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At his best here--such as his discussion of Joyce's "Work in Progress," the eventual Finnegans Wake--Leavis is challenging and persuasive. Elsewhere, though, his style teeters over the line between the merely elliptical and the long-winded. What T.S. Eliot said of Andrew Marvell might be said of Leavis: there's "a tough reasonableness beneath the slight lyric grace." But the grace wears thin when there's controversy in the air, and Leavis spewed controversy like a critical smokestack throughout his long career. The Critic as Anti-Philosopher is no exception, containing some of Leavis's riotously unfashionable ideas about universities, intellectual life, and the "disaster" of democratic egalitarianism. --Richard Farr
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