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Published by Philip's, 1997
ISBN 10: 0540073393ISBN 13: 9780540073399
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Published by Elsevier
ISBN 10: 8181479688ISBN 13: 9788181479686
Seller: Majestic Books, Hounslow, United Kingdom
Book
Condition: New.
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Published by Elsevier Science & Technology, 1978
ISBN 10: 0750603682ISBN 13: 9780750603683
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Book
Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by Minnesota Historical Society, St. Paul, Minnesota, 1944
Seller: Cat's Cradle Books, Archdale, NC, U.S.A.
Softcover. Sound binding. Clean, tanned pages. Wrappers are tanned with shelf wear. Contents: Sedgwick, The great excursion to the Falls of St. Anthony. Wolf (ed.), The diary of Isaac Lyman Taylor. Wilfor, The prehistoric Indians of Minnesota. Leighton, Pioneer reunions in St. Louis County. Flanagan, An early tale of the Falls of St. Anthony. Book reviews. Historical society notes. News and comment. ; 9.0" tall; 112 pages. Good with No dust jacket as issued.
Published by Stanford Maritime, London, 1980
ISBN 10: 0540073482ISBN 13: 9780540073481
Seller: BOPBooks, Tauranga, BOP, New Zealand
Book
Soft Covers. Condition: VG+. No Jacket. Technical Diagrams (illustrator). Second. First published in 1974 as part of Stanford's Marine Engineering Series, reprinted in 1977 with this second edition printed in 1980 and including a revised section on auxiliary boilers and new material on waste heat recovery systems. Books in the series are intended to assist those studying for marine engineering qualifications. 99 pages, illustrated throughout with highly detailed technical diagrams. Orange card covers are VG+ with cut-away illustrations, front and back, of stern section of SD15 standard motor liner. Internally excellent. No inscriptions. A light book, post at cost.
Published by Stanford Maritime Ltd, London., 1983
ISBN 10: 0540073431ISBN 13: 9780540073436
Seller: Westwood Books, Cramlington, United Kingdom
Book
Soft cover. Condition: Very Good. No Jacket. Stanford Maritime, London, 1983. Pictorial soft cover. Book Condition : Very good. Clean unmarked text. Superb illustrations. Ex-library with usual stamps marks. Book will be sent by UK postal service. Inventory #016051.
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Published by Stanford Maritime, 1974
Seller: Nigel Smith Books, Gunnislake, United Kingdom
Book First Edition
Paperback. Condition: Good. 1st Edition. Pages mildly tanned else internally in very good condition; cover grubby and marked.
Published by Les Éditions du Blé, Saint-Boniface/Manitoba, 1977
Seller: Librairie Bonheur d'occasion (LILA / ILAB), Montréal, QC, Canada
Couverture souple. Condition: Bon. In-8. 161 pages. Légère usure à la couverture. Texte établi et annoté avec une introduction et une chronologie de la vie de Louis Riel. Dédicace de l'un des éditeurs en page de garde.
Published by Elsevier Science & Technology, United Kingdom, Oxford, 1990
ISBN 10: 0750618213ISBN 13: 9780750618212
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Paperback. Condition: Very Good. This book provides the information on boilers and the associated equipment, as used at sea, required by marine engineers taking the Steam Paper, Class Two, for the Department of Transport's Certificate of Competency for Marine Engineer Officers. Much of the information is given in the form of comprehensive answers to typical examination questions, with supporting diagrams that help the reader to understand and remember important machinery details. In this new edition the book has been updated throughout with new material on welded boilers, various types of water tube boiler, rotary air heater, water level alarm, consolidated type safety valve, hydraulic testing and various aspects of survey, maintenance and operational problems. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Published by Newnes, 1990
ISBN 10: 0434906069ISBN 13: 9780434906062
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.
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Published by University Press in Dallas, Texas; Southern Methodist University, 1950
Seller: Best Books And Antiques, Chandler, TX, U.S.A.
