Making Face, Making Soul/Haciendo Caras: Creative and Critical Perspectives by Feminists of Color - Softcover

Softcover

ISBN 10: 1879960109 ISBN 13: 9781879960107

Publisher: Aunt Lute Books, 1990

Synopsis

Literary Nonfiction. Fiction. Latino/Latina Studies. African American Studies. Asian American Studies. Native American Studies. A bold collection of creative pieces and theoretical essays by women of color. New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of lasting value to many diverse communities of women as well as to students from those communities. The authors explore a full spectrum of present concerns in over seventy pieces that vary from writing by new talents to published pieces by Audre Lorde, Joy Harjo, Norma Alarcón and Trinh T. Minh-ha.

"At one level or another, all the work in the collection seeks to find ways to understand and articulate our multiple identities and senses of place.... MAKING FACE/MAKING SOUL is an exciting collection of dynamic, important writings that all women of color and white feminists will learn from, enjoy, and return to again and again and again."—Sojourner"...the pieces are stunning in what they risk and reveal..."—The San Francisco Chronicle

About this title

About the Author:

Gloria Anzaldúa was a Chicana-tejana-lesbian-feminist poet, theorist, and fiction writer from south Texas. She was the editor of the critical anthology MAKING FACE, MAKING SOUL/HACIENDO CARAS: CREATIVE AND CRITICAL PERSPECTIVES BY FEMINISTS OF COLOR (Aunt Lute Books, 1990), co-editor of This Bridge Called My Back: Writings by Radical Women of Color, and winner of the Before Columbus Foundation American Book Award. She taught creative writing, Chicano studies, and feminist studies at University of Texas, San Francisco State University, Vermont College of Norwich University, and University of California Santa Cruz. Anzaldúa passed away in 2004 and was honored around the world for shedding visionary light on the Chicana experience by receiving the National Association for Chicano Studies Scholar Award in 2005. Gloria was also posthumously awarded her doctoral degree in literature from the University of California, Santa Cruz. A number of scholarships and book awards, including the Anzaldúa Scholar Activist Award and the Gloria E. Anzaldúa Award for Independent Scholars, are awarded in her name every year.

From Publishers Weekly:

In her introduction to this anthology of essays and poetry by women of color, Anzaldua ( Borderlands/La Frontera ) says that the reader "must do the work of piecing this text together," because doing so imparts a feeling for the "fragmented and interrupted dialogue" with which feminists, especially those of color, must contend in the struggle against patriarchial discourse and the problems that it spawns: racism, myopia, ethnocentricity, outright hatred. From this perspective, reading this book is a cathartic and, potentially, individuating experience; one can gloss over the jargon-laden, anachronistic essays by academically entrenched feminists and take great pleasure reading the writings of students, activists and artists who speak from an experiential viewpoint on such disarming subjects as "oppressed hair." Many of the best pieces, for instance "Notes from a Fragmented Daughter," combine theoretical essay with poetry and personal narration, reflecting a breadth of emotion that most people keep tightly concealed. This is the book's primary purpose, to give voice to thoughts and feelings which have been privatized and occluded.
Copyright 1990 Reed Business Information, Inc.

About this edition

• Publisher: Aunt Lute Books
• Publication date: 1990
• ISBN 10: 1879960109
• ISBN 13: 9781879960107
• Binding: Paperback
• Edition number: 1
• Number of pages: 448
• Editor: Anzaldua Gloria