Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Blackwell Publishing Ltd., USA, UK & Australia, 2006
Seller: BOOKMARK, Auckland, New Zealand
First Edition
Soft Copy. Condition: VG. Dust Jacket Condition: None. First Edition. Blackwells Companions to Art History. Light rubbing and faint scratches to cover. Very clean content, b&w illustrations, binding tight. 628p.
Published by Routledge, 1999
ISBN 10: 0415190606ISBN 13: 9780415190602
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 1st edition. 306 pages. 10.25x7.25x1.00 inches. In Stock.
Published by John Wiley and Sons Ltd, 2006
ISBN 10: 1405135425ISBN 13: 9781405135429
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Book First Edition
Condition: New. * Features a grand survey of the historical, social, and aesthetic issues relevant to the development of contemporary art since 1945. * Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Editor(s): Jones, Amelia. Series: Blackwell Companions to Art History. Num Pages: 648 pages, 105 illustrations. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 246 x 171 x 34. Weight in Grams: 1086. . 2006. 1st Edition. Paperback. . . . .
Published by Blackwell Publishing, Malden, MA, Oxford, England, UK, et al., 2006
ISBN 10: 1405135425ISBN 13: 9781405135429
Seller: gearbooks, The Bronx, NY, U.S.A.
Book
Soft Cover. Condition: Like New. Richard Boxall Design Associates (Cover Design) (illustrator). Copyright © 2006. 628 pp. Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially flawless copy with crisp pages, clean text, and very light shelf wear.
Published by Routledge, 2009
ISBN 10: 0415543703ISBN 13: 9780415543705
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 2nd edition. 592 pages. 9.72x6.93x1.30 inches. In Stock.
Published by Routledge, 2005
ISBN 10: 0415267064ISBN 13: 9780415267069
Seller: Once Upon A Time Books, Siloam Springs, AR, U.S.A.
Book
Paperback. Condition: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.
Published by John Wiley and Sons Ltd, 2006
ISBN 10: 1405135425ISBN 13: 9781405135429
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Book
Condition: New. * Features a grand survey of the historical, social, and aesthetic issues relevant to the development of contemporary art since 1945. * Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Editor(s): Jones, Amelia. Series: Blackwell Companions to Art History. Num Pages: 648 pages, 105 illustrations. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 246 x 171 x 34. Weight in Grams: 1086. . 2006. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Published by JRP|Ringier, 2008
ISBN 10: 3905770539ISBN 13: 9783905770537
Seller: Antiquariat UEBUE, Zürich, Switzerland
Book First Edition
Softcover. Condition: Sehr gut. 1. Auflage. 16,5 x 23,5 cm (softcover) 320 pages (60 colour & 20 b/w ill.) - This book focus on self-confident, non-conformist feminist positions, and points out that new role models and strategies are being requested. In her essay, Amelia Jones contests the notion of a current post-feminism and, using the example of Pipilotti Rist's works, develops a model of parafeminism. Refering to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies, and Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at femininism in relation to flexibilized capitalism and diagnoses a new form of oppression. The exhibition's curator, Heike Munder, presents a survey of the exhibition's different positions and makes an appeal for new role models.