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The career of writer John Edgar Wideman has been the sort of success story on which America prides itself. Coming from an inner-city African American neighborhood, he studied at the Universities of Pennsylvania and Oxford; published his first novel at age twenty-six; won two PEN/Faulkner Awards, as well as a MacArthur “genius grant”; and has held several top teaching posts. But profound tragedy has also marked his life: both his brother and son received life sentences for murder, and a nephew was killed at home after a bar fight. His life thus illustrates how the strictures of “race” temper American notions of freedom and opportunity.
Wideman’s engagement with race and identity has been nuanced and complex, taking the form of what Michel Feith sees as a critical dialogue with modernity–a moment in history which gave birth not only to the Enlightenment but also to American slavery and the conundrum of “race.” Feith argues that the key work in the Wideman oeuvre is The Cattle Killing (1996), his only “historical novel,” whose threads include the 1793 yellow fever epidemic in Philadelphia, the 1856–57 Cattle Killing prophecy, which wreaked havoc among the Xhosa tribe of South Africa, and the contemporary situation of black ghettos in the United States. Unfolding within the early days of the American Republic, the novel offers a window through which all of Wideman’s works and their central concerns—ghettoization, imprisonment, familial relationships, emancipation, and the diasporic sense of history—can be understood.
With clarity and theoretical sophistication, Feith offers provocative new readings of Wideman’s texts, from the “Homewood” books based on his youth in Pittsburgh to his haunting memoir Brothers and Keepers. In the “postmodern” era, Feith suggests, critics of modernity are not in short supply, but few have the depth, rigor, and thoughtfulness of John Edgar Wideman.
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Book Description Hard Cover. Condition: New. First Edition, First Printing. Octavo. Decorative two-tone green spine and rear board, decorative two-tone green front board with photogaph are all clean and bright. This is a new book that was removed from its shrinkwrap to catalog, but does have a very slight bumping at the tail of the spine. White endpapers. Binding is straight and tight. Pages are all clean, white, and crisp. 269 pages. No dust jacket, as issued. Seller Inventory # 009052
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CA-9781621904335
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Book Description Hardcover. Condition: Brand New. 269 pages. 9.00x6.00x1.00 inches. In Stock. Seller Inventory # __1621904334
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CA-9781621904335
Book Description Hardcover. Condition: new. Hardcover. The career of writer John Edgar Wideman has been the sort of success story on which America prides itself. Coming from an inner-city African American neighborhood, he studied at the Universities of Pennsylvania and Oxford; published his first novel at age twenty-six; won two PEN/Faulkner Awards, as well as a MacArthur genius grant; and has held several top teaching posts. But profound tragedy has also marked his life: both his brother and son received life sentences for murder, and a nephew was killed at home after a bar fight. His life thus illustrates how the strictures of race temper American notions of freedom and opportunity.Widemans engagement with race and identity has been nuanced and complex, taking the form of what Michel Feith sees as a critical dialogue with modernitya moment in history which gave birth not only to the Enlightenment but also to American slavery and the conundrum of race. Feith argues that the key work in the Wideman oeuvre is The Cattle Killing (1996), his only historical novel, whose threads include the 1793 yellow fever epidemic in Philadelphia, the 185657 Cattle Killing prophecy, which wreaked havoc among the Xhosa tribe of South Africa, and the contemporary situation of black ghettos in the United States. Unfolding within the early days of the American Republic, the novel offers a window through which all of Widemans works and their central concernsghettoization, imprisonment, familial relationships, emancipation, and the diasporic sense of historycan be understood.With clarity and theoretical sophistication, Feith offers provocative new readings of Widemans texts, from the Homewood books based on his youth in Pittsburgh to his haunting memoir Brothers and Keepers. In the postmodern era, Feith suggests, critics of modernity are not in short supply, but few have the depth, rigor, and thoughtfulness of John Edgar Wideman. With clarity and theoretical sophistication, Michel Feith offers provocative new readings of John Edgars Wideman's texts, from the ""Homewood"" books based on his youth in Pittsburgh to his haunting memoir Brothers and Keepers. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781621904335