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More precisely, Burke appropriated for modernism the forgotten formal modes -- and the bawdy comic verve -- of Tristam Shandy and Candide. His characters are thinkers, not doers; they lament, rejoice, beseech, admonish, aphorize, and inveigh in the manner of a Greenwich Village Samuel Johnson. Between the arias, as it were, they reveal something of themselves, their motives, and their moral predicaments. "Burke's sentences are so eventful," says Denis Donoghue, "that the uneventfulness of the 'whole' is a delusion. [His stories] are like the human body when it seems to be doing nothing . . . but all the time the internal life is throbbing and buzzing, al the organs at 'full throtle.'"
Here & Elsewhere collects, for the first time in one volume, all of Burke's fiction, most of it out of print since the 1960s. The centerpiece is Towards a Better Life (1923), a series of grave, malicious epistles by John Neal, a worldly ascetic and philosophical dandy, addressed to his former friend Anthony, a rival for the affections of the alluring young Florence. Here too are twenty short stories, from the previous uncollected "Parabolic Tale" (1917) to Burke's late masterpiece "The Anesthetic Revelation of Herone Liddell" (1957), as well as three prose exercises -- mad riffs on old age, old "isms," and old institutions.
Here & Elsewhere shows, in the words of TLS, "what a man can do [in] the music of ideas. Burke's stories take their stand on the last ditch: imagination, intensity, style."
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Book Description Condition: New. Fine. Paperback. 2004. Originally published at $22.95. Seller Inventory # W67167b
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Book Description Soft cover. Condition: New. 1st Edition. Stated First Edition. A Black Sparrow Book. Bright, clean & tight copy, unread in NEW condition. "Before he turned to criticism and became the American Coleridge, Kenneth Burke was a writer of fiction. His avant-garde short stories were unlike any others of the 1920s; indeed, stories even remotely like them would not come along for decades. Not for Burke the stripped-down language of Hemingway or the topical social satire of Fitzgerald; instead he was intent on constructing rhetorically gorgeous 'peopled essays' that anticipated, by nearly half a century, the work of Calvino, Gass and Nicholson Baker. More precisely, Burke appropriated for modernism the forgotten formal modes---and the bawdy comic verve---of Tristram Shandy and Candide. His characters are thinkers, not doers; they lament, rejoice, beseech, admonish, aphorize, and inveigh in the manner of a Greenwich Village Samuel Johnson. The centerpiece is TOWARDS A BETTER LIFE (1932), a series of grave, malicious epistles by John Neal, a worldly ascetic and philosophical dandy." Pristine copy w/sharp corners & crisp edges, square binding, no creases in spine. Quite presentable. Seller Inventory # RUB954
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