The Cinema of Italy (24 Frames) - Softcover

Giorgio Bertellini

Softcover

ISBN 10: 1903364981 ISBN 13: 9781903364987

Publisher: Wallflower Press, 2005

Synopsis

The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the 24 concise essays of this anthology contextualize each film within both Italian and Western film culture. Alongside the crucial lessons of neorealist masterpieces such as Rossellini's Paisan and De Sica's The Bicycle Thief, this collection looks at how Italian cinema has confronted both the nation's history (1860, Senso, The Conformist, Lamerica), the so-called "Southern question" (Salvatore Giuliano, Padre Padrone), as well as modern configurations of labor and gender relationships through the films of Camerini, De Santis, Olmi, Pasolini, Antonioni, Wertmüller, and the Taviani Brothers. The Cinema of Italy also considers the very personal works of Fellini, Ferreri and Moretti and gives special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and the western.

About this title

Book Description:

The Cinema of Italy, a new addition to the 24 Frames series, looks at the historical and aesthetic connections of some of Italy's most important films with both Italian and Western film culture. Spanning almost a century of film productions and organised chronologically, the volume examines recurring thematic and stylistic features. Together with the crucial lessons of such neorealist masterpieces as Rossellini's Paisan and De Sica's Bicycle Thieves, The Cinema of Italy looks at how Italian cinema has dealt - before and since neorealism - with the nation's past and present history (1860, Senso, The Conformist, Lamerica), with the so-called Southern question (Assunta Spina, Salvatore Giuliano, Padre Padrone), as well as with modern configurations of work-life and gender relationships through the films of Olmi, Pasolini, Antonioni, Cavani and Wertmüller. The Cinema of Italy also considers the very personal, but never politically apathetic works of Fellini, Ferreri and Moretti and reserves a special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and western.

About the Author:

Giorgio Bertellini is assistant professor of Film and Video Studies and Romance Languages and Literatures at the University of Michigan, and is the author of Emir Kusturica(1996).

About this edition

• Publisher: Wallflower Press
• Publication date: 2005
• ISBN 10: 1903364981
• ISBN 13: 9781903364987
• Binding: Paperback
• Number of pages: 288