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Published by University of Washington Press, 1992
ISBN 10: 0295972297ISBN 13: 9780295972299
Seller: Better World Books: West, Reno, NV, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Tate Publishing, 2003
ISBN 10: 1854374591ISBN 13: 9781854374592
Seller: Ergodebooks, Houston, TX, U.S.A.
Book
Paperback. Condition: Good.
Published by The Art Institute of Chicago January 1977, 1977
Seller: Open Books West Loop, Chicago, IL, U.S.A.
Trade Paperback. Condition: Used.
Couverture rigide. Condition: Très bon. Edition originale. In-8° , relié , 183 pages , nombreuses illustrations .
Published by University of Michigan Museum of Art, 1984
ISBN 10: 0912303417ISBN 13: 9780912303413
Seller: LIVREAUTRESORSAS, LA BAZOCHE GOUET, France
Book
Condition: 2. Brochà .
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Published by Hudson Hills Press, 1995
Seller: Polly's Books, Grand Rapids, MI, U.S.A.
Book
Paperback. Condition: Used: Good. A nice copy with a tight and square binding. Text is clean and bright. Softcovers are good. Previous owner's name is written on reverse side of front cover. Sorry, too large for expedited or international.
Published by The Art Institute of Chicago
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.
Published by The Art Institute of Chicago
Seller: R Bookmark, Youngtown, AZ, U.S.A.
Trade Paperback. Condition: Used - Good.
Published by The Art Institute of Chicago, 1977
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Malingue Gallery, 2003
ISBN 10: 2951832311ISBN 13: 9782951832312
Seller: medimops, Berlin, Germany
Book
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Published by Univ of Minnesota Pr, 1999
ISBN 10: 0816636559ISBN 13: 9780816636556
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
Book
Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. paperback.
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Published by Hudson Hills Press, New York, 1995
Seller: Gil's Book Loft, Binghamton, NY, U.S.A.
Soft cover. Condition: Fine. 1st paper. ISBN: 1-55595-111-2. 8000 PB shelf. Photography, furniture, glass, Native American pottery & baskets, paintings, etc. Giftworthy! color repros. fine, oversized trade paperback, , photo white covers 192 pgs. Book.
Seller: N. Fagin Books, Chicago, IL, U.S.A.
1977. North America, Native Americans, Art. The Art Institute of Chicago. 351p. good paperback with previous owner's bookplate, sun fading to spine.
Published by Harwood Museum of Art of the Uni, 2014
ISBN 10: 0615987230ISBN 13: 9780615987231
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by Harwood Museum of Art of the Uni, 2014
Seller: Books From California, Simi Valley, CA, U.S.A.
paperback. Condition: Very Good.
Softcover. Condition: Fine. Softcover, like new in plastic wrappers; some scuff marks to the plastic and two rips in the plastic on back cover, book not affected. From Goodreads: "Spirits Embodied offers a nuanced look at Congolese art produced from 1800 to 1940. Each section of the catalog examines the art of one ethnic group and offers context for understanding the objects both as part of a rich history and as a legacy of a constantly changing culture. Detailed essays outline the beliefs, traditions, and artistic methods of each of the thirteen peoples represented, including the Kongo, Yaka, Bembe, and Pende." ; Color Photographs & Illustrations; 4to 11" - 13" tall; 160 pp.
Published by The Minneapolis Institute of Arts
Condition: Fair. Acceptable condition. Dampstained. Spine cracked. (Art history, museum exhibitions, Native American art).
Published by New York Public Library; Oxford University Press, New York and Oxford, 1986
ISBN 10: 0871042908ISBN 13: 9780871042903
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition Signed
Paperback. Condition: Very Good. 1st. xvi, 192 pages, illustrations (some colour); 29 cm. Catalogue of the exhibition held at the New York Public Library, New York, October 11 to December 31, 1986, and at the University of Michigan Museum of Art, Ann Arbor, February 13 to March 29, 1987. PRESENTATION COPY. Signed and inscribed by Anne [Hyde Greet] in the year of publication. A near-fine copy with light shelfwear to wraps. "Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings, taken from the Library's collection and from private American and European collections, were selected for this exhibition--which will be displayed at The New York Public Library from October 11 to December 31, 1986, and will travel from there to the University of Michigan Art Museum, Ann Arbor. Max Ernst: Beyond Surrealism--An Exhibition of the Artist's Books and Prints is a fully illustrated catalogue of the Max Ernst retrospective, with three essays documenting and interpreting the artist's books and prints, a chronology, selected bibliography, and illustrated checklist of the works in the exhibition. The first essay, by Robert Rainwater, surveys Ernst's printmaking in all media, from the linoleum cuts produced in his student years at the University of Bonn through the complex intaglio prints and transfer lithographs he created in collaboration with master French printers during the last 25 years of his life. The second, by Evan Maurer, discusses the themes and recurring forms in Ernst's prints and examines the artist's three great collage novels--La Femme 100 tjtes (1929), Rjve d'une petite fille qui voulut entrer au carmel (1930), and Une Semaine de Bonti (1934). Maurer views the novels in the light of Ernst's entire career and discusses their sources and motivations. In a third essay, Anne Hyde Greet traces the evolution of the livre de peintre, or artist's book, in 20th-century France. She places Ernst's bookmaking activities in the context of this development, and, in the process, examines all his major illustrated books and gives a detailed study of his collaboration with the Russian futurist poet, printer, and publisher Iliazd (Ilia Zdanevich) on Maximiliana. Not only a guide to the current exhibition, this book will stand as a provocative and insightful study of Max Ernst's contribution to 20th-century print and bookmaking. / Robert Rainwater is Assistant Director for Art, Prints, and Photographs, and Curator of the Spencer Collection at The New York Public Library. Anne Hyde Greet is Professor of French at the University of California, Santa Barbara. Evan Maurer is Director of the University of Michigan Museum of Art, Ann Arbor." - Publisher. CONTENTS: Max Ernst, printmaker, by Robert Rainwater; Images of dream and desire, by Evan M. Maurer; Max Ernst and the artist's book, by Anne Hyde Greet; Max Ernst, a checklist of books and prints, 1910-1975. Size: 4to. SIGNED.
