Celebrating Britain: Canaletto, Hogarth and Patriotism - Softcover

9781907372780: Celebrating Britain: Canaletto, Hogarth and Patriotism
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By 1750 Britain was - as Jacqueline Riding shows - at peace with her traditional enemy, France, and had finally extinguished the threat from the Catholic Jacobites. The art of William Hogarth – particularly his great canvas O The Roast Beef of Old England of 1749 – duly reflected this new sense of security and pride in being British. The economy was booming. Trade was expanding. And newly-confident Britons were no longer looking to Italy or France for their cultural exemplars, particularly in the field of architectural design.

It was the ferment of activity, the eclectic building boom which underlines Britain’s wealth and optimism, and which marks the nation out as the new Venice, which is the real subject of Canaletto’s great canvases. Almost all of Canaletto’s views focused on a new architectural commission or a recent urban development, and were specifically designed to celebrate the latest achievements of British architecture and engineering. The Italian master was not alone. The vigorous and infectious patriotism of his works mirrored emerging nationalistic trends in popular culture during the 1740s, a decade which witnessed the canonization of William Shakespeare as a British hero, the creation of Handel’s Messiah and Arne’s immortal ‘Rule Britannia’, and, as Oliver Cox shows, the propagation of the nationalistic cult of King Alfred - and, more bizarrely, of the ‘flying king’ Bladud in Bath.

As Pat Hardy explains, the presence of a significant group of artists working in London prior to Canaletto’s arrival, led by Samuel Scott, along with the strength of existing artistic practices and traditions and the vibrant print market for maps and surveys of London, suggests that the impact of the arrival of Canaletto was more complicated than may have previously been perceived. At the same time, Canaletto’s legacy survived throughout the eighteenth century, in the hands of native artists such as William Marlow.

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About the Author:
Former Director of the Handel House Museum and Curator at the Palace of Westminster, Jacqueline specialises in Georgian and early Victorian art, history and culture. Historian and Director of the Thames Valley Country House Partnership Curator of Paintings, Prints and Drawings at Museum of London Director of Compton Verney museum and gallery in Warwickshire and currently Visiting Fellow at Kellogg College, Oxford

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  • PublisherPaul Holberton Publishing
  • Publication date2020
  • ISBN 10 1907372784
  • ISBN 13 9781907372780
  • BindingPaperback
  • Number of pages128

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Book Description paperback. Condition: Neu. Neu -Mit Anbruch des Jahres 1750 hatte Britannien Frieden mit dem Erbfeind Frankreich geschlossen und auch die im Inland aufständischen katholischen Jakobiten nieder gerungen. Es war der Anbruch einer Zeit der wirtschaftlichen Prosperität: Der Handel florierte und die Briten begannen, ein Gefühl des Nationalstolzes zu entwickeln. Dieser manifestierte sich prominent in einer reichen eklektischen Architektur und Baukunst, die künstlerisch nicht länger Italien und Frankreich nachahmte. Vielmehr begann die Nation, sich als das neue Venedig zu begreifen. Die Auftragsarbeiten, die Antonio Canal, auch Canaletto genannt, während seiner 10-jährigen Schaffenszeit in Britannien anfertigte, legen davon beredtes Zeugnis ab. Die Beiträge dieses fundierten Sammelbandes betten sein Werk in einen breiteren politischen und sozialen Kontext ein und erhellen den Zusammenhang zwischen seinen Gemälden und Zeichnungen und dem sich formierenden neuen nationalen Selbstbewusstseins Britanniens. Derselbe Zusammenhang wird an den Werken William Hogarths gezeigt, dem weiteren Schwerpunkt dieses Buches. Ein einzigartiger Blick auf eine prägende Umbruchszeit in der Geschichte Britanniens im Spiegel der Kunst zweier bedeutender Künstler dieser Zeit. (Text engl.)\\nErscheinungsdatum: 15.03.2020 Schlagwörter: art & art instruction, art, techniques, drawing, art, techniques, painting, art, subjects & themes, general Autor: Pat Hardy, Steven Parissien Sachgruppen: Geisteswissenschaften, Kunst, Musik, Kunst, Kunstgeschichte Anzahl Seiten: 128 Format: 26,00 x 21,50 x 1,00 cm 128 pp. Englisch. Seller Inventory # 1098853

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Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Canaletto's time in mid-Georgian Britain has received much scholarly attention in the past, but this book places his work in a broader political and social context, linking his paintings and drawings, as well as those of William Hogarth, with the growing sense of assurance and mission which the British nation was then beginning to display. Seller Inventory # B9781907372780

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Book Description Condition: New. Canaletto's time in Mid-Georgian Britain has received much scholarly attention in the past. But this book places his work in a broader political and social context, linking his paintings and drawings with a growing sense of assurance and mission which the British nation was beginning to display - perhaps best represented by the works of Hogarth. Num Pages: 128 pages, 55 colour. BIC Classification: 1DBK; 3JF; ACQ; AFC. Category: (G) General (US: Trade). Dimension: 262 x 217 x 10. Weight in Grams: 476. . 2015. Paperback. . . . . Seller Inventory # V9781907372780

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Book Description Condition: New. Canaletto's time in Mid-Georgian Britain has received much scholarly attention in the past. But this book places his work in a broader political and social context, linking his paintings and drawings with a growing sense of assurance and mission which the British nation was beginning to display - perhaps best represented by the works of Hogarth. Num Pages: 128 pages, 55 colour. BIC Classification: 1DBK; 3JF; ACQ; AFC. Category: (G) General (US: Trade). Dimension: 262 x 217 x 10. Weight in Grams: 476. . 2015. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9781907372780

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