From the Back Cover:
When, late in 1862, Mathew B. Brady posted a notice on the door of his New York studio reading, "The Dead of Antietam," it caused a sensation. It proclaimed an exhibition of photographs taken by him and his assistants of the aftermath of the bloodiest day in American history. It was the first time that most people witnessed the carnage of the American Civil War, bringing home to them the terrible reality and earnestness of the conflict. In fact, the Civil War was the first to be covered in detail in photographs, and literally thousands of them were taken by Brady and his operatives operating out of New York and Washington, D.C. Before the war, photography itself was still in its infancy, but Brady forged a name for himself as a portrait photographer, choosing as his subjects the country's civilian and military leaders, and foreign dignitaries, and chronicling the nation's history as painters had done before him. As war loomed, Brady planned to document the war on a grand scale and organized a corps of photographers to follow the troops in the field. Spurning the advice of friends who warned him of the battlefield dangers and financial risks, Brady proved with his war scenes that photographs could be more that posed portraits. He established the craft as an art form, such that photographs credited to his studios have inspired countless photographers ever since. Brady Studio teams carried their cameras and darkroom equipment in horse-drawn carts around the camps and the battlefields, recording for posterity the commanders and troopers, the weapons, the pageantry, the triumphs and the suffering of the sick and the wounded, and sadly the death and sheer destruction in the cities and cornfields during the war that pit American against American. For Brady himself, the war proved a financial disaster, and even the sale of his archive some years later could not save him from bankruptcy. In his final years, he said, "No one will ever know what I went through to secure those negatives." He died in 1896, penniless and largely unappreciated. It was not until decades later that his skill and artistry with the camera were acknowledged. Fortunately, many of his images survive, and Brady's Civil War presents a selected collection of them, highlighting their immense creativity and informative value for military enthusiasts as well as readers interested in the art of photography. The text, by Webb Garrison, a successful author on the wide subject of the Civil War, is in the form of incisive and explanatory captions, describing how the camera was taken to the battlefield to create the world's first comprehensive photo-documentation of war.
From the Inside Flap:
Photographer Mathew Brady was already famous by 1850; in his lifetime he captured eighteen U.S. presidents on film. But when the Civil War began, Brady left his studio and joined the rough-and-ready camps of soldiers, recording the entire war with the help of several assistants. He went bankrupt in the process and died alone and destitute in 1896. But, thanks to Brady, those thousands of images of camp life, military drills, and moments just before and after battles are forever part of our flickering consciousness of that calamitous conflict. A century-and-a-half after that war, Brady’s Civil War brings alive hundreds of those stunning Civil War moments, highlighting the photos’ immense creativity and informative value for military enthusiasts as well as readers interested in the art of photography. The text by Webb Garrison is incisive and explanatory, describing how the camera was taken to the battlefield to create the world’s first comprehensive photo-documentation of war. This edition, with an introduction by historian Alan Axelrod, is a fitting tribute to the Civil War on the occasion of its 150th anniversary.
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