Best American Erotica, Volume 11, The (The Best American Erotica)

9781522698470: Best American Erotica, Volume 11, The (The Best American Erotica)
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Featuring erotic stories by Jerry Stahl, Steve Almond, Roxane Gay, and Touré.

In The Best American Erotica, Volume 11, we learn about the very first penis in science-fiction hotshot Geoffrey Landis's bawdy fairy tale; Touré's breathless prose poem sets us up with an evening's worth of erotic visitors; and in Jerry Stahl's story, a man recalls his boyhood fascination with his mother's friends and their elaborate undergarments.

Included in this collection:

  • "Confessions of a Japanese Salary Man" by Claire Tristram
  • "The Cool Cat" by Steve Almond
  • "The Pitcher" by Sharon Wachsler
  • "Old Tingo's Penis" by Geoffrey A. Landis
  • "Two Guys, A Girl, & A Porno Movie" by Rachel Kramer Bussel
  • "Sex in Space: The Video" by David R. Enoch
  • "Dicks, Digits, Dildoes" by Dawn O'Hara
  • "Recent Reports of Progress Toward Fusion" by Bill Noble
  • "They're for My Husband" by John Yohe
  • "The Conductor" by A. W. Hill
  • "A Red Dress Tale: La Jodida Guarra" by Susannah Indigo
  • "The Devil in her Eye" by Maggie Estep
  • "Snow" by Jameson Currier
  • "A Cool Dry Place" by R. Gay
  • "Man and Woman: A Study in Black and White" by Rachel Resnick
  • "The Boy Who Read Bataille" by Simon Sheppard
  • "Spawning" by Joy Vannuys
  • "A Guest" by Touré
  • "Wax" by I. K. Velasco

Previously published as Best American Erotica 2004.

"synopsis" may belong to another edition of this title.

About the Author:

Susie Bright is the national bestselling author of "The Sexual State of the Union," "Full Exposure," and the groundbreaking "Best American Erotica" series. She blogs at Susie Bright's Journal (http://susiebright.com) and broadcast every week on the In Bed With Susie Bright show, at Audible.com. Whole Earth Review calls her: "A national treasure right up there with the Grand Canyon, the battlefield at Gettysburg, the Okefeenokee Swamp and the Smithsonian Nancy Reagan Memorial Dress Collection."



Steve Almond has published over one hundred stories and poems—in publications ranging from Playboy to Tin House to Zoetrope—and a two previous collections of stories, My Life in Heavy Metal and The Evil B.B. Chow. He is the author of the bestselling novel Candyfreak: A Journey Through the Chocolate Underbelly of America.

DAVID SHIH is a New York based actor. His voice can be heard narrating the TLC series Royal Inquest and the documentary China's First Emperor for The History Channel. In addition to his work on stage, film and TV, he also performs for children in hospitals and care facilities through the non-profit organization Only Make Believe.

Excerpt. © Reprinted by permission. All rights reserved.:
Introduction

Sometimes the most interesting part of a story is the part that's not mentioned at all. After a decade's worth of Best American Erotica prefaces, where I've laid bare the details of my erotic anthologies, I'm finally ready to tell you about the work you've never seen in print. The rejects -- the incomplete, the almost-rans.

They each have their own story that is just as intriguing as any erotic tidbit in this volume.

Each year, I adjust myself to the new erotic zeitgeist. I imagine what would happen if I stuffed all the manuscripts I receive in a time capsule, and buried them for our descendants to unearth in the next century. What would they say about the things that turned us on? As much as we enjoy certain fundamentals of sex -- the flesh, the suspense -- there are minitrends that flow in and out of our erotic history, and they make a distinct impression on me.

Let me give you a graphic example in the not-so-distant past. During the height of AIDS hysteria, I received an uncommon number of stories that dealt with the spilling of blood: vampire tales, blood-brother retellings, and dozens of cutting episodes. I am positive that these blood-sharing tales, whether supernatural or realistic, were a reaction to the sudden fear of HIV transmission -- blood became the ultimate symbol of trust, and of abandon.

Sometimes sexual trends are more shallow, the hula hoops of erotic pastimes. We've certainly seen a vibrator phase come and go, and there was a moment when hardly a writer alive could resist some comment on White House affairs.

Readers don't see the sex trends in BAE with the same statistical parity as they appear across my desk. I didn't want to publish ten vampire stories in one shot -- I refused. I am quite a stickler for variety in the series, and I hate to imagine any reader throwing the book down in exasperation, crying, "Every single one has a dyke with a dildo!" I get complaints from people who don't like this or that, but I contend that we would suffer raw boredom if I followed any particular party line.

