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Throughout, Vivian finds, the doctors study and discuss her body like a text: "Once I did the teaching, now I am taught. This is much easier. I just hold still and look cancerous. It requires less acting every time." As her time draws to a close, a sea change begins to work in the way Vivian thinks about life, death, and indeed, Donne. His complex, tightly knotted poems have always been a puzzle for her formidable intellect, a chance to display "verbal swordplay" and wit. Her sickness presents an entirely different challenge. A powerful, prickly personality, capable of dry asides even during a bout of gut-wrenching nausea ("You may remark that my vocabulary has taken a turn for the Anglo-Saxon"), Vivian develops a new appreciation for the simple, the maudlin, the kind. Not to give away the plot, but the final moments in Margaret Edson's debut are as wrenching--as human--as anything in recent drama. --Mary Park
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Book Description Paperback. Condition: Very Good. A striking and sharply funny reflection on the frailty of existence and the complex relationship between knowledge and love. Winner of the 1999 Pulitzer Prize for Drama. A celebrated but exacting professor of metaphysical poetry, Vivian Bearing has been diagnosed with an aggressive form of cancer. It seems her life is nearing its final chapter. As she submits herself to an experimental treatment, Vivian approaches her illness with the same uncompromising rigour she brings to bear on the sonnets of John Donne. And through it all she comes to reassess her life and her work with profundity and a moving wry humour. Margaret Edson's Pulitzer Prize-winning Wit was first performed in 1995. It was revived at the Royal Exchange Theatre, Manchester, in 2016, with Julie Hesmondhalgh. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR009765250