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Published by Central Plains Book Publishing, 2002
ISBN 10: 0971691401ISBN 13: 9780971691407
Seller: Your Online Bookstore, Houston, TX, U.S.A.
Book
paperback. Condition: Good.
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Published by Blackstone Publishing, 2022
ISBN 10: 1665023961ISBN 13: 9781665023962
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by Hachette Books, 2006
ISBN 10: 0306814919ISBN 13: 9780306814914
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. 1st Da Capo Press Ed. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Hachette Books, 2007
ISBN 10: 0306815311ISBN 13: 9780306815317
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. New Ed. Used book that is in clean, average condition without any missing pages.
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Published by Down & Out Books, 2017
ISBN 10: 1946502316ISBN 13: 9781946502315
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.
Book
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!.
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Published by Zondervan, 2016
ISBN 10: 0310524253ISBN 13: 9780310524250
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
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Published by Down & Out Books, 2018
ISBN 10: 194823517XISBN 13: 9781948235174
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by CreateSpace Independent Publishing Platform, 2014
ISBN 10: 1496171853ISBN 13: 9781496171856
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. Moran, R E (illustrator). SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by Lighthouse Bible Studies, 2018
ISBN 10: 0999485717ISBN 13: 9780999485712
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Book
Perfect Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.15.
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Published by Filament Publishing, 2016
ISBN 10: 191081945XISBN 13: 9781910819456
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New. Coleman, Rick; Brook, Deakin (illustrator).
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Published by Various
Seller: Clarkean Books, Stoney Creek, ON, Canada
Book
Soft cover. Condition: See Description. Various (illustrator). 1960's Science Fiction Economical Reading Lot C - 9 Paperback Book Lot (See Picture for Titles) Various editions, printings, publishers, and cover artists. Generally, Good to Very Good condition range of books, all books complete - essentially reading copies economically priced! Great way to obtain books by your favorite author. Nine books, one shipping price.
Published by Blackstone Publishing 2023-07-04, 2023
Seller: Blackwell's, London, United Kingdom
Book
paperback. Condition: New. Language: ENG.
Publication Date: 1972
Seller: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Association Member: IOBA
Book
Paperback. Condition: Very Good. Our Generation volume 8, numbers 2 & 4 (April & October 1972). Issue two contains the first appearance of Noam Chomsky's essay "What is Anarchism?," which would become "Notes on Anarchism" as collected in For Reasons of State in 1973. Our Generation, Canadian anarchist publication founded by later founder of Black Rose Books, Dimitrios Roussopoulos, was published between 1961 and 1994. Both issues are in very good condition, showing light shelfwear but NO creasing to spines and NO previous owner markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.
Publication Date: 2006
Seller: antikvariat sacher, Malmö, SKÅNE, Sweden
imo. Condition: Fine. med 7-8 autografer bl.a. Joanne Cash.
Published by Da Capo Press, Massachusetts, 2007
ISBN 10: 0306815311ISBN 13: 9780306815317
Seller: Rare Book Cellar, Pomona, NY, U.S.A.
Book First Edition
Softcover. First Edition; First Printing. Very Good+ in wraps. A few dog earred pages. ; 9.1 X 6.1 X 0.9 inches; 416 pages.
Published by Queen's Printer NONE, Ottawa
Seller: Spafford Books (ABAC / ILAB), Regina, SK, Canada
[NONE] 1970. (Mass market paperback) Near fine. 97pp. 8vo. Essays, maps, black and white historical photographs. There are two stamps (small), of the previous owner's name, front and rear; else is clean and crisp. Archaeological Investigations of the National Historic Sites Service, 1962-1966 by John H. Rick. A Classification System for Glass Beads for the Use of Field Archaeologists by Kenneth E. And Martha Ann Kidd. The Roma Settlement at Brudenell Point, Prince Edward Island by Margaret Coleman.
Published by Artists Space New York, NY, 1984
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''alternative'' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."?from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.