John Miller: The Price Club: Selected Writings 1977-1998 (Positions Book) - Softcover
For writer, critic and artist John Miller, the issue of the production-reception of a work of art is a genuine dialectic. He argues that the artist has no choice but to address the sociopolitical questions and the ideological apparatuses linked to the production of cultural “artefacts.” Hence, his witty title, drawing attention to art as commodity. From polemical pieces to extensive theoretical essays to studies of Ed Ruscha, Bruce Nauman, Richard Artschwager and John Baldessari, the texts collected here respond to the ongoing collision of aesthetics and exchange value. Throughout, Miller draws upon his seemingly inexhaustible knowledge of art history, theory and popular culture. As critic Bruce Hainley has written in Artforum, “Miller's essays are a pungent intervention into the ideologies of beauty, representation and looking.”
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- PublisherJRP | Ringier
- Publication date2005
- ISBN 10 2940271054
- ISBN 13 9782940271054
- BindingPaperback
- Number of pages192
- EditorBovier Lionel
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Price Club : Selected Writings, 1977-1998
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John Miller: The Price Club: Selected Writings 1977-1998 (Positions Book) [FRENCH LANGUAGE - Paperback ]
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John Miller: The Price Club: Selected Writings 1977-1998 (Positions Book)
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John Miller
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Book Description Condition: New. Num Pages: 192 pages. BIC Classification: ABA; DNF. Category: (G) General (US: Trade). Dimension: 210 x 150 x 19. Weight in Grams: 272. . 2007. Paperback. . . . . Seller Inventory # V9782940271054
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Book Description Condition: New. Num Pages: 192 pages. BIC Classification: ABA; DNF. Category: (G) General (US: Trade). Dimension: 210 x 150 x 19. Weight in Grams: 272. . 2007. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9782940271054
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Book Description Paperback. Condition: new. Paperback. For Miller, the issue of the production/reception of a work of art is a genuine dialectic. He argues that the artist has no choice but to address socio-political questions and the ideological apparatuses linked to the production of cultural "artefacts." To (re)conceive these dimensions of art making Miller also confronts a broad theoretical corpus. From "polemical" pieces to extensive theoretical essays through studies on Ed Ruscha, Bruce Nauman, Richard Artschwager, and John Baldessari, the texts collected here respond to the ongoing collision of aesthetics and exchange value."Miller manages to combine a shrewd understanding of art-historical correlations with a daunting knowledge of popular culture ." - Bruce Hainley, "Artforum" (Summer 2001).".Miller is an erudite and sophisticated analyst and reporter of the most complex post-war thought ." - Liam Gillick, "Art Monthly" (September 2001).John Miller is an artist and a writer based in New York. In 1987 he became the US Editor for Artscribe; in 1991 he founded Acme Journal.For the past two decades, he has written intensively and published texts in "Artforum", October and Texte zur Kunst, as well as in numerous museum publications. He has taught art at Columbia University, the School of Visual Art in New York, Yale University, and Cooper Union. For Miller, the issue of the production/reception of a work of art is a genuine dialectic. From "polemical" pieces to theoretical essays through studies on Ed Ruscha, Bruce Nauman, Richard Artschwager, and John Baldessari, this work collects texts that respond to the ongoing collision of aesthetics and exchange value. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9782940271054
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