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He currently teaches at the Akademie der Bildenden Kunste, and serves architect-consultant at the Urban Commission of Berlin (the "Beirat fur Stadtgestaltung"); and the Urban Commission of Salzburg (the "Gestaltungsbeirate"). For a long time, he has been particularly interested in studying the urban problems especially concerning suburbia. His projects are regularly published in architectural magazines and newspapers.
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Book Description Paperback. Condition: Very Good. Exlibrary with usual library markings. ; 131 pages. Seller Inventory # 711657
Book Description hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!. Seller Inventory # S_393448973
Book Description Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Published by Rockport, 1998. Quarto. Pictorial wraps with flaps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have very light shelf wear and a price sticker on back. 132 pages. ISBN: 9781564963611. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!. Seller Inventory # 124572
Book Description Condition: Used: Very Good. Softcover book. Almost like new, but prior owner neatly printed name at very top of title page. Otherwise unmarked. Seller Inventory # MU-UO3N-VK5D
Book Description Hardcover. Condition: Good. There is neither a singular point of view, nor any preferred direction for viewing the architecture of Italian-born Massimiliano Fuksas. Always attentive to materials, Fuksas chooses those that, while classic, are rediscovered, used differently, and rendered unconventional in his hands. One such material is the tuff, an ancient volcanic stone discovered by the Etruscans. At the Fuksas-designed Cemetery in Orvieto, Italy, the tuff is cut at 45-degree angles and used "dry," without cement between each block. Zinc can be found in several projects: prelacquered black for his Media Library in Reze, all white for Saint-Exupery College in Noisy-le-Grand, or natural for the large "wave" of housing in Candie Saint-Bernard, a stone's throw from the Bastille. Other examples include the pre-oxidized copper for the Arts Center in Bordeaux and the Cor-ten steel for the great wings of that strange prehistoric animal at the entrance of the Cave Painting Museum in Niaux, in the Pyrenees. The projects shown in this collection of Fuksas's European work represent a diversity of styles, colors, and perspectives always mindful of context, yet unique in their own individual ways.-Aaron Betsky. Seller Inventory # SONG1564963616
Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Exlibrary with usual library markings. Rebound. ; 131 pages. Seller Inventory # 805974
Book Description Soft Cover. Condition: Fine. Text in English. 131 pp. There is neither a singular point of view, nor any preferred direction for viewing the architecture of ltalian-born Massimiliano Fuksas. Always attentive to materials, Fuksas chooses those that, while classic, are rediscovered, used differently, and rendered unconventional in his hands. One such material is the tuff, an ancient volcanic stone discovered by the Etruscans. At the Fuksas-designed Cemetery in Orvieto, Italy, the tuff is cut at 45- degree angles and used dry," without cement between each block. Zinc can be found in several projects: prelacquered black for his Media Library in Reze, all white for Saint-Exupery College in Noisy-le-Grand, or natural for the large "wave" of housing in Candie Saint-Bernard, a stone's throw from the Bastille.0ther examples include the pre-oxidized copper for the Arts Center in Bordeaux and the Cor-ten steel for the great wings of that strange prehistoric animal at the entrance of the Cave Painting Museum in Niaux, in the Pyrenees. The projects shown in this collection of Fuksas's European work represent a diversity of styles, colors, and perspectives always mindful of context, yet unique in their own individual ways. Seller Inventory # 5267
Book Description Paperback. Condition: Very Good. Very Good. book. Seller Inventory # D8S0-3-M-1564963616-6