Wisdom of the Last Farmer: Harvesting Legacies from the Land - Softcover

Mas Masumoto, David

Softcover

ISBN 10: 1439182426 ISBN 13: 9781439182420

Publisher: Atria, 2010

Synopsis

David Mas Masumoto works a family farm, growing organic peaches, nectarines, and grapes. When Masumoto’s father has a stroke on the fields of their eighty-acre farm, Masumoto confronts life’s big questions: What do his and his father’s lives mean? What have they lived and worked for? “A fiercely tender book” (Deborah Madison), Wisdom of the Last Farmer “tells the most fascinating kind of story, reminding us that, at its best and most authentic, organic farming requires not only soul, but intimate knowledge of place, a deep grasp of subjects ranging from plant physiology to tractor repair, and unrelenting physical labor” (onEarth magazine). In the harvest of his father’s wisdom, and his own, gathered from a lifetime of farming and surviving, Mas finds the natural connections between generation and succession and life, death, and renewal. He tells how to tend and make things grow, and how to know when to let nature take over, weaving together stories of life and death to reveal age-old wisdom in what the The Oregonian called a “sweet taste of farming, family, loyalty, and dignity.” With insights full of beautiful, lyrical descriptions on how to nurture both the tangible and intangible, Masumoto’s quiet eloquence reveals how our own destinies are involved in the future of our food, the land, and the farm.

About this title

About the Author:

David Mas Masumoto is an organic peach and grape farmer who works with his wife, Marcy Masumoto, and their two children, Nikiko and Korio, on their 80-acre farm just outside Del Ray, 20 miles south of Fresno, CA. He has a bachelors degree in sociology from U.C. Berkeley and a masters degree in community development from U.C. Davis. He is a columnist for The Fresno Bee, has written for USA Today and The Los Angeles Times, and has been featured in Wall Street Journal, Los Angeles Times, Time Magazine and New York Times. His farm has been featured Sunset, Country Living, and Glamour Magazines and on television as part of the California Heartland PBS series as well as the nationally aired program "Ripe for Change."

Masumoto has won numerous awards, including the James Clavell Japanese American National Literacy Award in 1986; the 1995 Julia Child Cookbook Award in the Literary Food Writing category, finalist for the 1996 James Beard Foundation Food Writing Award, and  San Francisco Review of Books Critics' Choice Award 1995-96, all for Epitaph for a Peach; Commonwealth Club of California silver medal for the California Book Awards in 1999 and was a finalist for the Asian American Writers' Workshop award in New York for Harvest Son; and the University of California, Davis “Award of Distinction” from the College of Agricultural and Environmental Sciences in 2003. He has been the key note speaker at diverse conferences including International Association of Culinary Professionals, Culinary Institute of America, American Association of Museums, and many more. He also was awarded a Breadloaf Writers Conference fellowship in 1996.

Excerpt. © Reprinted by permission. All rights reserved.:

Chapter One.
FAMILY HEIRLOOM

I DRIVE TO OUR farmyard on a tractor, dragging a plow that broke when I hooked a vine. I had been working too fast, trying to keep pace with the warm spring days and early rains and the ensuing assault of weeds. My dad works behind the shed, wandering around his tractor.

It's February and our eighty-acre organic farm in California explodes with life. Peaches and nectarines are blooming, and grapevines are pushing out pale green buds with miniature bunches of grapes. In three months, if all goes well, we will gorge ourselves on the first peaches of the season. In six months, we can dry the bulbous grapes into raisins.

But the weeds are flourishing, too. Innocent-looking for a day or so, they keep growing, spreading thick over the landscape until, soon, a lush, tangled mass of fibers competes for water, nutrients, and sunlight, stunting the development of my crops, robbing fruits of the essentials they need to grow fat.

I am an organic farmer of peaches, nectarines, and grapes in Central Valley, California. Organic farming is not simple or easy, and the physical work breaks me. Everyone tells my father and me that it's too hard to farm organically and survive financially, to make money at it. It's easy to want to be environmentally responsible, but it's a damned hard thing to achieve. I cannot replace tedious labor with faster technology or equipment when things go wrong.

My father and I do most of the work ourselves. With our budget getting tighter and tighter every year, our farm demands more and more hard labor. It's exhausting. If we miss a few worms when they appear on leaves or on young fruit, a ruinous outbreak can ensue that we can't fix with a fast-killing chemical spray. An infestation is like catching a bad flu with no medicine readily available. I often whisper to myself, "This farm is going to kill me." So, this week, I have asked my seventy-six-year-old father to do some extra disking for me -- to help cultivate and plow under the weeds. For a moment,I believe I might catch up.

Dad shuffles around his tractor as the engine roars. He looks perplexed. At first I wonder if he's trying to listen for something wrong with the engine.

Dad is great at repairs. He had to be, since our family was poor. My grandparents emigrated from Japan a hundred years ago with dreams of owning a farm. Instead, they found racist alien land laws that prevented foreign-born "Orientals" from buying property. So they worked and waited, expecting that their American-born children would be able to purchase land and establish a farm, but World War II intervened and they were all relocated to internment camps, together with all Japanese Americans from the West Coast. Because they looked like the enemy, our family spent four years behind barbed wire in the Arizona desert. Afterward, with no other place to go, they wandered back to Fresno, California. In 1950, after more years of field work, Dad finally realized his own father's dream and was able to buy our farm.

Like most farms in the area, we started with grapes for drying into raisins, muscats for cheap wine, and stone fruits -- plums, peaches, and nectarines. Eventually we gravitated into mostly peaches and grapes because they worked well in our soil, and we loved to eat them, especially the rejects that grew too soft to sell.

