Published by [Various places in Vietnam, 1972
145 photographs (all but thirteen in color), most approximately 3 1/2 x 3 1/2 inches. Majority of photographs mounted on black paper stock with non-archival adhesive tape, some photos retain remnants of tape at corners. Some images a bit faded, but generally in very good condition. A tremendous collection of photographs depicting the personal life and military service of an unidentified African-American soldier with the last name "Williams" serving in Vietnam during the war and with numerous family photographs at home. The majority of the photographs are undated, but those that are dated place the collection roughly between 1968 and 1972. Other identifying characteristics in the photographs indicate that the soldier was likely part of the United States Air Force, 93rd Security Police Squadron, which provided security and air base defense during the Vietnam War. There is a photograph of Williams leaning against the sign for the 93rd SPS dormitory. Notable in the sixty or more photographs from the soldier's time in Vietnam are images from an unidentified American Air Force base depicting soldiers in the barracks, a mess hall, and fraternization among soldiers; additional photographs show a heavily-armed Williams manning a bunker, holding an EBONY magazine, posing with a South Vietnamese soldier in an urban setting, and staring strikingly at the camera wearing machine gun ammunition and a hand grenade. A series of thirteen images were taken at "Le Van Loc," a popular Vietnamese night club located on the Tan Son Nhut Air Base, near Saigon, indicating Williams may have been stationed at or near that base. Personal photographs show individuals of varying ages, presumably family members, who appear alone or in groups, and at times are photographed with Williams. Several of these photographs feature children, presumably Williams', at home and at an Elmhurst School function. Williams seems to have been especially proud of his motorcycle, as it features in a few shots. A collection of both service and family photographs capturing a young African- American serviceman during the Vietnam War.
Published by [Biên Ḥa, Nha Trang, Long Binh, and other locations in Vietnam, plus Luzon, Philippines and Osan, South Korea], 1970
469 black-and-white or color photographs, measuring between 3 1/2 x 3 1/2 inches and 8 x 10 inches, either mounted or laid-in to acetate sleeves, almost all annotated in ink on the bottom margin or on the verso. Contemporary three-ring thick quarto-size binder, black cloth over boards. Joints partially split, some abrading and dust- soiling to covers. Slight fading to some of the color photos. Overall, very good. An exceptional vernacular photograph album by a talented but unknown amateur photographer recording a wide variety of experiences on American Air Force bases in South Vietnam and Asia during peak years of the Vietnam War. The photographer was likely a member of the motor pool or a mechanic, as the shots seem to center around truck, airplane, and helicopter maintenance. Most of the photographs capture scenes on or around the various bases, with shots both inside and outside of barracks, airplanes (including several shots of a U2 spy plane), bombed-out equipment, and numerous photos of the people and structures in the "Vietnamese Area." A few images capture distant shots of the aftermath of a "rocket attack" on December 12, 1969; shortly thereafter the photographer and his friends celebrate Christmas. Some of the more interesting photographs during the photographer's time in Vietnam include "VC Prisoners," "Group of Zips," "Papa-San Working His Rice Paddie," "Vietnamese Guard Tower," "Church on the West Side of Biên Ḥa," "Refueling at Phan Rang Run," "Bring the Wounded Out," and several pictures labeled "Buddha Hill" (likely the Long Son Pagoda in Nha Trang). Notably, and for no obvious reason, in two separate images the photographer snaps a picture in a magazine of the famous photograph of Thích Quang Duc, the monk who burned himself alive at a busy intersection in Saigon in 1963. Several times, the photographer takes a picture of another picture, an interesting practice in the context of so many original photographs. A handful of images of the photographer himself can be seen in the album. In a couple of shots, he is posed with his pet lizard. Later, he and his fellow soldiers adopt a pet monkey who features in several photographs. There are also a healthy amount of aerial images featuring the South Vietnamese landscape, notably rice fields, villages, rivers, "bomb craters," and cities, among other locations. Also, the photographer identifies dozens of fellow soldiers by name throughout the album, in both single portraits and in group photos. The album contains numerous shots (both black-and-white and in color) taken from the crowd and later on the runway during a December 28, 1969 U.S.O. show at Long Binh, with several images each of Bob Hope, Neil Armstrong, Connie Stevens, Suzanne Charny, Teresa Graves, Les Brown, the Golddiggers, and others. One photograph of Neil Armstrong is captioned "Biggest Hit of the Show." This is understandable given the fact that Armstrong landed on the moon just five months before this U.S.O. show. There is also an 8 x 10 photograph of Connie Stevens inscribed to "Ron," either the photographer's first name or an autographed picture he received from a friend. After the U.S.O. show, the photographer snaps several closer shots of Bob Hope, Connie Stevens, and others climbing into cars to leave. In April or May 1970, the photographer was shipped out to Osan Air Base in South Korea. Along the way, he spends a couple of days at Clark Air Base in Luzon in the Philippines where he snaps a few shots of the base. By early May, he has arrived at the Osan Air Base near Songtan Station in the city of Pyeongtaek, South Korea, just south of Seoul. He seems to be happy with his appointment at Osan; he captions one photograph "Home Sweet Home" and a few shots of the countryside as "Paradise." Here, he also photographs Korean farmers, their families, villages, a marketplace, a church, a school, and other landmarks. The final two images, dated in August 1970, show the photographer on an airboat on an unid.