About the Author:
Bryher (1894-1983) wrote many critically acclaimed novels and memoirs during her lifetime. She was deeply involved in film, politics, and psychology. She funded Contact Editions, and edited Life and Letters To-day and the first English film journal, Close Up. She was the longtime companion of H.D., and a generous supporter of numerous writers, artists, psychoanalysts, and culture icons, including Marianne Moore, Sigmund Freud, Walter Benjamin, and Sylvia Beach of Shakespeare and Company.
Patrick Gregory is an editor, translator, and the author of the novel The Dagguereotype. He is the son of poet, translator, and critic Horace Gregory and poet Marya Zaturenska, who were intimate friends with Bryher. He now lives in Northampton, MA and South Halifax, VT.
From Publishers Weekly:
An English novelist and patron of artists such as H.D., Bryher (Winifred Ellerman, 1894-1983) first published this beautifully realized story of a young Elizabethan actor's apprentice in 1953. After the death of James Sands's beloved Master Awsten, one of the Queen's Players who has taught Sands the rudiments of acting, Sands travels from Southwark, London and passes through a succession of employers. At a house in the country, he meets the summering playwright Francis Beaumont, in the process of writing his play Philaster. James wins the part of Bellario, the girl page disguised as a boy for love of Philaster, who in a curious royal menage-a-trois sends Bellario to serve his beloved Arethusa; James duly falls in love, unrequitedly, with Beaumont's virginal fiancee, Ursula. History intrudes offstage in the form of Sir Walter Ralegh's execution and the ascent of the Puritans, and James, now a clerk, becomes a kind of poignant anachronism, too delicate for the coarsening new age. Theatrical and romantically lyrical, Bryher's novel is a forgotten gem, channeling the servant boy's first person flawlessly.
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