Caught - Softcover
When the war breaks out, Rose, a well-to-do widower with a young son, Christopher, volunteers for the Auxiliary Fire Service in London, and is trained under a professional fire officer, Pye. The two men discover that a quite different link already exists between them: it was Pye's strange, disturbed sister who once upon a time abducted Christopher and kept him in her room until Pye rescued the terrified child. In the apocalyptic atmosphere of the Blitz the relationship between the two men develops as each of them grapples with his own troubled emotional attachments, the one to his dead wife, the other to his unhappy sister. Inevitably matters come to a head when history shows signs of repeating itself. The subtle handling of relationships, the brilliance of the dialogue and description - including one of the best accounts ever written of London under the Blitz - established Caught as one of Henry Green's most powerful novels.
"synopsis" may belong to another edition of this title.
About the Author:
Henry Green was the pen name of Henry Vincent Yorke. Born in 1905 near Tewkesbury in Gloucestershire, England, he was educated at Eton and Oxford and went on to become managing director of an engineering business, writing novels in his spare time. His first novel, Blindness (1926) was written whilst he was still at school and published whilst he was at Oxford. He married in 1929 and had one son, and during the Second World War served in the London Fire Brigade. Between 1926 and 1952 he wrote nine novels, Blindness, Living, Party Going, Caught, Loving, Back, Concluding, Nothing and Doting, and a memoir, Pack My Bag. Henry Green died in December 1973
Review:
"First published in 1943 and now reissued in the New York Review Classics series, Caught manages the improbable feat of being both a harrowing war story of London during the Blitz and a sharply observed comedy about social class. Green was a silver-spoon aristocrat, but his ear for common speech was as keen as Dickens’s." —Charles McGrath, The New York Times Book Review
“In its lyrical treatment of ordinary London lives it has a mood and style quite unlike anything else I’ve come across in other fiction of the time.” —Sarah Waters, The Sunday Times
“The subject of all Henry Green’s later novels is the inner language and landscape in which his characters lead their real lives. . . . This distinctly upper-class artist is pretty well the first English novelist to have listened to working-class speech and to have understood its overtones and undertones. . . . He could of course have been playing a clever game; but he was not. The morbid, the comic, the lyrical, and even the mannered aspects of his talent were not affected: fierce, fantastic and eccentric as it could be, his material came from the outside and mingled with his nature.” —V.S. Pritchett
"Green's acrobatic syntax yields not an easy reading experience but a rewarding one, as he weaves multiple narratives over and through one another, reeling among perspective shifts, zigzagging through clouds of memory and conjecture....Dense and often funny, this reissue is necessary reading for fans of both Green and modernist fiction.” —Kirkus starred review
Praise for Henry Green:
"Seductive and pleasing...[an]original and engaging author, who wrote about social class--or, rather, the social classes, all of them--with a mordancy and affection that have seldom been surpassed...Henry Green wrote the way he did, in other words, because he couldn't write any other way; he was not a fabulist but a realist, who described the world just as he experienced it." —Charles McGrath, The New York Times
"Green's working aesthetic was delicate, allusive, and cryptic... He could produce a vivid image with a minimum of words...Green himself ardently mixes darkness and light, and his work must always appeal to those readers who, like him, do not fear life's inevitable contradictions." —Brooke Allen, New Criterion
"One of the most piquant and original English writers not only of his generation but of the century." —John Updike, The New Yorker
Green’s gift is that he is able to communicate...that feeling of being present in history before it becomes history, of being adrift in a story with many words left yet unwritten.
—Michalle Gould, The Rumpus
Green’s acrobatic syntax yields not an easy reading experience but a rewarding one, as he weaves multiple narratives over and through one another, reeling among perspective shifts, zigzagging through clouds of memory and conjecture....Dense and often funny, this reissue is necessary reading for fans of both Green and modernist fiction.
—Kirkus starred review
“In its lyrical treatment of ordinary London lives it has a mood and style quite unlike anything else I’ve come across in other fiction of the time.” —Sarah Waters, The Sunday Times
“The subject of all Henry Green’s later novels is the inner language and landscape in which his characters lead their real lives. . . . This distinctly upper-class artist is pretty well the first English novelist to have listened to working-class speech and to have understood its overtones and undertones. . . . He could of course have been playing a clever game; but he was not. The morbid, the comic, the lyrical, and even the mannered aspects of his talent were not affected: fierce, fantastic and eccentric as it could be, his material came from the outside and mingled with his nature.” —V.S. Pritchett
"Green's acrobatic syntax yields not an easy reading experience but a rewarding one, as he weaves multiple narratives over and through one another, reeling among perspective shifts, zigzagging through clouds of memory and conjecture....Dense and often funny, this reissue is necessary reading for fans of both Green and modernist fiction.” —Kirkus starred review
Praise for Henry Green:
"Seductive and pleasing...[an]original and engaging author, who wrote about social class--or, rather, the social classes, all of them--with a mordancy and affection that have seldom been surpassed...Henry Green wrote the way he did, in other words, because he couldn't write any other way; he was not a fabulist but a realist, who described the world just as he experienced it." —Charles McGrath, The New York Times
"Green's working aesthetic was delicate, allusive, and cryptic... He could produce a vivid image with a minimum of words...Green himself ardently mixes darkness and light, and his work must always appeal to those readers who, like him, do not fear life's inevitable contradictions." —Brooke Allen, New Criterion
"One of the most piquant and original English writers not only of his generation but of the century." —John Updike, The New Yorker
Green’s gift is that he is able to communicate...that feeling of being present in history before it becomes history, of being adrift in a story with many words left yet unwritten.
—Michalle Gould, The Rumpus
Green’s acrobatic syntax yields not an easy reading experience but a rewarding one, as he weaves multiple narratives over and through one another, reeling among perspective shifts, zigzagging through clouds of memory and conjecture....Dense and often funny, this reissue is necessary reading for fans of both Green and modernist fiction.
—Kirkus starred review
"About this title" may belong to another edition of this title.
- PublisherThe Harvill Press
- Publication date1991
- ISBN 10 1860461115
- ISBN 13 9781860461118
- BindingPaperback
- Edition number1
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