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Published by McGraw-Hill Companies, The, 1974
ISBN 10: 0070004412ISBN 13: 9780070004412
Seller: Better World Books: West, Reno, NV, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Also find First Edition
Published by McGraw-Hill Book Co., 1972
ISBN 10: 0070004455ISBN 13: 9780070004450
Seller: BookHolders, Towson, MD, U.S.A.
Book
Condition: Fair. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: SOME ] [ Writing: NONE ] [ Edition: Fourth ] Publisher: Mc-Graw-Hill Book Company Pub Date: 1/1/1965 Binding: Hardcover Pages: 570 Fourth edition.
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Used offers from US$ 2.42
Published by McGraw-Hill, 1965., 1965
Seller: B. Rossi, Bindlestiff Books, Altoona, PA, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Very good tight copy, owner's name on front right endpaper as well as store stamp and price, a modest amount of underlining and highlighting throughout, no paper jacket. Political cartoons (many first published in The New Yorker enliven a readable textbook on American government. Political science. No ISBN stated, McGraw-Hill #00430.
Published by McGraw-Hill Book Company, 1969
Seller: GloryBe Books & Ephemera, LLC, Deforest, WI, U.S.A.
Hardcover. See Through Plastic affixed to outside of cover. Some margin notes otherwise good.
Published by McGraw-Hill, New York, 1965
Seller: Ann Becker, Houston, TX, U.S.A.
Hardbound. Condition: Good. Dust Jacket Condition: No Dust Jacket. Ndj.
Published by McGraw-Hill, 1974
Seller: BookDepart, Shepherdstown, WV, U.S.A.
Paperback. Condition: UsedVeryGood. ASIN: B001COR48Y Paperback; light fading, light shelf wear to exterior; otherwise in very good condition with clean text and tight binding.
Published by McGraw-Hill. NY. (c1974)., 1974
Seller: Bear Bookshop, John Greenberg, Brattleboro, VT, U.S.A.
326pp. 8vo Occasional figures, graphs, & line diagrams. Trade Paperback. Light moisture stains on spine, covers partially sunned, text clean/tight: VG+.
Published by McGraw, New York, 1974
ISBN 10: 0070004412ISBN 13: 9780070004412
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Book First Edition
Softcover. Condition: Very Good. First edition. Very good in wrappers, a paperback. Embossing stamp on title page. Text clean. Front cover flared open. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
Published by McGraw-Hill, 1965
Seller: Bibliohound, Carlsbad, CA, U.S.A.
Hardcover. VERY GOOD +. Clean, Tight and Bright; very very minor pencil underlining.
Published by McGraw-Hill
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 3.75.
Published by McGraw-Hill
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 3.75.
Published by McGraw-Hill, 1965
Seller: Cambridge Rare Books, Cambridge, GLOUC, United Kingdom
First Edition
Hardback. Condition: VERY GOOD. 1st Edition. 1965. McGraw-Hill. First. VG, integral cover. 9.5x6.5. 756pp. In-text b/w illustrations.
Published by San Francisco, CA / New Haven, CT: Fine Arts Museum of SF / Yale University Press, 2018, 1st Edition, First Printing, USA, 2018
ISBN 10: 0300234023ISBN 13: 9780300234022
Book First Edition
Hard Cover. Condition: Fine (see description). Dust Jacket Condition: Fine (see description). Charles Sheeler / Margaret Bourke-White Cover Art (inc. Georgia O'Keeffe; Charles Demuth; Louis Lozowick; Morton Livingston Schamberg; Paul Strand; Edmund Lewandowski; Elsie Driggs, Etc (illustrator). First Edition. -------------( 1st Printing of the First Edition ) ---hardcover, a Near Fine/Fine example in a lightly rubbed Near Fine/Fine dustjacket, 243 pages, profusely illustrated in colour and b&w photos and illustrations, ---"Characterized by highly structured, geometric compositions and lucid forms, Precisionism -a style that emerged in America in the teens and flourished during the 1920s and 1930s-reconciled realism with abstraction and wed European art movements to American subject matter to create a streamlined, -machined- aesthetic with themes ranging from the urban and industrial to the pastoral. The tensions and ambivalences about industrialization expressed in works by the Precisionists are particularly fascinating and relevant to a contemporary audience in the midst of a Fourth Industrial Revolution, in which robots are replacing human labor for various functions, underscoring many of the same excitements and anxieties about modernization that existed nearly a century ago. -----Published on the occasion of a major exhibition at the de Young in San Francisco and the Dallas Museum of Art, Cult of the Machine: Precisionism and American Art examines the connections between the past and the present through more than one hundred masterworks by such modernists as Charles Demuth, Georgia O Keeffe, and Charles Sheeler. This elegant volume sheds scholarly light on the aesthetic and intellectual concerns undergirding the development of this essential strand of early American modernism, exploring the origins of its style, its relationship to photography, and its reflection of the social and economic changes wrought by industrialization and technology. -----Four essays contextualize the many intriguing aspects of Precisionist art within the social and political landscape of the Machine Age. Emma Acker leads readers through the major themes of the historic topic in dialogue with salient contemporary examples. Sue Canterbury focuses on the city as a key subject of many Precisionist works. Lauren Palmor describes the aesthetic attraction to steel factories shared by the painter Elsie Driggs and the photographer Margaret Bourke-White. And Adrian Daub offers a philosophical thought piece that examines the human relationship to modernity and technology shared by the Precisionists of yesteryear and artists today. -----Including a detailed timeline that links artistic and technological precedents in the first half of the twentieth century and replete with more than two hundred reproductions of works of art and archival photographs, this catalogue is the first in many years to survey the extraordinary contribution of the Precisionists to American art and culture"---, any image directly beside this listing is the actual book and not a generic photo ///NOT SIGNED ---GUARANTEED to be AVAILABLE/// ---sizes are approximate (generally within 1/8 inch)--- Size: 10.25w x 11.75h Inches. Not Signed. Flap Not Clipped.