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Published by Oxford University Press, Incorporated, 1991
ISBN 10: 0195058283ISBN 13: 9780195058284
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Abridged. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by Oxford University Press, Incorporated, 1988
ISBN 10: 0195043103ISBN 13: 9780195043105
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Hachette Books, 1996
ISBN 10: 0306807068ISBN 13: 9780306807060
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Oxford University Press, 1991
Seller: D. Richards, Bookman, Pittsburgh, PA, U.S.A.
First Edition
Hardcover. Dust Jacket Condition: Fine. First Edition. 334pp. A fine copy in a fine dust jacket--as new. Size: 8vo - over 7¾" - 9¾" tall. Book.
Published by Oxford University Press, Incorporated, 1988
ISBN 10: 0195040287ISBN 13: 9780195040289
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Book
Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Oxford University Press, USA, 1988
ISBN 10: 0195043111ISBN 13: 9780195043112
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.5.
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Published by Brooklyn, New York, United States of America: Institute for Studies in American Music at Brooklyn College, 1984
ISBN 10: 0914678221ISBN 13: 9780914678229
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.
Book
Soft cover. Condition: Good. No Jacket. Number 20 in the series entitled Institute for Studies in American Music Monographs. on covers: moderate yellowing, and touches of wear on edges.
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Published by Oxford University Press, USA/Oxford, 1991
ISBN 10: 0195058283ISBN 13: 9780195058284
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardback First Edition, First Printing 1991. Condition : A very good book with light creases to the spine tips.The dust jacket is price-clipped with some fade to the spine. A decent copy. All books are securely packaged for safe shipping. A refund is available if the book is not as described.* Further images available on request**.
Published by oxford
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
hardcover in dustwrapper (near new); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.
Publication Date: 1996
Da Capo Press, Inc, New York 1996. Soft covers. 769 pages. Nice copy in very fine condition.
Published by Oxford University Press, New York, 1991
ISBN 10: 0195058283ISBN 13: 9780195058284
Seller: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. 8vo. xv, 334 pp. This volume is an abridged and expanded version of Volume 3 of American Popular Music and Its Business" by Russell Sanjek. Very mild bruising to head and tail of spine and small spot of discoloration on top-edge; dustjacket is price-clipped.".
Publication Date: 1983
Seller: Collectors Cabinet, Teaneck, NJ, U.S.A.
Book
Soft cover. Condition: Good. Softcover, 8 1/2 by 7 inches, 71 pages. Covers have only very slight wear, inside of front and back covers and facing pages have very slight foxing, otherwise the pages are clean. I.S.A.M. Monographs Number 20.
Published by Oxford University Press, 1991
Seller: Librería Pérez Galdós, Madrid, Spain
Inglés. Tela editorial con sobrecubierta. 3000 páginas.
Published by New York, 1988. *, 1988
Seller: Travis & Emery Music Bookshop ABA, London, United Kingdom
Large 8vo 469 pages. Quarter cloth, slightly bumped at head of backstrip, else VG. D/w is slightly discoloured, bumped at head and foot.
Published by Oxford University Press, New York, 1988
Hardcover. Two volumes bound in red paper boards, blue cloth spine with silver lettering; white dj with red and blue lettering, mylar cover; Volume 1 xvi, 469 pp. Volume 2 is vi, 482 pp. 2 volumes of a 3 volume set. "This three-volume work tells the complete story of American popular songs, their authors, and the business they set in motion. Volume one explores the inception of the music publishing business in Elizabethan England and traces music activity in England until 1790, examining popular balladry, copyright problems, the start of music printing, religious music, professional music makers, musical theater, eighteenth-century music, and such leading musical figures as Purcell, Handel, and Haydn. Also discussed are the beginnings of music in the United States, including musical theater, black music, and the Great Awakening and its relationship to music publishing." [Publisher description]. Contents: Vol. 1. Prologue : Summer at Drake's bay, California, 1579 -- Part one : The beginning to 1603 -- Popular music in Henry's England -- Music in Elizabeth's England -- English musical theater -- The music of God's Englishmen -- The business of music publishing. The growth of the Stationers' Company ; Religious music printing ; The Byrd-Tallis and Morley monopolies -- The darling songs of the common people. The broad-side ballad business ; The first great ballad writers -- Part two : 1603 to 1710 -- From James to Anne -- The music of God's Englishmen. The advent and rise of the English hymn -- Britain's professional music makers. The first public concerts -- English musical theater. Popular music in the restoration theater ; The birth pangs of an English opera tradition ; Henry Purcell : Orpheus Britannicus ; The musical theater before Handel -- The business of music publishing. The golden age of balladry and the rise of the newspaper ; John Plyford, the first full-service music publisher ; Charles and the stationers ; The invention of sheet music and the fall of the house of Playford ; The new music business -- Music making in America -- The business of music publishing in the colonies -- Black music comes to English America -- Part three : 1710 to 1790 -- England, America, and the world -- The business of music publishing. Music publishing in England ; John Walsh and the dance-book business ; Handel and music publishers ; Opera financing in London 1720 to 1726 ; Handel and music for the Hanovers ; Resurrection of the old ballad business ; Handel's oratorio triumphs ; Copyright in the mid-century ; The oratorio triumphs ; Some mid-Gregorian music publishers and their songwriters ; Haydn and the music business ; The first Haydn concerts in London ; Haydn's last yeras ; Copyright later in the century ; The darling songs of the common people -- The days of Watts and the Wesleys. The Wesleys and their followers ; America's first great and general awakening.; Vol. 1 (cont.). The business of music publishing. The Americans learn to sing ; The singing-school movement is born ; William Billings ; Andrew Law -- English musical theater. "It made rich gay and gay rich .," ; The licensing act and popular music ; David Garrick and the Royal Playhouse composers ; Enter Samuel Arnold ; Charles Dibden, "Tyrtaeus of the British Navy," ; The new London songwriters -- America's musical theater. The Hallam companies of American comedians ; Musical theater during the Revolution ; The new musical theater ; Musical theater in federal Philadelphia ; Musical theater in federal Boston ; The circus and popular music ; The dawn of a new century -- The business of music publishing. American popular music : technology and copyright ; The state of the printers' art ; The Franklins ; John Peter Zenger, broadside ballads, and freedom of the press ; "Ingenious, public-spirited gentlemen, who have time to spare .," ; The ballad writers go to war ; Thomas Paine, ballad writer ; "Gentleman Johnny" Burgoyne and other writer of popular music ; The printer-music publisher in federal America ; Ratifying the constitution with music ; Isaiah Thomas, full-service music publisher ; Noah Webster and American copyright -- Black music in America. Black secular music ; Black music and twentieth-century country music ; Black music and the music of a white God ; The Baptist invasion ; The new Wesleyan Methodism ; Richard Allen : Father of black hymnody.; Vol. 2. Music publishing in the new republic 1790-1800. Philadelphia, New York, and Boston -- The business of popular music 1800-1860. Copyright ; Changing technology -- Sheet music publishing in pre-Civil War America. Philadelphia ; New York ; The nineteenth-century social and stage dance ; European music publishers in New York ; Boston ; The South ; Frontier and western music publishers ; The Board of Music Trade ; The other music-publishing business -- American musical theater 1800-1860. In search of a national popular music ; Yankee Doodle on the stage ; Early growth of the frontier theater ; The black American discovered ; The American stage black and his music ; The American circus : incubator of the minstrel show ; The arrival of the minstrel show -- The music of God's Americans 1800-1860. Worship under the open skies ; The shape-note business ; The first great urban evangelists ; The lunch-hour revival movement ; The American Sunday school movement ; Lowell Mason and popular religious music -- The music of black Americans 1800-1860. Popular music and black Americans ; The emergence of the black spiritual -- "The singin'est war" 1861-1865. Song publishing in the Confederacy ; Song publishing in the North ; Some Civil War songs and their writers -- The music of God's Americans 1865-1909. The singing evangelists ; The shape-note business -- Black music in America 1860-1909. The spirituals ; Minstrels and the millionaires of minstrelsy ; The first great black songwriters ; Cakewalks and coon songs ; Classic ragtime : its rise and fall -- The American musical theater 1865-1909. Popular music on th.
Published by New York, 1988. *, 1988
Seller: Travis & Emery Music Bookshop ABA, London, United Kingdom
Large 8vo 469 pages. Quarter cloth, slightly bumped at head of backstrip, else VG. D/w is slightly discoloured, bumped at head and foot.
Published by Robert Reynolds, 1944
Seller: R. Plapinger Baseball Books, Ashland, OR, U.S.A.
Magazine / Periodical First Edition
Soft cover. Condition: Near Fine. No Jacket. 1st Edition. MONTHLY publication, 5 x 8.25, 36 pp (varies); each issue in excellent condition with typical foxing, light creasing/nicks, esp, to corners, edges. RUN (possibly complete ?) OF SEVEN CONSECUTIVE ISSUES starting with JUNE 1944: Vol. 1, #1. Includes the 6 1944 issues from vol. 1 PLUS Vol. II, No. 1 from 1945 (70 pp) with cover headline AFRAMERICAN SERIES. See photos and/or ask questions for more information.
Seller: Stellar Books & Ephemera, ABAA, Moab, UT, U.S.A.
Signed
Manuscript Files for David Lavender's Book Reviews for the Radio Production of "Book Parade" 1955-1957 Six files of manuscript material including original and carbon copies plus printed scripts for the radio production of "Book Parade". Material generally in very good condition. Fun collection of six book reviews plus correspondence for the radio production "Book Parade" produced by Broadcast Music, Inc. (BMI) in the 1950's. Five reviews written by David Lavender plus a review of Lavender's book "Bent's Fort", written by Don Tracy. "Book Review" was directed by Russell Sanjek, long-time executive at BMI. Sanjek was a noted historian of popular music and author of a three-volume history on popular music published in 1988 by Oxford University Press. David Lavender was a prolific chronicler of the American West, authoring more than 40 books. Lavender was a two-time nominee for the Pulitzer Prize and was loved by scholars for his accuracy and objectivity but primarily wrote for a non-academic audience. Books reviewed include "Travels of Jaimie McPheeters" by Robert Lewis Taylor, "Bent's Fort" by David Lavender, "The Columbia" by Stewart H. Holbrook, "New Found World" from Harold Lamb, "Background to Glory" written by John Bakeless and "Massacre: The Tragedy at White River" by Marshall Sprague. Archive includes Lavender's typed letters signed and typed book reviews, printed scripts on BMI letterhead and carbon copies of letters from Russell Sanjek. All told, a nice little collection from a place and time when books and book reviews garnered wide support within the media.
Published by Oxford University Press, USA, 1991
Seller: Collectors' Bookstore, Antwerpen, Belgium
Book First Edition
Hardcover. Condition: Fine. First Edition. First Edition thus. American popular music business in the 20th century Special Collection by Russell Sanjek; David Sanjek. Published by Oxford University Press, USA in 1991. Hardcover. When the late Russell Sanjek's monumental three volume history, American Popular Music and Its Business, first appeared, it was acclaimed as an unprecedented contribution to the study of American popular culture. Jerry Wexler of Atlantic Records called it a colossal work of research and writing, and Nat Hentoff lauded this history as an astonishing work of discovery and a lucid, continuously absorbing narrative. There is nothing else like it in the literature. Now, David Sanjek, the author's son, and. Collectible item in very fine condition.