A Sad Affair - Softcover

Wolfgang Koeppen; Michael Hofmann

3.44

63 ratings by Goodreads

Softcover

ISBN 10: 1862076014 ISBN 13: 9781862076013

Publisher: Granta Books, 2003

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Set during the heady, pre-Second World War days of cabaret-era Germany, the novel centres on Sibylle - a stunning seductress who balances her love affairs with five men at once - and Friedrich, the callow, melancholic youth who obsessively pursues her. Originally banned by the Nazis for its frank sexual themes, Wolfgang Koeppen's first novel is appearing in English. A romance that anticipated Beat literature by nearly twenty years through its dizzying language and exploration of casual love, this is Koeppen's most autobiographical and amusing work.

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About the Author:

Wolfgang Koeppen was born in 1906 and died ninety years later in Munich. A journalist for left-wing papers in Weimar Berlin, he spent the early Nazi period in the Netherlands, returning in the war years to work for the film company that produced Fritz Lang's 'Metropolis'. He published five novels, two in the 1930s and three in the 1950s. Michael Hofmann is a poet, and was awarded the PEN/Book-of-the-month Club Prize for translation. He has translated Joseph Roth's works for Granta.

From Publishers Weekly:

Koeppen examines the obsessive side of young love in his first novel, a sly romantic satire that was banned in Nazi Germany in 1936 for its candid depiction of a decidedly one-sided, non-Aryan relationship in which the woman calls most of the shots. The story picks up the enthralled narrator, Friederich, as he meets the woman of his dreams, Sybille Schloss, an actress in a theater troupe. The would-be lovers unite during Sybille's theatrical run after Friederich pursues her in Zurich, but Friederich's desire for romantic and sexual perfection prevents him from making love with her. Sybille's flightiness is part of the problem, as she conducts affairs with several other men, including Bosporus, an officer in the German army; the theater owner, Dr. Magnus; and Walter, a famous critic. Friederich thinks a trip to Tuscany will help his lady love focus on him, but their muddled relationship finally ends in a sequence in which the tortured, angst-ridden Friederich gives Sybille a gun and begs her to put him out of his emotional misery. The one-dimensional plot helps the satire work as a commentary on the romantic straightjacket of Nazism, and Koeppen's ruminations on love are occasionally provocative, especially when he delves into its effects on our freedom and the ways in which it falls short of expectations. In addition, the group portrait of the theater troupe is incisive, and in spite of their indecisiveness both Friederich and Sybille are well-drawn characters. A perceptive introduction by translator Hofmann sheds light on Koeppen's literary legacy.
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