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Published by Fiction Collective 2, 1993
ISBN 10: 0932511791ISBN 13: 9780932511799
Seller: Bookstore Brengelman, Cincinnati, OH, U.S.A.
Book
Paperback. Condition: Like New. Publisher: Fiction Collective, Date of Publication: 1993, Binding: soft cover, Condition: As New.
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Published by Dalkey Archive, 2007
ISBN 10: 1564784819ISBN 13: 9781564784810
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book
Condition: Used - Like New. Fine. Paperback. 2007.
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Published by Black Scat Books, 2016
ISBN 10: 0997777125ISBN 13: 9780997777123
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Published by Boulder: Fiction Collective Two, 1993
ISBN 10: 0932511783ISBN 13: 9780932511782
Seller: Lorrin Wong, Bookseller, Los Angeles, CA, U.S.A.
Book
1st printing of 1st edition. Fine trade hard cover book in fine dust jacket.
Published by SERGE SAFRAN, 2020
Seller: medimops, Berlin, Germany
Book
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
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Published by BLACK SCAT BOOKS, 2013
ISBN 10: 0615865380ISBN 13: 9780615865386
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by BLACK SCAT BOOKS, 2013
ISBN 10: 0615754376ISBN 13: 9780615754376
Seller: Librairie Le Lieu Bleu Paris, Paris, France
Book
Condition: Used; Very Good. BLACK SCAT BOOKS, Broché, 2013 Envoi rapide sous emballage protecteur. Fast shipping in protective packaging. .
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Published by Rara International, Monteforte d'Alpone, 1993
Seller: Village Works, New York, NY, U.S.A.
Book
Soft cover. Condition: Very Good.
Published by studio brescia, Brescia, 1972
Seller: Graphem. Kunst- und Buchantiquariat, Berlin, Germany
gr 12°, Klammerheftung, 8 Bl. - gelocht, sonst gutes Exemplar. Buch.
Published by SERGE SAFRAN, 2014
Seller: BIBLIO-NET, Ercuis, France
Book
Condition: like new. EXPEDITION SOUS 48 H EN SUIVI LA POSTE / EMBALLAGE BULLEPACK.
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Published by EDICIONES ASIMÉTRICAS, 2018
ISBN 10: 8494952226ISBN 13: 9788494952227
Seller: KALAMO LIBROS, S.L., La Puebla de Montalbán, TO, Spain
Book
Encuadernación de tapa blanda. Condition: Nuevo. LIBRO + DVD. ¿Por qué no escribir sobre la ciudad como si fuera una página? Alain Arias-Misson, poeta experimental y personalísimo artista multimedia, inventa el Public Poem en 1967 para responder a esta pregunta que él mismo plantea. Desde entonces ha realizado más de una veintena de ellos en diferentes ciudades del mundo, a los que casi siempre las fuerzas del orden público han puesto el ?punto final?. El Public Poem es un formato de poesía de vanguardia radicalmente original que considera los espacios públicos como una página en blanco sobre la que escribir pero también como un texto que hay que leer para interpretar el mundo.
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Published by publicado por Ignacio Gómez de Liaño, V. Ferrán Martinell y Alfonso Lucini., 1994
Seller: CALLE 59 Libros, Tarancón, CUENC, Spain
Condition: ESTADO NUEVO. TAPA BLANDA RUSTICA ILUSTRADA A 1 TINTA.
Published by publicado por Ignacio Gómez de Liaño, V. Ferrán Martinell y Alfonso Lucini., 1994
Seller: CALLE 59 Libros, Tarancón, CUENC, Spain
Condition: ESTADO NUEVO. TAPA BLANDA RUSTICA ILUSTRADA A 1 TINTA.
Published by Brescia, SB 15 novembre 1972, 1972
Seller: Libreria Gullà, Roma, ROMA, Italy
In-16° pp. 16 con 8 ill. a piena pagina. n.t. Bross. edit. Ottimo stato.