Book First Edition
Hardcover. Condition: Fine. 1st Edition. No. 1-4, Winter to Autumn, 1950. HC, Orig. Red cloth and gilt stamping to spine. B/W photography, ads, illustrations and collected writings from celebrated authors. 4to. xxiv++ (ea. quarter differs in roman numeral pages), 332pp + 4 page Index to all 4 quarters. Fine, Clean, with no markings or writings, never read. Mint Interior with near fine exterior; spine is sunned. Includes stories, poems and other writings by J. Frank Dobie, William Goyen, James Pipes, Boyd McDonald, John B. Jackson, William Burford, W.M. Frohock, Arthur Marvin Shaw, Herschell Brickell, Ted Robins, Joseph Leach, John Rosenfield, William A. Owens, Peter Viereck, Ben Jeffrey, Robert G. Payne, Vernon Young, John T. Flanagan, Jordan Mason, Esther McCoy, T.M. Pearce, Clarence K. Streit, Charlie Masters, Wilson Owen Henderson, Ruth M. Sanders, Umphrey Lee Jr., Joseph Ross and many more. Hard to find in such nice condition. RARE. Collectible. BR Box 152.
Published by Springer, 2014
ISBN 10: 3662309254ISBN 13: 9783662309254
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 368 pages. 9.30x6.20x0.90 inches. In Stock.
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Published by Springer Berlin Heidelberg, 2011
ISBN 10: 3642821170ISBN 13: 9783642821172
Seller: moluna, Greven, Germany
Book Print on Demand
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The functional in the title of this book not only reflects my personal bias about neuroanatomy in brain research, it is also the gist of many chapters which describe sophisticated ways to resolve structures and interpret them as dynamic entities. Examples.
Published by Jordan Crandall of X-Art Foundation, New York, 1994
Seller: Tree Frog Fine Books and Graphic Arts, Beaverton, OR, U.S.A.
Book
No Binding. Condition: As New. Limited Edition. Art objects collection. Plastic box and fitted lid, 15 x 11 x 4 1/2 inches. Limited to 100 copies. Containing eight works on paper, one floppy disk, 17 multiples, nine artist's publications, 15 printed leaves, one collage, one subscription card, one CD, one photograph, one slide transparency and one poster. AS NEW. Undisturbed in original packaging. With original cardboard shipping box. All items carefully wrapped and sent boxed.
Published by P.F. Collier & Son Company, USA, 1931
Book First Edition
Single Issue Magazine. Condition: Good. Barnum, Jay Hyde (cover illustration); Nurick, Irving; Fitzpatrick, D.R.; Anderson, Frederic; Baldridge, Cyrus; Hart, Grace; Skidmore, T.D.; Flanagan, John Richard; Clark, Matt; Cooper, F.G.; Kenyon, Norman;; (illustrator). First Edition. 74 pages. Features: Nice color ad for Whitman's prestige chocolates inside front cover; Essex car ad; Mimeograph ad; Business is Business (short story); What's the Racket? - interesting article about rackets - what they are and how they work; Moonlight on the Water (short story); Beyond the War (a war short story); Position in Life - how a woman chooses her position in life; In the Strongroom (short story); A Ship Comes In - the dramatic story of Eugenie Leontovich, principal actress in Grand Hotel; - article with photo; Yuan Hee See Laughs (part VII); Gunsight Trail (part VI); Golf "Coarse" - how to make a smaller crop of divets; How Dry We Are - what is known about droughts and what measures for relief have been attempted i.e. photo of electrically-charged sand being discharged into the air; A Mere Detail (short story); Beautiful color full-page photo of a green car in Fisher Body ad; Wonderful two-page color ad for Dutch Boy paint shows Dutch Boy painting atop ladder; Full-page color ad for bananas by the United Fruit Company; Full-page Buick ad; Canada Dry full-page ad; Fleischmann's Yeast ad featuring Dr. Emil Fronz of Vienna; Two-page colour centerfold ad for General Electric refrigerators - very nostalgic!; Full-page ad for Chrysler Eights & Sixes; Nice two-color full-page ad for Williams shaving cream/Aqua Velva; Color ad for Seald-Sweet grapefruit; Two-page ad for Veedol oil - "so clear you can read a newspaper through it"; Full-page ad with photo for the Autogiro - an early helicopter!; Ad for True Temper step-down steel shafts for golf clubs with photo of the 6th Tee at Pebble Beach; Vintage ad for Wilson golf equipment inside back cover; Nice color Ford ad inside back cover shows policeman in car; Nice color Frigidaire refrigerator ad on back cover (soiled). Average external wear and soiling with a few peripheral chips/openings. Unmarked. A sound vintage copy.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Rubbing, scratching and light edge wear to covers and soiling to text block edges. Volume 1 has bumping of upper right corner extending to first three pages; Volume 2 has 10.5 cm. dog-ear to lower right corner and 2.7 cm. dog-ear to verso corner; volume three has 2.5 cm. area of numeric embossment and bumping of bottom right corner. Contents of all volumes are otherwise clean and unmarked.