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Published by The Bridge, Oak Park, 1997
Seller: biblioboy, North Providence, RI, U.S.A.
First Edition
Paperback. Condition: Near Fine. First Edition. Oak Park: The Bridge. Near Fine. 1997. First Edition. Softcover. First edition. Magazine. Trade sized paperback format [about 5.5" x 8.5"], 160 pages. Near Fine or better copy. .bx322.
Published by LRB, 2001
Seller: Shore Books, London, United Kingdom
Magazine / Periodical
Soft cover. Condition: Very Good. 44 pages. Murray Sayle "Hydrocarbon Civilisation" / R W Johnson "Who was to blame for Rwanda?" / John Upton "Labour's Threat to Criminal Justice" / A D Nuttall "Milton Misread" / Germaine Greer "In praise of Lucy Hutchinson" / Frank Kermode Gielgud" / Paul Smith "Ornamentalism : How the British Saw Their Empire" / Robert Irwin "Tournament of shadows: The Great Game and the Race for Empire in Asia".
Published by [The Antioch Review Inc], [Yellow Springs], 1993
Seller: biblioboy, North Providence, RI, U.S.A.
First Edition
Softcover. Condition: Near Fine. First Edition. [Yellow Springs]: [The Antioch Review Inc]. Near Fine. 1993. First Edition. Softcover. First edition. Magazine. Perfect-bound [about 6" x 9"] trade paperback format, pictorial wrappers, last numbered page is 477 [first numbered page is 326]. Near Fine copy. . ref 13.
Published by Sub Voicive Poetry, London, 1998
Seller: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, United Kingdom
Magazine / Periodical First Edition
Stapled Wrappers. Condition: Very Good. First Edition. 28pp. (including printed covers). Front cover with photo of Padin & 3pp devoted to his work. Includes Upton's 4pp. editorial almost entirely devoted to his side of the "First Offense" taken at Duncan's Clive Bush review. Light vertical crease as if folded for mailing. Book.
Published by Object Permanence, Glasgow, 1997
Seller: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, United Kingdom
Magazine / Periodical First Edition
Stapled Wrappers. Condition: Very Good. First Edition. (72pp) Including printed covers. Staples slightly rusty. Book.
Published by National Business Publications Limited, Gardenvale, Quebec, Canada, 1962
Book First Edition
Paperback. Condition: Good. First Edition. 35 pages. A look back at the woodlands industries 40 years ago. Includes the following articles: A suggested method of measuring variations of factors affecting skidding production; Tree-length cable yarding; Rapid growth of Norway and some native spruces in New Brunswick; Vertical Logging with Helicopters; Graphic determination of the cubic volume of a felled tree; a tribute to William Arthur Eyres Pepler. With nostalgic advertisements for heavy equipment. 'Methods' is written at top right corner of front cover.
Published by Routledge, 2009
ISBN 10: 0415558476ISBN 13: 9780415558471
Seller: Revaluation Books, Exeter, United Kingdom
Book Print on Demand
Paperback. Condition: Brand New. 1st edition. 416 pages. 9.17x6.34x0.71 inches. In Stock. This item is printed on demand.
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Published by Lexington Books, 2021
ISBN 10: 1498558771ISBN 13: 9781498558778
Seller: Revaluation Books, Exeter, United Kingdom
Book Print on Demand
Paperback. Condition: Brand New. 434 pages. 8.75x5.75x1.00 inches. This item is printed on demand.
Published by Routledge, 2010
ISBN 10: 0415558468ISBN 13: 9780415558464
Seller: Revaluation Books, Exeter, United Kingdom
Book Print on Demand
Hardcover. Condition: Brand New. 1st edition. 416 pages. 9.53x6.57x0.91 inches. In Stock. This item is printed on demand.
Published by The Friends of Photography, in association with Light Gallery, Carmel, California, 1980
ISBN 10: 0933286198ISBN 13: 9780933286191
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition Signed
Hardcover. Condition: New. 1st Edition. First edition, first printing. Limited edition of 2,000 signed and stamped-numbered copies. Signed on the limitation page by Heinecken (the book was shrink-wrapped by the publisher after it was signed). Hardcover. Black cloth-covered boards with title debossed on cover and stamped in silver on spine, no dust jacket as issued. Photographs, prints, mixed-media works and text by Robert Heinecken. Edited by James Enyeart. Contributions by Marvin Bell, Carl Chiarenza, Candida Finkel, Charles Hagen, William Jenkins and John Upton. Includes a chronology, exhibition history and bibliography. Designed by Peter A. Andersen. 160 pp., with 58 four-color and 39 black and white plates printed on 100-lb. Quintessence dull book paper by Garder/Fulmer Lithography, Buena Park, California. 9-1/4 x 12-1/4 inches. Out of print. Scarce. This is the first major publication of Heinecken's work. New in publisher's shrink-wrap and original cardboard shipping box (signed before packaging). About Robert Heinecken: Robert Heinecken is one of the most innovative and influential artists of the second half of the 20th century. He was a pioneer of postmodern photographic practices, and his work anticipated the Pictures Generation artists of the 1970s and 1980s who practiced the appropriation of images from advertising and the media. A self-described "para-photographer," Heinecken was always challenging the conventions of the then-accepted "canon" of photography. He transformed the possibilities of the medium, and had a profound impact on many photography-based artists who studied with him. Influenced by Dada and Surrealism, especially Marcel Duchamp, Man Ray and John Heartfield, Heinecken worked with numerous photographic techniques and materials, oftentimes combining them with various printmaking processes. In addition to offset lithography and etching, he made use of film transparencies, photographic emulsion on canvas, gelatin silver prints mounted to wood (e.g., "Multiple Solution Puzzle" Series), Polaroid materials, mixed media collage and photograms (e.g., ARE YOU REA and Recto/Verso Series). His source materials included popular "lifestyle" magazines, advertising, images taken directly from television screens, pornography and news photographs. Through his ground-breaking works, Heinecken transformed American notions of consumerism, war, eroticism and mass media. From Robert Heinecken (in the mid-1960s): "We constantly tend to misuse or misunderstand the term reality in reference to photographs. The photograph itself is the only thing that is real, that exists. (There is a vast difference between taking a picture and making a photograph.)." An excerpt from a text written by Carl Chiarenza (in 1976): "He uses existing photographs. and their reproductions because they have littered the world and our minds with unlimited examples of every conceivable image of truth, beauty, banality, eroticism, brutality, pornography, consumerism, political idea, personality, idol, and ideal. Indeed one is hard put to name anything that has not been replaced by a photographically derived image. His recycling of these images makes this astounding point before making any other. Heinecken knows the photograph is not real. He also knows that most of us still believe it is. The camera eye is lusty and insatiable, a perfect match for Heinecken's eye." Robert Heinecken was born in 1931 in Denver, Colorado and in 1942 his family relocated to Riverside, California. After serving in the US Marine Corps, he earned a BA in 1959 from the University of California, Los Angeles, where he continued his studies, specializing in printmaking and graduating with an MFA in 1960. He founded the graduate program for photography at UCLA in 1964, where he taught until 1991. Heinecken died at age 74 in 2006 in Albuquerque, New Mexico. Signed by Author.