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Published by Canterton Books, 2006
ISBN 10: 0955226600ISBN 13: 9780955226601
Seller: Cotswold Internet Books, Cheltenham, United Kingdom
Book
Bright copy in tight binding; turquise boards with silver titles on spine; pages white and neat. Glossy dust jacket, not price clipped, with good straight edges. Used - Very Good. VG hardback in VG dust jacket.
Published by Canterton Books, Lyme Regis, 2006
ISBN 10: 0955226600ISBN 13: 9780955226601
Seller: R.D.HOOKER, Christchurch, United Kingdom
Book First Edition
Hardcover. Condition: New. Dust Jacket Condition: New. Many examples of his work most in colour and some full page (illustrator). 1st Edition. New.
Published by Canterton Books, Lyme Regis, 2006
Seller: Wheeler's Bookshop, Midhurst, West Sussex, United Kingdom
First Edition
Hardcover. First Edition. Large 4to. With jacket. 144 pp. Colour and b/w plates throughout showing an extensive selection of the artist's work. As-new. FINE / FINE.
Published by Canterton Books, 2008
ISBN 10: 0955226619ISBN 13: 9780955226618
Seller: steve porter books, Salisbury, WILTS, United Kingdom
Book Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Signed by Martin Brewster on the title page. A very clean and tight copy in dust wrapper. Signed by Author(s).
Published by Canterton Books, Dorset Uk, 2008
ISBN 10: 0955226619ISBN 13: 9780955226618
Seller: Peter Sheridan Books Bought and Sold, West Molesey, Surrey, United Kingdom
Book First Edition Signed
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Martyn Brewster (illustrator). First Edition. Dorset Uk: Canterton Books, 2008. Very bright clean hardcover in dustwrapper, inscription on half title page signed Simon , saying to name I cannot read "greatly enjoyed working with you hope we shall continue to work together again Simon.Whether this is Simon Olding, co author, cannot be sure priced as not, image available. Many colour illustrations accompany the text. HEAVY BOOK 1.3 Kg with packing EXTRA POSTAGE REQUIRED FOR OVERSEAS. .A very nice example of this book SEE IMAGES. DETAILED IMAGES AVAILABLE ON REQUEST . First Edition. Boards. Very Good/Very Good. Illus. by Martyn Brewster. 29 Cms x 23.5 Cms. Hardcover.
Published by Canterton Books, 2006
ISBN 10: 0955226600ISBN 13: 9780955226601
Seller: Holt Art Books, Birmingham, United Kingdom
Book
Hardcover. Condition: New. New book.
Published by Canterton Books, U.K., 2008
ISBN 10: 0955226619ISBN 13: 9780955226618
Seller: David's Bookshop, Letchworth BA, Letchworth Garden City, HERTS, United Kingdom
Book Signed
Hardcover. Condition: As New. Dust Jacket Condition: New. Limited Edition. Limited Edition of 75 copies signed by Martyn Brewster. Lovely glossy illustrated dust-jacket, near invisible shelf-wear. Book itself unmarked, unused, as new. May incur additional postage charges outside Europe. Signed by Illustrator(s).
Published by Ashgate Pub, 1997
ISBN 10: 1859284396ISBN 13: 9781859284391
Seller: West Cove UK, Wellington, United Kingdom
Book
Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> The art of Martyn Brewster takes its place within two great histories. The first is the grand and complex tradition of European Romantic and post-Romantic landscape painting. This contains within it (to identify elements that can be seen to have fed most directly into Brewster's work) the great and radical breakthroughs to expressivity of Turner and Constable, the densely atmospheric realism of Courbet, the brilliant efflor- escences of French Impressionism and post-Impressionism, including the late Monet of the lily pond paintings, and the psychologically-charged colourism of Northern artists such as Caspar David Friedrich, van Gogh, Nolde, and de Sta?l. The second is the dynamic and richly complicated phenomenon of post-war painterly abstraction, with its interplay of American and European developments, its spiritual and mythic pretensions on the one hand, its claims to expressive authenticity on another, its intent to a symbolic transformation of the visible world o.