My Mother's Wedding Dress: The Life and Afterlife of Clothes - Hardcover

Picardie, Justine

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164 ratings by Goodreads

9781596911499: My Mother's Wedding Dress: The Life and Afterlife of Clothes

Hardcover

ISBN 10: 1596911492 ISBN 13: 9781596911499

Publisher: Bloomsbury USA, 2006

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A glorious meditation on why clothes matter.

Beginning with the story of her mother's wedding dress, a perfect black French cocktail dress bought in 1960, writer and former Vogue editor Justine Picardie affirms what all of us may have suspected: that the real value of our wardrobes lies in the history and associations woven into our clothes. Combining tales of her own family and friends, intimate stories from the fashion business, and reflections on clothes in literature and pop culture, Picardie uncovers the truths that lie underneath what we wear. She reflects on the strange disappearance of garments we love; the allure of uniforms; the house that Chanel built; the bridal and ghostly qualities of women in white; the fate of a ring belonging to Charlotte Bront�; the power of scarlet clothing; how Donatella Versace, Karl Lagerfeld, and Claude Montana dress themselves; and how the clothes we inherit from loved ones link us to the departed. Rich with fascinating stories from the public and private worlds of fashion, My Mother's Wedding Dress is a gorgeously written book about what clothes cover up, and what they reveal.

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About the Author:

Justine Picardie is a journalist, novelist, and editor who lives in London. She is the author of If the Spirit Moves You: Life and Love After Death and the novel Wish I May, and the cowriter or editor of several other books. She was formerly the features editor of British Vogue and editor of the Observer magazine.

From Publishers Weekly:

A former British Vogue editor turned novelist (Wish I May) offers a stylish treatment of the significance of clothes to their owners and admirers. A black wedding dress belonging to Picardie's mother circa 1960 became the author's perfect little black dress 20 years later and serves as the elegant entr�e to Picardie's narrative. Picardie devotes a chapter to each item: the wedding dress, cast off by her divorced mum, was added to the author's secondhand college wardrobe, a "rag-tag bundle of other people's identities"; a pair of plastic trousers, purchased in 1977, signified a transitory rebellion; a velvet jacket belonging to various relatives segues into a meditation on the frustrating elements of the unfinished story. Most poignant is the author's exploration of haunted clothing, seen in literary examples from Daphne du Maurier and Elizabeth Bowen, and exemplified in clothing favored by her terminally ill sister and abandoned in death. Picardie is amusingly digressive, moving from a discourse on the Gap's ability to bridge fashion and functionality to Zelda Fitzgerald's clothing memory as a grasp of her dwindling sanity. Picardie is also a terrific journalist, offering a shimmering chapter on the profane and sacred aspects of "scarlet women" and sharp interviews with Donnatella Versace and Karl Lagerfeld. (May 1)
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