Published by Galleria 'Il Canale, Venice, Italy, 1972
Softcover. Black and white illustrated wraps, unpaginated, illustrated in bw. Text in Italian. Conference held at the Galleria 'Il Canale' from June 7-28, 1972. VG- (light shelfwear to wraps, library stamp on first page, sticker residue on front cover and inside rear cover).
Ausstellungskatalog studio brescia, Brescia 1972. 8°. 8 Blatt. Mit 8 Abbildungen. = mostra numero 4.
Published by Rara International, Monteforte d'Alpone, 1993
Seller: A Balzac A Rodin, Paris, France
Signed
Couverture souple. Condition: Très bon. VERY GOOD Softcover SIGNED / OTTIME CONDIZIONI/ TRES BON ETAT AVEC UN ENVOI SIGNE / br. couv. sple. ill. n&b. 16,6x21cm. 340gr. 125pp. ill. n&b. coul. texte angl/ital. + papillon "i deliberately did not give an explanation of the book." envoi signé sur page de titre très bon état.
Published by SERGE SAFRAN, 2014
ISBN 10: 1090175175ISBN 13: 9781090175175
Seller: Chapitre.com : livres et presse ancienne, LAMNAY, France
Book
Paperback. Condition: NEUF. Qu'on ne s'y trompe pas. Il s'agit bien là d'un roman. Qui, sous la forme d'une confession impudique, relate la passion incestueuse d'un homme pour trois femmes : sa mère, qui l'initie pendant son adolescence, sa fille, qu'il retrouve à l'âge adulte et sa soeur, dont il a été longtemps séparé.Ces femmes révèlent tour à tour les différentes facettes du désir masculin qu'elles incarnent. Dans des espaces clos mais offerts au regard, le narrateur, à la fois dramaturge et comédien, donne libre cours à ses fantasmes.De Bruxelles à la Nouvelle-Orléans, d'une résidence près du lac de Genève à un hôtel particulier parisien, on voyage en transatlantique, en Chevrolet ou en métro. L'auteur nous promène dans un labyrinthe jubilatoire du désir d'où sont absentes les conventions morales. La perversion est même si franche qu'elle en paraît innocente. Style et obsessions, hérités des libertins du XVIIIe, ne sont pas sans rappeler Sade ou Rétif, ni même un certain Anglais décrit dans le château fermé. Comme le dit Lucien d'Azay " Dans ce conte de fées baroque aux motifs cubistes, tantôt cocasse, tantôt inquiétant, mais toujours poétique, les rôles s'inversent comme dans les relations sadomasochistes, si ce n'est qu'il s'agit de rapports parentaux dont le ressort sexuel remonte à l'enfance.On l'aura compris, cette trilogie incestueuse est en réalité une quête de soi. " - Nombre de page(s) : 160 - Poids : 154g - Langue : ANGLAIS (ETATS-UNIS) - Genre : Littérature Anglo-Saxonne.
Published by SERGE SAFRAN, 2020
ISBN 10: 1097594963ISBN 13: 9781097594962
Seller: Chapitre.com : livres et presse ancienne, LAMNAY, France
Book
Paperback. Condition: NEUF. Nous sommes les livres que nous avons lus. Tel est le principe de ce roman picaresque en patchwork. Augustin, le protagoniste, est le rejeton des auteurs dont il s'est nourri, de Dickens à Joyce, en passant par Sade, Kafka, Proust ou Cervantès, pour n'en citer que quelques-uns. L'auteur ne ne se contente pas de les évoquer. Il coud astucieusement des citations les unes aux autres, tout en introduisant leurs auteurs dans sa vie, comme le Petit Marcel, par exemple. Et à l'instar de tous les romans initiatiques, c'est aussi l'histoire d'une métamorphose, celle émouvante d'un petit garçon en adolescent puis en jeune homme.Avec tendresse, mais sans complaisance, Augustin se souvient de cette transition, de ses premiers émois encore chastes, jusqu'à ce qu'à l'innocence se substitue une sexualité compulsive qui marque sa personnalité au passage à l'âge adulte.Augustin a vingt et un ans quand le roman s'achève. Il a lu la plupart des auteurs qui ont déterminé sa propre démarche. Son destin est tout tracé. Il écrira un jour l'autobiographie subversive et facétieuse d'un personnage de fiction pour s'inscrire dans la lignée de Tristram Shandy, Jorge Luis Borges ou de l'Adolphe de Benjamin Constant. - Nombre de page(s) : 320 - Poids : 284g - Langue : ANGLAIS (ETATS-UNIS) - Genre : Lettres et linguistique Critiques et Essais.
