029529228
Book First Edition
Paperback. Condition: Good. First Edition. 296 pages. Black and white photographic plates. Unmarked. Average wear. Sound copy.
Published by Afrikaanse Pers, Johannesburg, 1964
Seller: Snookerybooks, Philippolis, South Africa
Book First Edition
Hardcover. Condition: Good. 1st Edition. Boards a little washed out and spine well sunned. Pencilled notes to endpapers. Prev owner's signature to title page. 107pp. quite heavily annotated in pencil throughout.
Published by Afrikaanse Pers, Johannesburg, 1973
Seller: Snookerybooks, Philippolis, South Africa
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 3rd Edition. The dw has a 1cm closed teare at the top edge front and some brown blotching to the folds and on the inside. The boards are foxed along the spine. Some foxing to endpapers. 107pp. undiscol. No markings. Binding tight.
Published by Tafelberg, 1980
ISBN 10: 0624014835ISBN 13: 9780624014836
Seller: Chapter 1, Johannesburg, GAU, South Africa
Book First Edition
Hardcover. Condition: Good. Dust Jacket Condition: Fair. 1st Edition. 205 pages (complete). In Afrikaans throughout. A collection of palimpsests of the South African province, the (Orange) Free State. In general pleasing condition. The dustjacket is tight and healthy. The covers are marked and rubbed but serenely secure. The boards are ordinary with some light shelf wear. Within, the contents are in excellent condition. They are sure, very clean and clear, amiable, confident, confidential, companionable. fk. Our orders are shipped using tracked courier delivery services.
Published by Afrikaanse Pers Boekhandel, Johannesburg, 1973
Seller: Snookerybooks, Philippolis, South Africa
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. The dw has a 9cm jagged closed tear at the front, a 3cm split to the upper fold at the head and some insect damage to the surface at the back. Boards clean and undamaged. Prev owner's name to ffep. 107pp. unmarked plus short biographies of the contributors. Binding tight.
Published by Afrikaanse Pers, 1973
Seller: Snookerybooks, Philippolis, South Africa
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Derde druk. Intro by van Wyk Louw analysing the Sestigers phenomenon. Includes "Die bok" - one of very few short stories by Ingrid Jonker. Boards clean and undamaged. Small closed tear at top edge front wrap. A price in koki pen to back wrap. 107pp. clean. Binding tight.
Published by Afrikaanse Pers Boekhandel, Johannesburg, 1976
Seller: Snookerybooks, Philippolis, South Africa
Book
Hardcover. Condition: Good. Dust Jacket Condition: Good. Intro by van Wyk Louw analysing the Sestigers phenomenon. Includes "Die Bok" - one of very few short stories by Ingrid Jonker. For a full list of contributors see image of rear dw (image two). Vierde druk. Boards clean and undamaged. Mylar protected dw is a photocopy. Prev owner's name to ffep. 107pp. with some pencil underlining and annotation to the contents. Scarce title.
Published by Afrikaanse Pers Boekhandel, Johannesburg, 1964
Seller: Snookerybooks, Philippolis, South Africa
Book First Edition
Hardcover. Condition: Very Good. 1st Edition. Ex-lib with usual stamps etc. Rebound in robust attractive lib binding with gilt titling in a panel to the spine. Small tippexed word at spine base. 107pp. unmarked apart from lib stamps. 4pp. of short bios of cobtributors at rear. A seminal collection scarce in 1st ed.
Published by Oxford University Press Southern Africa, 2009
ISBN 10: 0195985826ISBN 13: 9780195985825
Seller: Iridium_Books, DH, SE, Spain
Book
Paperback. Condition: Muy Bueno / Very Good.
Published by Kunsthalle Bern Bern, Switzerland, 1969
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[170] pp.; 31.5 x 24 cm; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue housed in paperboard binder published in conjunction with show held March 22 - April 27, 1969. Exhibition traveled to Institute of Contemporary Art, London, with variant catalogue. "An exhibition sponsored by Philip Morris Europe." Extensive and primary exhibition dedicated to the amalgam of Pop, Minimal and Conceptual Art. Texts by Harald Szeemann, Scott Burton, Grégoire Müller and Tommaso Trini. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Alighiero Boetti, Mel Bochner, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McClean, Walter De Maria, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Fred Sandback, Alan Saret, Sarkis, Jean-Frédéric Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio. Includes a biography, bibliography, illustrations and portrait for each artist. Texts in English, French, German and Italian. References : "When Attitudes Becomes Forms : Bern 1969 / Venice 2013" by Germano Celant, Thomas Demand, Rem Koolhaas, Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, Glenn Phillips. Venice, Italy : Fondazione Prada, 2013. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 50-51. Good / Very Good. Covers lightly soiled with few pale stains and worn with mild bumping to cover corners and spine. Contents clean and unmarked. Binding has not rusted. A much better than average copy of a book that tends to have extensive damage due to nature of covers.
Published by Fondazione Prada Venice, Italy, 2013
ISBN 10: 8887029555ISBN 13: 9788887029550
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Book
597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show?"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"?held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.