Isolated and without capital, Dad quickly learned how to restore and repair old equipment, to tackle farmwork creatively and make the most of situations. Accept, adapt, adopt. That's how he and many Japanese Americans survived. I believe that's why he and I worked well together when I came back from college and started us at the bottom of the learning curve for organic farming. I wanted to grow crops without herbicides, fungicides, or pesticides. So, since I had inherited my father's passion for hard work and his love of heirloom fruits, we became partners. Dad allowed me to farm with alternative, unproven methods, and we made mistakes together, learned as a team how to farm differently. Dad taught me the power of recognizing problems, analyzing them, and identifying new ways to go about things.

We have finally begun to make headway in the fields and the market. Recently, we'd begun to be rewarded for our efforts by the increasing number of consumers of organic fruit who demand authentic flavors. The delicious tastes and aromas that Dad and I seek in our fruit cannot be mass-produced or manufactured. They come only from nature -- and authentic work. They stem from a joint effort between farmers and our living materials -- often more artful effort than applied science. In spite of our progress, however, we'd come to a point where the only way I knew how to meet our own and our customers' expectations was to work harder. But if we kept going as we were, we would soon reach a breaking point. Farming necessarily takes part in the cycles of life and death, but we organic farmers want to concentrate more on the former than the latter, on growing life-giving food with life-enhancing methods. We want to bring life to fruition, to be part of the creation and preservation of good things. We want to take joy in our work, not kill ourselves with it.

Yet organic farming continually challenges us: We have to weed by hand, and readjust our equipment to accommodate different scales of operation and procedures than those on automated industrial farms. We monitor our crops constantly in order to get rid of worms and insects before they proliferate and take over. Plant diseases -- molds, fungi, viruses -- demand that we experiment with simple but unreliable treatments. All our methods take vast amounts of time -- plus we have to anticipate the weather, react quickly to changes in temperature and wet and dry conditions, and always, always respond to nature, when she is predictable and when she is not. The rewards, though, are wonderful: we have saved from extinction distinctive heirloom peaches and nectarines whose nectar explodes on the palate, as well as grapes that make sweet, plump raisins.

Dad is a gentle, quiet father. I believe that he was happy when I took over the farm two decades ago, but he rarely expresses it. I sense that it pains him to see me work so hard. He knows too well the toll of all this physical exertion. He rarely complains; I only hear from Mom about his long, restless hours of back pain as his body ages.

I walk up and stand next to Dad by the tractor, and we lean together toward its thundering engine to listen. Then I look at his face. He is having a stroke: the right side of his face droops, his eyelid almost sealed shut, his eyes glazed. He looks lost and he doesn't recognize me.

As he begins to limp around the tractor, I hold on to him, trying to keep him from stumbling, falling. I don't know what to do, but think I should first shut off the engine and then get him inside the house. I feel responsible. In my drive to grow the perfect peach and the sweetest raisins, have I contributed to this sudden illness of my father? Could he die because of me?

I manage to turn off the engine, and as the tractor rumbles to a stop, I try to maneuver Dad inside. But he fights me, insisting on returning to his tractor. Still in shock, I give in to his will, feeling such guilt. Dad reaches for the tractor-seat cushion. At the end of the work day, we traditionally flip up the pad so that the morning dew will not collect on it and bother the next driver. With a trembling left hand, he flips it, then allows me to guide him away, his right arm -- his dominant hand -- dangling as if lifeless. Together, we limp toward the farmhouse.

· · ·

A few days following Dad's stroke, I discover tracks into the farmyard from what I believe may have been his last tractor drive. The soft dirt captures his weaving and swerving as he frantically returned from the vineyards.

Dad had been working the vines with our tractor, dragging a tandem disc that plows weeds. Our yellow tandem has sixteen circular blades divided into four gangs. The two halves of this equipment mirror each other, which is why it is called a "tandem." The gangs are adjustable so we can extend them wide to cut weeds that are closer to the vines, or keep them centered down the middle of the rows. At this time of year we set the disc out wide so that it can reach into the vine berm to plow under small weeds before they grow larger and become even bigger problems in a few months.

Disoriented from the stroke, Dad parked the tandem and tractor behind the shed at an odd angle. Big chunks of a couple of old grapevines that had been torn off are lodged in the right front gang.

The tire tracks lead from the shed down two short avenues. The twisting trail is not hard to follow but painful for me to see. Dad struggled so hard to steer straight as his brain was assaulted by the stroke.

I trace the tracks back to rows 25 and 26 in our oldest vineyard, a nine-acre block that we called the Eleven-Foot Vines. The rows there are spaced eleven feet apart, whereas in most modern vineyards the spacing is wider, typically twelve feet, in order to accommodate larger equipment. Horses and mules may have worked well in eleven-foot rows, but not tractors. Because all our other vines are spaced at twelve feet, we always have to adjust equipment like the tandem to fit these narrower rows and avoid the risk of taking out a vine.

Half of these vines are close to one hundred years old. When originally planted, there had been forty vines in each of the sixty-five rows; but these rows contained seventy-five vines each. Dad and his brother, my uncle Alan, had extended the rows in 1953, a few years after Dad had bought the farm. In fact, they were planting these new vines when my grandfather, Dad's and Uncle Alan's own father, had a stroke and died on another part of the farm.

Halfway down row 25, three vines have been ripped out of the ground along with their metal stakes. The trellis wires are snapped, the stakes bent and tossed to the side. Two of the vines lie on their sides, most ...

About this edition

• Publisher: Atria
• Publication date: 2010
• ISBN 10: 1439182426
• ISBN 13: 9781439182420
• Binding: Paperback
• Edition number: 1
• Number of pages: 272