When I spot a trend, I try, in my editor's hat, to pick a couple of examples I think are the best literature. But in my unpaid role as a sexual anthropologist, I'm drawn to explore the undercover meaning of a sexual blip on the charts. After all, these various writers who all settle on the same erotic subject don't know each other; they have no idea that scores of others are writing and fantasizing about the same obsession. I wonder if they'd like to be introduced to each other, or whether they'd resent the implication that they aren't entirely unique.

This year's furor was the most sobering of all, in part because I didn't catch it the first time. At the cusp of 2002-2003, I got a giant pile of stories that all focused on men who didn't want to be M-E-N -- they wanted to be divested of their masculine assertion and authority. These were men who wanted to be thrown down and ravished, spanked in hot pink rhumba panties, and made to cry like a baby. Not all of them were cross-dressers, not all of them were S/M in nature -- but to a fault, they all wanted to be told to shut up and bend over.

Hmm, I thought, is this the reaction to that popular video Bend Over Boyfriend? Or is it the general craze of anal sex as equal opportunity for all? Maybe when gay men faced the peril of unprotected anal sex as a high-risk indicator for HIV, straight people just went mad for it. I mused on that notion and went to bed.

In the middle of the night, I went to the bathroom and found myself in a pool of deja-vu, stumbling back to my bed and wondering why all my speculations seemed so secondhand. It was as if I'd considered them all before, in exactly the same way.

When dawn came, I turned on the TV at the foot of my bed, where Secretary of Defense Donald Rumsfeld appeared in an interview about military might and right. I sneezed at the sight of him, and it was apparently the perfect combination of blowing my brains out, because I finally realized why I'd been in this same exact place before.

I had indeed encountered a rash of submissive male fantasies in the past, and it was during the original Desert Storm, when President Bush Senior made the first play against Saddam, his former protégé turned enemy -- the first time a half million troops went to the Gulf.

Good grief! These pouty boys who wanted to be taken down and stuffed like flimsy lingerie were apparently the erotic response to a ferocious buildup of wartime tension.

I didn't spot it the first time around -- it never occurred to me. It was only with the second invasion that the coincidence seemed too much to bear.

Now that I had a new theory, my psychoanalytic antennae were all atingle. Sexual repression is like a jack-in-the-box that you can never entirely stuff back in its hiding place. Whatever we are not supposed to think about in a time of masculine aggression -- fear, weakness, vulnerability -- is exactly the sort of secret fantasies that are going to flourish. No one likes to be alone in the dark, wondering whether they'll be torn apart or survive, but that's exactly the situation you face in a foxhole. The notion of killing a lot of people to make your point may be a source of pride, ambivalence, and nausea, but it has a sexual effect on everyone's psyche. Our erotic instincts are at the core of our emotions and some of our most human, sensitive feeling. Veterans/survivors have had a lot to say on this issue, and so have their families, our whole community. It's one of the bigger ripples in the pond.

The men who wrote all the "bottoming" stories I read this past year didn't provide me with a snapshot of their life history. I don't know if they're soldiers or vets, draft dodgers or pacifists -- submissive hawks or antiwar butt boys. I'm sure most of them didn't give one conscious thought to politics as they wrote their story about being taken from behind. Our sexual fantasies always sneak up on us, and refuse to give their names.

Other trends appeared this year that caught my attention, and I expect I'll see even more of them next year. Sexual relationships between black and white lovers -- which in the past have been politically correct to the point of flinching, or colossal Mandingo knee-slappers -- are finally coming to a place of honest delivery. I look forward to a great deal more American erotica that deciphers individual perceptions of race and sex.

On the authorship trail, male and female authors are continuing to speak in voices that are not identified with their own gender or personal autobiography. I have never had so many stories in one BAE volume where women wrote as men, and vice versa. This is common in mainstream literature, but erotica has traditionally had a touch of memoir to it, as if we could count each one in a census.

Now any prospective census taker will have to dig a little deeper, because the gay street-sex fantasy you just finished reading could very easily have been penned by a fifty-year-old mom who made pickles after she turned in her final draft. I offer her, and the other imaginative writers, my highest regards. I'm thankful to taste for myself that tart piece of the puzzle I was always missing.

Susie Bright

February 2004

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9780743222624: The Best American Erotica 2004

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ISBN 10:  0743222628 ISBN 13:  9780743222624
Publisher: Touchstone, 2004
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