John Edgar Wideman and Modernity: A Critical Dialogue - Hardcover

9781621904335: John Edgar Wideman and Modernity: A Critical Dialogue
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"In this book, Michel Feith positions John Edgar Wideman as a major critic of western modernity within African American literature. Feith presents Wideman's case against ghettoization, prisons, and the diasporic sense of history that emerges in his novels in unique and complex ways. Feith interprets these traits as at times a wholesale rejection of western modernity and at others a reorientation toward the minority viewpoint. Feith examines Wideman's novels consistently in light of The Cattle Killing, widely regarded as his magnum opus"--

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Book Description:

The career of writer John Edgar Wideman has been the sort of success story on which America prides itself. Coming from an inner-city African American neighborhood, he studied at the Universities of Pennsylvania and Oxford; published his first novel at age twenty-six; won two PEN/Faulkner Awards, as well as a MacArthur “genius grant”; and has held several top teaching posts. But profound tragedy has also marked his life: both his brother and son received life sentences for murder, and a nephew was killed at home after a bar fight. His life thus illustrates how the strictures of “race” temper American notions of freedom and opportunity.

Wideman’s engagement with race and identity has been nuanced and complex, taking the form of what Michel Feith sees as a critical dialogue with modernity–a moment in history which gave birth not only to the Enlightenment but also to American slavery and the conundrum of “race.”  Feith argues that the key work in the Wideman oeuvre is The Cattle Killing (1996), his only “historical novel,” whose threads include the 1793 yellow fever epidemic in Philadelphia, the 1856–57 Cattle Killing prophecy, which wreaked havoc among the Xhosa tribe of South Africa, and the contemporary situation of black ghettos in the United States. Unfolding within the early days of the American Republic, the novel offers a window through which all of Wideman’s works and their central concerns—ghettoization, imprisonment, familial relationships, emancipation, and the diasporic sense of history—can be understood.

With clarity and theoretical sophistication, Feith offers provocative new readings of Wideman’s texts, from the “Homewood” books based on his youth in Pittsburgh to his haunting memoir Brothers and Keepers. In the “postmodern” era, Feith suggests, critics of modernity are not in short supply, but few have the depth, rigor, and thoughtfulness of John Edgar Wideman.

About the Author:
Michel Feith, a professor of American literature at the University of Nantes, France, is coeditor, with Geneviève Fabre, of Jean Toomer and the Harlem Renaissance and Temples for Tomorrow: Looking Back at the Harlem Renaissance.His articles have appeared in the Canadian Review of American Studies, Callaloo, and other publications.

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  • PublisherUniv Tennessee Press
  • Publication date2019
  • ISBN 10 1621904334
  • ISBN 13 9781621904335
  • BindingHardcover
  • Edition number1
  • Number of pages288

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Book Description Hardcover. Condition: new. Hardcover. The career of writer John Edgar Wideman has been the sort of success story on which America prides itself. Coming from an inner-city African American neighborhood, he studied at the Universities of Pennsylvania and Oxford; published his first novel at age twenty-six; won two PEN/Faulkner Awards, as well as a MacArthur genius grant; and has held several top teaching posts. But profound tragedy has also marked his life: both his brother and son received life sentences for murder, and a nephew was killed at home after a bar fight. His life thus illustrates how the strictures of race temper American notions of freedom and opportunity.Widemans engagement with race and identity has been nuanced and complex, taking the form of what Michel Feith sees as a critical dialogue with modernitya moment in history which gave birth not only to the Enlightenment but also to American slavery and the conundrum of race. Feith argues that the key work in the Wideman oeuvre is The Cattle Killing (1996), his only historical novel, whose threads include the 1793 yellow fever epidemic in Philadelphia, the 185657 Cattle Killing prophecy, which wreaked havoc among the Xhosa tribe of South Africa, and the contemporary situation of black ghettos in the United States. Unfolding within the early days of the American Republic, the novel offers a window through which all of Widemans works and their central concernsghettoization, imprisonment, familial relationships, emancipation, and the diasporic sense of historycan be understood.With clarity and theoretical sophistication, Feith offers provocative new readings of Widemans texts, from the Homewood books based on his youth in Pittsburgh to his haunting memoir Brothers and Keepers. In the postmodern era, Feith suggests, critics of modernity are not in short supply, but few have the depth, rigor, and thoughtfulness of John Edgar Wideman. With clarity and theoretical sophistication, Michel Feith offers provocative new readings of John Edgars Wideman's texts, from the ""Homewood"" books based on his youth in Pittsburgh to his haunting memoir Brothers and Keepers. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781621904335

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