American Genius, A Comedy - Softcover

Tillman, Lynne

Softcover

ISBN 10: 1593763115 ISBN 13: 9781593763114

Publisher: Soft Skull, 2019

Synopsis

Named a Best Book of the Century by Vulture

"Tillman’s beautifully constructed sentences create their own propulsion, able to take a reader in any direction at any moment . . . the book confirms the ultimate primacy of literary voice, of which this is a rare triumph."―Vulture

“I won’t always be here, and if I consider that, and regularly remind myself that I only have to be in a particular situation for an hour or two, whether I’m unhappy or not, I can manage it. I’ve been cold and miserable; I’ve been lost; deceived; I’ve been bored silly; drunk; my underpants have been wet from nervous agitation; the skin on my inner thighs has chafed to a fiery red from rubbing against wool; I’ve been robbed; fainted from shock; and I’ve been alarmed beyond words or stricken with fear hearing bitter words flare between friends in freakish eruptions of hatred in bizarre locations, since most sites are not right for confrontation, and when I have no right to speak and no involvement, except self-protection, I have become itchy, my skin a plane of heat, as if a match had been struck against it and my entire body set ablaze. But I was able to withstand it, only because I knew it would end.”

In the hypnotic, masterful American Genius, A Comedy, a former historian spending time in a residential home, mental institute, artist’s colony, or sanitarium, is spinning tales of her life and ruminating on her many and varied preoccupations: chair design, textiles, pet deaths, family trauma, a lost brother, the Manson family, the Zulu alphabet, loneliness, memory, and sensitive skin―and what “sensitivity” means in our culture and society. A new edition of a contemporary classic, with an introduction by novelist Lucy Ives.

About this title

About the Author:

Lynne Tillman is a novelist, short story writer, and cultural critic. Her novels are Haunted Houses; Motion Sickness; Cast in Doubt; No Lease on Life, a finalist for the National Book Critics Circle Award; American Genius, A Comedy; and Men and Apparitions. Her nonfiction books include The Velvet Years: Warhol’s Factory 1965–1967, with photographs by Stephen Shore; Bookstore: The Life and Times of Jeannette Watson and Books & Co.; and What Would Lynne Tillman Do?, a finalist for the National Book Critics Circle Award in Criticism. Her most recent short story collections are Someday This Will Be Funny and The Complete Madame Realism. She is the recipient of a Guggenheim Foundation Fellowship and an Andy Warhol/Creative Capital Arts Writing Fellowship. Tillman is Professor/Writer-in-Residence in the Department of English at The University of Albany and teaches at the School of Visual Arts’ Art Criticism and Writing MFA Program in New York. She lives in Manhattan with bass player David Hofstra.

Excerpt. © Reprinted by permission. All rights reserved.:

The food here is bad, but every day there is something I can eat and even like, and there's a bathtub, which I don't have at home. I can have a bath here every day before dinner, which is at 7:30 p.m. and usually unsatisfying. But I can't wait for dinner because it's the official end to my day, and there will be other people around with whom I can talk and who may distract me. I'm often distracted from the things I must do, which I feel compelled or expected to accomplish. But here I hope to discover what might help me or what I need to know, or what I don't need to know, for instance, about the other residents in the community.

Sometimes I have a chance to have a bath before dinner. I eagerly undress and fill the old-fashioned, footed bathtub with very hot water, pour bath oil under the faucet, three capfuls which is supposed to invigorate your body, moisturize your skin and soothe your mind, and though this never happens, my mind is never soothed, I still liberally pour in bath oil that claims to soothe the mind and help the skin. My skin is dry during the winter and also during the summer, it is dry the year long, I have very sensitive skin, which is what the Polish woman at home who gives me a facial every two months tells me, repeating each time I have a facial, Your skin is very sensitive, probably because we don't have much else to talk about. We don't have much in common, but I hear stories about her life and know she was once married, and that she now goes on dates with men and on trips and outings with girlfriends.

One day while I was having a facial in the salon, a dignified word for the cramped, dingy space, the doorbell rang and she answered it. She is the only one working there, except on weekends, when the owner, an attractive woman who takes good care of herself and has two children and a husband, works, too. The woman who gives me facials doesn't have a husband and children but would like to. She is also attractive and takes good care of herself, and works five days a week. At the door was the man she was just telling me about, who was pursuing her and asking her for dates, which she declined, putting him off evasively. He entered the cramped space.

When the Polish woman, known professionally as a cosmetician and beautician, had finished cleaning my pores and moisturizing my sensitive skin, he was still there, waiting, crudely handsome and glowering, sitting on an ugly plastic-covered chair near the table with out-of-date beauty magazines. I glanced at him, someone I knew slightly, but didn't remember how, which is often the case, many faces are unbearably familiar and indistinct, so it was embarrassing, because he was waiting for her, and I shouldn't have seen him in this setting, when she didn't want to date him or maybe ever get married or perhaps couldn't, because she took care of her mother, or she's too picky or because she doesn't really like men. Probably I should have warned her that he was not a good man, it was easy to see, because why else would he surprise her, coming unannounced and perhaps unwanted to her place of work, where she was supposed to be safe from such incidents, but I didn't, because people, women especially, like to hear they have sensitive skin or that they are sensitive. It supposedly distinguishes them from animals who are not sensitive in the way that human beings apply the word. An animal's skin is usually not sensitive, though I have a friend whose cat has sensitive skin; it often has sores at its mouth and is allergic to many kinds of food, and my cat, the one I put to sleep because it stalked me, had dry skin and dandruff Animals and some men are predatory, though female cats make better hunters. People are strange about their animals. I like animals, especially cats and dogs, birds, too, and I am often disturbed about the fate of animals, though I eat meat, fish, and fowl, and don't appreciate the audible disdain or silent criticism of a few self-righteous vegetarians who sometimes sit at my dinner table here. Two dogs nearly killed one of the kittens our family cat gave birth to, nearly tore it in two, but my mother rescued it and carried it to the vet, where it was sewn up and lived. My mother loved our family cat, then she gave it away after it decapitated and ate my bird, and neither of us, her two children, was able to forget the terrible fate of our cat, certainly not I, even now that my mother's brain is damaged. No one brings it up, not anymore, though when my mother talks about the family cat now and how much she loved her, how special the cat was, I avert my eyes, I look down, I have to, because otherwise I might shout, You killed the cat.

Before I arrived here, a tarot cardreader, whose predictions I would ordinarily dismiss, since I believe only the past can be read, though it is also unknowable, but who struck me as unusually astute, predicted that I would meet an obstacle or person who would forever change my life. My cards were powerful, he said, which I heard with incredulity, though, as he spoke, it occurred to me that it didn't matter what I believed of his philosophy, since the notion had already taken hold, one that might come to my aid, a placebo, or one I wanted to accept, since belief is important, everything, and also nothing much, an attachment like a skein of froth. About the prediction, I told no one, and my life did change, but not in the way the cardreader foresaw.

About this edition

• Publisher: Soft Skull
• Publication date: 2019
• ISBN 10: 1593763115
• ISBN 13: 9781593763114
• Binding: Paperback
• Number of pages: 384