Published by factotum, 1978
Seller: Beyond Baroque, Venice, CA, U.S.A.
Book First Edition
Soft cover. Condition: Very Good. 1st Edition. Factotum-art, 1978. Very Good. Soft-cover. Some light smudging on back cover, and some scuffing on front, but all other components bright and clean. Terrific condition.
Published by Studio Firenze Arte Contemporanea, Firenze, 1974
Seller: The Idea of the Book, Portland, OR, U.S.A.
Saddle-stapled 8vo in pictorial green wrappers with pages printed in black and white. Unpaginated (32 pp.) To which is added four loose sheets printed in black on recto and verso on green paper. Text in Italian, with English translation on the added sheets. Exhibition catalog issued on the occasion of 'poesia visiva internazionale' held in Florence March 12 - April 5, 1974. With eighteen black and white plates featuring concrete poetry, art, and sculptures by Arias-Misson, Bory, de Vree, Miccini, Pignotti, and Sarenco. Complete with three introductory essays by Migliorini, Paci, and Mucci translated into English on four loose sheets laid in. Catalog with trace amounts of rubbing to covers and age toning throughout, else near fine. Sheets very good with age toning to extremities and bumps to corners on account of them being larger than the book.
Published by Edizioni Factotum-art, Italy, 1978
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition
Paperback. Condition: Near fine in wraps. First Edition. 21 x 27cm unpaginated paperback with off white wraps featuring black lettering. Filled with enigmatic text and image. The Prologue to The Public Poem, suggests: 'The public poem is an enactment of language - fluid, enmeshed in the real-street processes which I have articulated over the last six years. .The public poem is a result of the poiesis, the poetic acting-on this city--text.'.
Published by Studio Inquadrature 33, Firenze, 1973
Seller: The Idea of the Book, Portland, OR, U.S.A.
Six saddle-stapled 16mos of the same size in publisher's wrappers, with pages printed in black and white. Unpaginated (12 pp., 12 pp., 12 pp., 8 pp., 12 pp., and 8 pp. respectively.) Text in Italian. A series of exhibition catalogs from this Italian gallery featuring various works of concrete and visual poetry and artwork by various European artists. No. 3 with contributions by Jean-François Bory, Paul De Vree, and Luciano Ori. No. 4 with contributions by Alain Arias-Misson, Michele Perfetti, and Sarenco. No. 5 with contributions by Herman Damen, Lucia Marcucci, and Eugenio Miccini. No. 11 with contributions by Diana Baylon. No. 13 with contributions by Luciano Ori. No. 18 with contributions by Cristiana Rospigliosi. Trace amounts of rubbing to covers, age toning, and darkening along spine, else near fine.
Published by Leeds, England: Location Press, 1966
Seller: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st edition. Near VG. 4to, 14pp, stapled wrappers. Scarce issue of this important sixties little magazine of avant-garde writing. Cover by John Furnival. Some numerical marginalia to publications list pages (seem to be prices), else unmarked, horizontal mailing folds, a bit of general wear and soil. Not Signed.
