A Fanatic's Guide to Ear Training and Sight Singing Volume One - Softcover

9781890944193: A Fanatic's Guide to Ear Training and Sight Singing Volume One
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Fanatics Guide is our most popular Ear Training Product. This version contains one physical CD. You could save yourself a bundle by purchasing a digital download of this product at muse-eek.com but some people want a CD so please read on to find out about this different type of ear training.

The idea of singing sound based on a key center as opposed to singing an interval really began a revolution in the way musicians perceive sound. When a seasoned musician sings a melody, they are not thinking the distance between each note they are hearing, they are singing pitches within a "key center." Seasoned musicians sing this way naturally after years of playing and singing but with the book a student can fast forward their learning so that they can experience 30 years of ear training in a fraction of the time.

A complete transformation of musical perception with this ear training concept.

You will see from reading the reviews that this system of ear training has changed many musicians careers. Even students that are just beginning with music have found that it completely transforms the way they hear and sing music.

If you are only now acquainting yourself with this idea of hearing within a key center we recommend reading more about it at muse-eek.com

The Interval method of Ear Training has been taught in music schools for literally hundreds of years and rarely been questioned. This method is based on singing the distance between each note with no regard to a key center. The problem with this approach is pretty simple. It just doesnt work when you are trying to sing a melody. Some of the most common problems with singing by interval are:

Inability to translate the sounds you hear in your head to your instrument.

A tendency to sing sharp or flat

Inability to translate the sounds you hear in your head to to music staff without an instrument.

Not being able to find the first note of the melody when you start singing a song.

Inability to maintain your own part when singing within groups or choirs

If you are experiencing any of these problems then you need to get Fanatics Guide to Ear Training and Sight Singing and start working towards hearing music based by key center.

Most important thing to remember is with any other ear training book you purchase you do not have access to the author. If you run into a problem, not sure you are doing something right you have no place to turn.

You might go years practicing something only to find it doesn't work even hurts your ability to improve.

Mr. Arnold gives email support for anybody who buys our books. This is your secret weapon to success because you have someone supporting you along the way.

"synopsis" may belong to another edition of this title.

From the Publisher:
Mr. Arnold's new ear training course is a first of it's kind available. He has taken the time to give students a detailed explanation of what works and what doesn't work when it comes to ear training. This book is the sight singing part of a series of books which are meant to be used together. If you are serious about improving your aural perception and basic musicianship it is recommended that you work with this book in combination with the following:

1. EAR TRAINING: ONE NOTE This first level of ear training covers identifying single notes against a pitch center, and is divided into 3 levels Beginning: ISBN: 1-890944-12-2 Intermediate: ISBN: 1-890944-13-0 Advanced: ISBN: 1-890944-14-9

2. KEY NOTE RECOGNITION ISBN: 1-890944-30-3 This ear training book covers identifying single notes against a key center which prepares the student for the two note ear training method.

This course of study is recommended to all levels of students.

3. EAR TRAINING: TWO NOTES This second level of ear training covers identifying two notes against a pitch center. The following volumes are currently available:

Ear Training TWO NOTE: Beginning Level Volume One

About the Author:
Guitarist Bruce Arnold has developed an extensive reputation as a composer educator and guitar virtuoso. He has created a unique signature sound that stems from his combination of jazz techniques and 20th Century compositional methods. He has played with such diverse musicians as Stuart Hamm, Peter Erskine, Joe Pass, Joe Lovano, Randy Brecker, Stanley Clarke, the Boston Symphony Orchestra. Mr. Arnold is also deeply devoted to music education and had written more than 100 books on music instruction. Mr. Arnold currently teaches at Princeton University. He has also taught at some of the most prestigious music schools in America, including the New England Conservatory of Music, Dartmouth College, Berklee College of Music, New School University, and City College of New York and NYU.

"About this title" may belong to another edition of this title.

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