The Undiscovered Chekhov: Forty-Three New Stories - Softcover

Chekhov, Anton

Softcover

ISBN 10: 1583220267 ISBN 13: 9781583220269

Publisher: Seven Stories Press, 2000

Synopsis

The Undiscovered Chekhov gives us, in rich abundance, a new Chekhov. Peter Constantine's historic collection presents 38 new stories and with them a fresh interpretation of the Russian master. In contrast to the brooding representative of a dying century we have seen over and over, here is Chekhov's work from the 1880s, when Chekhov was in his twenties and his writing was sharp, witty and innovative.
Many of the stories in The Undiscovered Chekhov reveal Chekhov as a keen modernist. Emphasizing impressions and the juxtaposition of incongruent elements, instead of the straight narrative his readers were used to, these stories upturned many of the assumptions of storytelling of the period.
Here is "Sarah Bernhardt Comes to Town," written as a series of telegrams, beginning with "Have been drinking to Sarah's health all week! Enchanting! She actually dies standing up!..." In "Confession...," a thirty-nine year old bachelor recounts some of the fifteen times chance foiled his marriage plans. In "How I Came to be Lawfully Wed," a couple reminisces about the day they vowed to resist their parents' plans that they should marry. And in the more familiarly Chekhovian "Autumn," an alcoholic landowner fallen low and a peasant from his village meet far from home in a sad and haunting reunion in which the action of the story is far less important than the powerful impression it leaves with the reader that each man must live his life and has his reasons.

About this title

Review:

Here's a treat for any Chekhov lover: a collection of 43 previously untranslated stories by the Russian master. Even better, these stories date back to the 1880s, when the author was still in his 20s and at his most prolific. That he wrote at all is something of a miracle--unlike other great Russian authors of his time (Dostoevski, Pushkin, Tolstoy, to name a few), Anton Chekhov was not a member of the nobility. The son of a bankrupt grocer, he entered medical school and became, at the same time, the breadwinner for his impoverished family by cranking out stories for magazines. His revolutionary approach to literature was apparent from the get-go. In "Sarah Bernhardt Comes to Town," for example, Chekhov uses a string of telegrams instead of a conventional narrative to tell his story. ("Telegram: Have been drinking to Sarah's health all week! Enchanting! She actually dies standing up! Our actors can't touch the Parisians!") Even more unusual for 19th-century literature is the apparent lack of a plot. The telegrams are simply a collection of reactions to a single performance, from an usher ("Let in four. Fourteen rubles. Let in five. Fifteen r. Let in three and one madame. Fifteen rubles") to a doctor ("Last night I saw S.B. Her chest--paralytic and flat. Skeletal and muscular structure--unsatisfactory") to various members of the audience ("Darling! When it comes to Sarah Bernhardt, as the saying goes: you can dip a frog in honey but it doesn't mean I'll eat it").

All the qualities the more mature Chekhov is known for in his later works are apparent in these early stories: unconventional narratives, tremendous wit, psychological perspicacity, and above all that peculiarly modern interest in why human beings behave the way they do. Translator Peter Constantine's introduction gives readers both a good overview of Chekhov's life and a literary context for appreciating the stories collected here, but it is Chekhov himself whose remarkable brilliance will keep readers coming back for more. --Alix Wilber

About the Author:

ANTON CHEKHOV (1860–1904) is regarded as one of the world’s masters of the short story. The son of a hapless shopkeeper and grandson of a former serf, Chekhov began at the age of twenty to support his family through the publication of magazine pieces. The writing of these short works—many of which were collected in English for the first time in Seven Stories’ Undiscovered Chekhov—served as the author’s apprenticeship in literature, which was undertaken simultaneously with his studies to become a medical doctor. Both of these educations would leave their mark on the rising author. By the 1890s Chekhov had moved on to weightier journals, and he had drifted away from the practice of medicine; but his work would always be characterized by the copywriter’s vividness and the sober exactitude of a scientist. In an age of literary aristocrats, Chekhov did as much as any modern writer to democratize the profession. He used his talent to examine the lives of street urchins, déclassé provincials, and frustrated reformers. By the time of his death from tuberculosis in 1904, all Russia and much of the world had taken heed of his credo: “For chemists there is nothing unclean on the earth. The writer must be as objective as the chemist.”

Translator PETER CONSTANTINE is the author of many books on the languages and cultures of the Far East. He is the translator of the complete stories of Isaac Babel and lives in New York City.

About this edition

• Publisher: Seven Stories Press
• Publication date: 2000
• ISBN 10: 1583220267
• ISBN 13: 9781583220269
• Binding: Paperback
• Number of pages: 212