Published by Minneapolis Inst of Arts, 1991
ISBN 10: 0295971622ISBN 13: 9780295971629
Seller: HPB-Ruby, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by The Art Institute of Chicago, 1977
Seller: Mom's Resale and Books, River Hills, WI, U.S.A.
Book
Paperback. Condition: As New. 1977 Soft Cover Edition. Very light shelf wear to cover. Pages clean & unmarked.
Published by The Art Institute of Chicago, 1979
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condition: Very Good. 80 pp., Paperback, minor library markings, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Published by Hudson Hills Press, Incorporated, 1983
ISBN 10: 0933920415ISBN 13: 9780933920415
Seller: Books From California, Simi Valley, CA, U.S.A.
Book
Hardcover. Condition: Good.
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Published by The Art Institute of Chicago, Chicago, 1977
Seller: Shade of the Cottonwood, Lawrence, KS, U.S.A.
Softcover/Paperback. Condition: Very Good. Very good condition softcover, filled with color and b/w plates in conjunction with an exhibition. 351 pages. Light shelfwear included smudged base. Former bookseller price in light pencil flyleaf. Cover slightly curled, but no apparent spine creases.
Published by The Art Institute of Chicago
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: Used - Very Good. 1977. Paperback. 4to. Pbk. Some shelf-wear. Else clean copy. Very Good.
Published by Paris, Réunion des musées nationaux,, 2002
ISBN 10: 2711844811ISBN 13: 9782711844814
Seller: PAROLES, Avignon, PACA, France
Book
1 volume 215p.; cartes et très nombreuses illustrations in texte, vignettes et pleines pages, en noir et en couleurs. Très bon état. Catalogue de l'exposition présentée en 2002-2003 au Musée Fabre de Montpellier, aux Musées des Beaux-Arts de Rouen et de Lyon et à Rennes par le FRAME (French Regional & American Museums Exchange); par les historiens d'art états-uniens Evan M. MAURER et Molly HENNEN: une sélection de 182 pièces issues des collections de 9 musées américains avec photos, notices et commentaires, réparties au fil des chapitres sur la culture ancienne et les arts de l'Est et du Sud-Ouest des Etats-Unis, les civilisations du Mexique ancien, l'or et le jade en Amérique centrale, les côtes Sud et Nord de l'Amérique du Sud; préface sur l'histoire des relations France / Amériques et introduction sur les anciens peuples américains par Evan M. MAURER; cartes; tableau chronologique; bibliographie. Exemplaire avec article d'Emmanuel de Roux parue en août 2002 dans "Le Monde". Livres21,8 x 28cm Broché sous couverture à larges rabats, illustrée couleurs.
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Published by University of Michigan Museum of Art, 1982
Seller: L. Lam Books, Winnipeg, MB, Canada
Book
Soft cover. Condition: Good. No Jacket. 30 pp. with B/W illustrations and bibliography. Usual ex-library markings with light edgewear incluing 1.5 diagonal shallow crease at lower corner of front and back covers. Catalogue of an exhibition organized by the graduate students in the Museum Practice Program at the University of Michigan Museum of Art from March 20 to April 26, 1982. ?In 1937 Margaret Watson Parker's gift became the most important bequest of art objects to come into the University of Michigan's possession. Between 1937 and 1955, Mrs Parker's collection of 679 objects was gradually transferred to the University of Michigan from her Grosse Pointe home. Although the University had been receiving and collecting art objects since 1859, it was not until 1946 that the Museum of Art was formally recognized as a distinct administrative unit. Mrs. Parker?s substantial contribution played a key role in this formative stage of the museum's development and continues to be recognized today as a strength of the permanent collection.? Under the influence of Charles Freer, Parker collected the work of James McNeill Whistler, 30 of whose etchings were included in this exhibition, along with examples of Parker's Japanese woodblock prints and Pewabic pottery.
Published by Distributed Art Pub Inc, 2002
ISBN 10: 0912964863ISBN 13: 9780912964867
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
Book
Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
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Published by Editions de la Reunion des musees nationaux, Paris, 2002
Softcover. Condition: VG. Chocolate illus. wraps with white lettering; 215 pp. with numerous photographs in bw and color; text in French; with a preface on France and the Americas, an introductions about the life of the ancient Americans, and essays on ancient culture and the arts of North America, ancient Mexican civilizations, gold and jade in Central America, and South America; includes chronologies.
Published by University of Michigan Museum of Art, Ann Arbor, Michigan, 1984
Softcover. Black stapled wraps; Unpaginated, approx. 48 pp.; 31 plates, 30 bw, 1 color. From the exhibition that appeared at the University of Michigan Museum of Art from 2 November - 23 December 1984 and at the Krannert Art Museum at the University of Illinois from 19 January - 3 March 1985; Includes sculpture from Mali, Liberia, Nigeria, Cameroon, Ivory Coast, and other countries. VG (Sticker on front cover; Tape remainders on back cover).
Published by University of Nebraska Press, Lincoln, Nebraska, 1977
Book
Condition: Very good. Dust Jacket Condition: No Dustjacket. 4to pp. 351, b/w and colour illustrations. book.