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Published by Fremantle Arts Center Pr, 2002
ISBN 10: 1863683704ISBN 13: 9781863683708
Seller: MusicMagpie, Stockport, United Kingdom
Book
Condition: Very Good. 1598371762. 1/1/0001 12:00:00 AM.
Published by Graham Kershaw, Ledbury, Herefordshire, 2003
Seller: Amnesty Bookshop, Malvern, Great Malvern, United Kingdom
Book First Edition
Stapled Card Covers. Condition: Fine. Graham Kershaw (illustrator). First Edition. Fascinating collection of Kershaw's paintings of 12 modern poets accompanied bu each poet's response to being painted. Introduction my Ian McMillan. Perfectly clean and sound throughout. All proceeds to Amnesty International.
Published by Graham Kershaw, Ledbury, Herefordshire, 2003
Seller: Amnesty Bookshop, Malvern, Great Malvern, United Kingdom
Book First Edition
Stapled Card Covers. Condition: Fine. Graham Kershaw (illustrator). First Edition. Fascinating collection of Kershaw's paintings of 12 modern poets accompanied bu each poet's response to being painted. Introduction my Ian McMillan. Signed by Kershaw with dedication, o/w perfectly clean and sound throughout. All proceeds to Amnesty International. Signed by Artist.
Paperback. Condition: Very Good. . booklet, private publication, col illus bright clean copy, Professional booksellers since 1981.
Published by Fremantle Arts Centre Press, Fremantle, W.A., Australia, 2002
ISBN 10: 1863683704ISBN 13: 9781863683708
Seller: Great Books&Cafe @ The Williamsford Mill, Williamsford, ON, Canada
Book
Pictorial Wraps. Condition: Very Good+. 252 pp. Very light edge and corner wear, small bump at head of spine, a few very minor surface scratches, else an excellent copy. "A stunningly acute novel about physical and psychological landscapes, the nature of love and ties that bind.".
Published by British Trust for Ornithology; The Wildfowl & Wetlands Trust; Royal Society for the Protection of Birds and Joint Nature Conservation Comittee, UK, 2005
ISBN 10: 0900806532ISBN 13: 9780900806537
Seller: CURIO, Grimsby, N. E. Lincolnshire, United Kingdom
Book First Edition
Soft cover. Condition: Very Good. No Jacket. 1st Edition. First Edition / First Print. Paperback copy, no dustjacket as issued. 317pp. B/w illustrations, maps and graphs. Not library copy, no inscriptions, no creasing to spine. (8/5).
Paperback. Printed pages: 36. Condition: Very Good. 1st Edition. Privately published booklet, slightly curled to lower corners otherwise in very clean condition throughout. Signed by the author inside the front free endpaper. Portraits of 12 contemporary poets alongside a specially produced poem from each. Rare. Overall condition is Very Good. International postage will be less than the stated rate. Actual costs are Europe £11.20; USA £18.10; Oceania £18.05; Rest of World £15.85. A postage refund will be made after the order has been placed. Size: 5.75 x 8.25 inches (15 x 21 cm). Signed by Author.
Published by Oxford University Press, 2019
ISBN 10: 0198827989ISBN 13: 9780198827986
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
Published by Oxford University Press, 2019
ISBN 10: 0198827989ISBN 13: 9780198827986
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
Published by Oxford University Press, 2019
ISBN 10: 0198827989ISBN 13: 9780198827986
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
Published by Oxford University Press, 2019
ISBN 10: 0198827989ISBN 13: 9780198827986
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: As New. Unread book in perfect condition.
Published by Oxford University Press, Oxford, 2018
ISBN 10: 0198827989ISBN 13: 9780198827986
Seller: Grand Eagle Retail, Wilmington, DE, U.S.A.