Published by S. Ed., S. L., 1975
Seller: DARIS SAS, Lucca, LU, Italy
Cartoncino di cm 70 x 50. L'immagine è suddivisa in due riquadri. Al margine inf. dedica dell'artista all'editore romano Beniamino Carucci, e firma autografa. Prova d'autore (siglato 'p.a.'). Nato a Bruxelles nel 1936, Aria-Misson è cresciuto a New York, dove ha studiato. In seguito si reca in Spagna, in Belgio per poi ritornare negli Stati Uniti. Attualmente risiede tra Parigi e Venezia. Negli anni '60 è stato uno dei pochi innovatori nel campo della poesia visiva, che si poneva in antitesi alla poesia concretista, al fine di ottenere una convergenza dell'immagine, del suono e della parola, negli oggetti e nelle immagini riprodotte. Pubblica cinque romanzi negli Stati Uniti, nel contesto della 'New American Writing' con gli amici scrittori Walter Abish e Joe McElroy. Partecipa poi, in Spagna, alla creazione del 'movimento poetico sperimentale' a fianco di Joan Brossa, dei musicisti Zai Hildago e Marchetti. Con i suoi 'Public Poems' è vicino a Ignazio Gomez de Liano, il filosofo spagnolo, e Herminio Molero, poeta-pop star. In seguito, in Italia, entra nella avanguardia 'eroica e guerriera' della scrittura visiva con Sarenco, Miccini, Julien Blaine, Jean-Francois Bory. In America del Sud è in contatto con Padin e Vigo; in Belgio con Paul de Vree, in Germania con Carlfriedrich Claus, in Francia con Marc Dachy, in Giappone con Seiichi Niikuni e Kitasono Katue. Negli Stati Uniti frequenta, nella galleria di Emily Harvey, gli artisti di Fluxus. Piccoli strappetti al margine inferiore senza perdite.
Published by Chicago Review Press, Chicago, 1974
ISBN 10: 0914090054ISBN 13: 9780914090052
Seller: Rare Book Cellar, Pomona, NY, U.S.A.
Book First Edition
Hardcover. First Edition; First Printing. Very Good in a Good dust jacket. Owner name inked on FEP. Bookseller label on front pastedown. 1 inch closed tears on top and bottom front panel. Edgewear on spine crown and heel and panel corners. Light shelfwear on panels.
Published by Chicago Review Press, 1974
ISBN 10: 0914090054ISBN 13: 9780914090052
Seller: Bookworks, Chicago, IL, U.S.A.
Book
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Likely First Edition dated 1974 with no additional printings listed. A Near Fine binding with clean, unmarked contents; appears unread. Extremely slight wear at spine ends and a tiny bump to one corner, almost Fine. The dust jacket shows very slight edge wear and one 1/2" closed tear to back panel, Very Good plus.
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Couverture souple. Condition: Très bon. Collage photographique original avec brûlage pour The Public poem book, 1978, monté sur un carton 35 x 26,7 cm. Ce collage constitue la planche originale n° 2 de l ouvrage publié par Calaone-Baone, Edizioni Factotum-Art, Factotumbook n° 11, Verona, 1978, dont nous joignons un exemplaire : in-4, broché sous couverture imprimée, [96] pages illustrées en noir. Édition originale. Texte en anglais.
Published by el grupo zaj, Madrid, 1966
Seller: The Idea of the Book, Portland, OR, U.S.A.
First Edition
First edition. Eight 12.3 x 7 cm (4.8 x 2.76") cards each printed in varying colors on varying colors of card stock, laid inside small white envelope printed in yellow on recto and verso. Exhibition program in the form of cards inside an envelope issued for this May 21-29, 1966 happening, which included members of zaj alongside prominent Fluxus artists. With performances by Juan Hidalgo, Walter Marchetti, Tomás Marco, José Cortés, Manuel Cortés, Robin page, Emmett Williams, Robert Watts, Takeshi Kosugi, George Brecht, Dick Higgins, George Maciunas, Ben Vautier, Alberto Schommer, Alain Arias Misson, and Wolf Vostell among others. Cards very good with trace amounts of age toning, bumps to corners, including two small stains to two of the cards which have penetrated both recto and verso sides. Envelope good only having been opened along the top margins, with handling creases, age toning, and a horizontal fold line from the cards being shorter than the envelope.