Mist of Midnight: A Novel (1) (The Daughters of Hampshire) - Softcover

Byrd, Sandra

Softcover

ISBN 10: 1476717869 ISBN 13: 9781476717869

Publisher: Howard Books, 2015

Synopsis

In the first of a brand-new series set in Victorian England, a young woman returns home from India after the death of her family to discover her identity and inheritance are challenged by the man who holds her future in his hands.

Rebecca Ravenshaw, daughter of missionaries, spent most of her life in India. Following the death of her family in the Indian Mutiny, Rebecca returns to claim her family estate in Hampshire, England. Upon her return, people are surprised to see her...and highly suspicious. Less than a year earlier, an imposter had arrived with an Indian servant and assumed not only Rebecca's name, but her home and incomes.

That pretender died within months of her arrival; the servant fled to London as the young woman was hastily buried at midnight. The locals believe that perhaps she, Rebecca, is the real imposter. Her home and her father's investments reverted to a distant relative, the darkly charming Captain Luke Whitfield, who quickly took over. Against her best intentions, Rebecca begins to fall in love with Luke, but she is forced to question his motives—does he love her or does he just want Headbourne House? If Luke is simply after the property, as everyone suspects, will she suffer a similar fate as the first “Rebecca”?

A captivating Gothic love story set against a backdrop of intrigue and danger, Mist of Midnight will leave you breathless.

About this title

From the Author:

An interview with Sandra by Jenny Quinlan of Let Them Read Books.

What inspired you to take on the Gothic genre? I loved reading old-school Gothic romances, ones filled with atmosphere and suspense, such as those written by Victoria Holt, but I found it difficult to find many new ones still written with the "traditional ingredients."

As an author, I also wanted to update the concept a little for modern readers, and put my own spin on it, as authors will. I like more of the hero on the page than was present in many of the Gothic romance novels of years past, and I like my heroines to be a little bit less waifish and a little stronger minded than was popular then. I wanted to include just a wee bit more hard history, and I like weaving in an element of faith. But I tried my best to stick to the elements many readers expect from a Gothic romance, which might include:

• A large country house in need of attention and affection, already in disrepair. In some ways, the house represents the heroine.


• A Byronic hero, who might be questionable and always conflicted. The heroine falls in love, but she has to know before she commits - will he prove true?


• Characters--especially servants, but others, too--that may be untrustworthy; our heroine does not know and must puzzle it out.


• Psychological underpinnings, perhaps including madness or a suspicion of it.


• A supernatural element, whether naturally explained or not.


• Parents who are not present or who are dead, so the heroine must rely on her own wit and resources.

Women in the Victorian Era were defined and constrained by strict social mores and expectations. Can you talk a bit about creating a heroine from that era that today's readers can still identify with? They had major constraints, and the heroines in my books cannot just solve their problems like you or I might - but I love them the more for that; they are forced to cleverly use the tools at hand. Truthfully, all of us, then and now, are constrained in some way from the full self-determination we would prefer, and perhaps that is one way we identify with them. And yet ... the human spirit, a strong woman's spirit, faces those challenges head on, tries to think through what she wants, and then plots a way toward it. When roadblocks occur, she finds a way over, around, or through. That was true a thousand years ago and is still true, now.

The very freedom of our age has wrought a new set of challenges. But we still find a way to triumph. Seeing women do that, then, encourages me as a woman to do that, now. If they can be contenders, so can I!

Also - we must all be risk-takers to gain what we want: love, respect, a meaningful life, and personal fulfillment. Today's readers certainly have that in common with yesterday's women, my historical heroines.

How does your faith shape the inspirational aspects of your fiction? My faith is central to my worldview and interests, so it informs the subjects I pursue in my books. Honestly, I felt it would be anachronistic to write about 19th Century England and not have any mention of or interaction with faith; it was completely integrated into daily and weekly life. It interests me how a strong Christian woman approaches challenges in her era and setting. I don't set out, in fiction, to teach, only to show and reveal and understand through the heroine's eyes. Hopefully, that makes a good story whether the reader is a Christian or not.

About the Author:

Award-winning and bestselling author Sandra Byrd has published four dozen books in the fiction and nonfiction markets, including Mist of Midnight, Bride of a Distant Isle (A Romantic Times Book Reviews Top Pick), and her most recent, A Lady in Disguise. For nearly two decades, Sandra has shared her secrets with the many writers she edits, mentors, and coaches. She lives in the Seattle, Washington area.

About this edition

• Publisher: Howard Books
• Publication date: 2015
• ISBN 10: 1476717869
• ISBN 13: 9781476717869
• Binding: Paperback
• Number of pages: 384