Tokyo, Maichini Newspapers, 1970, deux volumes 250x235mm, non paginés, brochés sous couvertures imprimées.Textes japonais et anglais.Catalogue d'exposition publié à l'occasion de la "10th Tokyo Biennale", à la Tokyo Metropolitan Art Gallery, 10 mai-30 mai 1970; Kyoto Municipal Art Museum, Kyoto, 6 juin-28 juin 1970; Aichi Prefectural Art Gallery, Nagoya, 15 juillet-26 juillet 1970; Fukuoka Prefectural Culture House, Fukuoka, 11 août-16 août 1970. Le premier volume présente un texte de Yusuke Nakahara ainsi que les biographies des artistes illustrées de dessins et photographies présentées par eux-mêmes, sous couverture illustrée d'une photographie de Takuma Nakahira.Le second volume constitue le catalogue détaillé et illustré des oeuvres exposées.Le critique d'art Yusuke Nakahara, nommé commissaire général de l'exposition, avait sélectionné une quarantaine d'artistes travaillant au Japon, en Europe et en Amérique du Nord: Dietrich Albrecht, Carl Andre, Boezem, Daniel Buren, Christo, Jan Dibbets, Ger Van Elk, Kohi Enokura, Luciano Fabro, Barry Flanagan, Hans Haacke, Michio Horikawa, Enji Inumaki, Stephen J. Kaltenbach, Tatsuo Kawaguchi, On Kawara, Kazushige Koike, Stanislav Kolibal, Susumu Koshimizu, Jannis Kounellis, Edward Krasinski, Sol LeWitt, Roelof Louw, Yutaka Matsuzawa, Mario Merz, Katsuhiko Narita, Bruce Nauman, Hitoshi Nomura, Panamarenko, Giuseppe Penone, Markus Raetz, Klaus Rinke, Reiner Ruthenbeck, Jean-Frédéric Schnyder, Richard Serra, Satoru Shoji, Keith Sonnier, Jiro Takamatsu, Shintaro Tanaka, and Gilberto Zorio.Associés au post-minimalisme, à l'Arte Povera, au Conceptualisme et au Mono-ha, ces artistes reflètent la compréhension personnelle de Nakahara d'une notion renouvelée de l'art. Il a affirmé que, puisque les uvres subissaient un changement radical, la relation du spectateur à ces uvres changeait également: elles existaient dans une relation mutuelle «entre l'homme et la matière», l'espace et le temps.L'exposition représentait l'aboutissement de deux décennies d'expérimentation au Japon, qui avait vu l'essor du Gutai, de l'anti-Art, du non-Art et du Mono-ha, et tenté de montrer une continuité entre ces pratiques et mouvements artistiques développés en Occident, et souligner les intérêts partagés dans l'exploration des frontières entre l'art et la vie, le jeu et l'être.Des échanges créatifs entre les artistes japonais, nord-américains et européens ont régulièrement eu lieu depuis les années 1950 et, dans les années 1960, les institutions japonaises ont commencé à tisser des liens avec le monde de l'art à l'étranger, notamment avec les artistes et musées américains. La 10e Biennale de Tokyo a favorisé une telle ambition internationale en permettant à de nombreux artistes étrangers de travailler sur place.Près de la moitié des artistes participant au projet avaient participé l'année précédente à la «Kunsthalle Bern» et / ou «Op Losse Schroeven (Situations et cryptostructures)» dans «Quand les attitudes deviennent forme» ( uvres - Concepts - Processus - Situations - Informations) au Stedelijk Museum d'Amsterdam- deux expositions que Nakahara, qui les avait visitées, qualifie d'influences directes dans le catalogue de l'exposition, ainsi que «Anti-Illusion: Procedures / Materials» (1969) au Whitney Museum de New York.La plupart de ces artistes ayant conçu leurs créations sur place, elles eurent de ce fait une existence éphémère et le seul catalogue devient la mémoire photographique de la manifestation.Crédits photographiques en fin de second volume: Eisaburo Hara (35), Kiyoshi Otsuji (11), Anzaï Shigeo (1), Buren (1), Kawaguchi (1), Richard Serra (1). 2 200 Livre.
Published by Maichini Newspapers Tokyo, Japan, 1970
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
2 vol. : [unpaginated] ; [unpaginated]; 23.5 x 25 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with the show "10th Tokyo Biennale", held at the Tokyo Metropolitan Art Gallery, May 10 - May 30, 1970; Kyoto Municipal Art Museum, Kyoto, June 6 - June 28, 1970; Aichi Prefectural Art Gallery, Nagoya, July 15 - July 26, 1970 and Fukuoka Prefectural Culture House, Fukuoka, August 11 - August 16, 1970. Artists include: Dietrich Albrecht, Carl Andre, Boezem, Daniel Buren, Christo, Jan Dibbets, Ger Van Elk, Kohi Enokura, Luciano Fabro, Barry Flanagan, Hans Haacke, Michio Horikawa, Enji Inumaki, Stephen J. Kaltenbach, Tatsuo Kawaguchi, On Kawara, Kazushige Koike, Stanislav Kolibal, Susumu Koshimizu, Jannis Kounellis, Edward Krasinski, Sol LeWitt, Roelof Louw, Yutaka Matsuzawa, Mario Merz, Katsuhiko Narita, Bruce Nauman, Hitoshi Nomura, Panamarenko, Giuseppe Penone, Markus Raetz, Klaus Rinke, Reiner Ruthenbeck, Jean-Frédéric Schnyder, Richard Serra, Satoru Shoji, Keith Sonnier, Jiro Takamatsu, Shintaro Tanaka, and Gilberto Zorio. Larger booklet includes essay by Yusuke Nakahara and artists' biographies, statements, exhibition histories, and bibliographies, as well as some illustrations. The smaller booklet contains the exhibition catalogue and more documentation of the Biennale. Text in English and Japanese. Good / Very Good. Mild bump to top right corner of both volumes. Name of previous owner in red ink on first inside page of both volumes. Both copies are otherwise in Very Good condition.