Book
Hardcover. Condition: new. Hardcover. Silver, Butter, Cloth advances current debates about the nature and complexity of Viking economic systems. It explores how silver and other commodities were used in monetary and social economies across the Scandinavian world of the Viking Age (c. 800-1100 AD) before and alongside the wide scale introduction of coinage. Taking a multi-disciplinary approach that unites archaeological, numismatic, and metallurgical analyses, Kershaw and Williams examine theuses and sources of silver in both monetary and social transactions, addressing topics such as silver fragmentation, hoarding, and coin production and re-use. Uniquely, it also goes beyond silver, giving thefirst detailed consideration of the monetary role of butter, cloth, and gold in the Viking economy. Indeed, it is instrumental in developing methodologies to identify such commodity monies in the archaeological record. The use of silver and other commodities within Viking economies is a dynamic field of study, fuelled by important recent discoveries across the Viking world. The 14 contributions to this book, by a truly international group of scholars, draw on newlyavailable archaeological data from eastern Europe, Scandinavia, the North Atlantic, and the British Isles and Ireland, to present the latest original research. Together, they deepen understanding of Vikingmonetary and social economies and advance new definitions of 'economy', 'currency', and 'value' in the ninth to eleventh centuries. Silver, Butter, Cloth discusses what constituted 'money' in the Viking Age, and how 'money' was used? It is widely accepted that silver constituted the main form of currency. Silver, Butter, Cloth examines how silver functioned as payment but also explores the monetary role of non-silver currencies in the Viking economy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Oxford Univ Pr, 2019
ISBN 10: 0198827989ISBN 13: 9780198827986
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. 352 pages. 9.75x7.00x1.00 inches. In Stock.
Published by Oxford University Press, 2019
ISBN 10: 0198827989ISBN 13: 9780198827986
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: New.
Published by Oxford University Press, 2019
ISBN 10: 0198827989ISBN 13: 9780198827986
Seller: ALLBOOKS1, Salisbury Plain, SA, Australia
Book
Published by Fremantle Arts Centre Press, 2002
ISBN 10: 1863683704ISBN 13: 9781863683708
Seller: Reuseabook, Gloucester, GLOS, United Kingdom
Book
Paperback. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.
Published by Incline Press, Oldham, Lancashire, 2008
Seller: The Bookshop at Beech Cottage, Newbury, United Kingdom
Book First Edition
Hardcover. Condition: Fine. No Jacket. Clare Curtis; Bert Eastman; Rigby Graham; Victoria Hall; Eric Hasse; Paul Kershaw; Ann Muir; Mark Walmsley (illustrator). 1st Edition. A collection of poems on the theme of water illustrated by eight artists. Including Dolphins at Fingals Cave by Rigby Graham. One of 150 copies bound in marbled leatherette by Alison Allison, from whose personal collection this book originates. Silver lettering on face and spine. Light blue and white sewn headbands. A total edition of 500 copies were printed on Zerkall paper by the Incline Press - the remaining 400 copies were issued as sheets for the International Competition of Designer Bookbinders. Blue end papers. A spare title plate is laid in at the front end pages. Errata slip also bound in at ffep. In fine condition.
Published by Incline Press, Oldham, UK, 2008
Seller: Lux Mentis, Booksellers, ABAA/ILAB, Portland, ME, U.S.A.
Hardcover. Condition: Fine in Fine Archival Case. Limited Edition/Unique Binding. Limited Edition/Unique Binding. Hardcover. Art binding by Julie H.B. Stackpole, a fine hand bookbinder based in mid-coast Maine. After getting a BA at Kirkland College, Julie Beinecke Stackpole studied bookbinding with Kathryn Gerlach in Vermont, in Ascona Switzerland, at the Camberwell School of Arts & Crafts in London, and with Roger Powell in England. She established her studio, the Merlicorn Bindery, on Nantucket in 1975, which she moved to Maine in 1985. She specializes in one-of-a-kind creative ne binding, all aspects of rare book restoration, and general hand bookbinding. Tight, bright and unmarred. Full leather binding in grey and dark sea-green goatskins; onlays of various leathers, all embossed with lino-cuts (representing various elements of water-sea, clouds, rain, streams, waves, currents); in blind lettering at spine; sewn on raised bands, endpages marbled by the binder, leather hinges, colored topstain, hand-sewn headbands; matching archival box, hand-marbled title page (wave-form). 8vo. np. Illus. (color and b/w plates). Errata tipped in.